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*300 copies limited release* The second of Polytechnic Youth’s new releases for March sees a return to the label for Colin Potter, revered not only for his home 4trk recordings of experimental electronics, minimal synth and DIY cassette output from 1980 onwards, and his esteemed ICR label also of course his continued work as part of Nurse with Wound. His celebrated back catalogue has -alongside a killer body of new recordings- been reissued on vinyl for a first time by labels such as PY, Deep Di…
New Forces is proud to release this CD edition of Evil Moisture's landmark 1997 LP "Gak." Remastered from the original source tape by Grant Richardson, Gak exceeds categorization, description, and even quantification. Across 33 tracks (or is it 53 tracks? What about all that "No Gak"??) - Andy Bolus shows why he is the undisputed master of tape-noise insanity. Chopped, cut, and sewn back together with a blend of genius and madness. This is nothing less than an inspiring piece of experimental sou…
* Edition of 70 copies * Continuum-collage piece by Lithuanian composer Arturas Bumšteinas created in 2015 from incidental music sampled from various Lithuanian radio drama's from the 1950's to 2000's. A strange heady brew which juxtaposes music, sound effects, rudiments of vocal expression and various acoustic instruments among others in a compelling cut-up, reminding at times of People Like Us or Dirk Schaeffer's recent work for Peter Tscherkassky's movies.
Tip! *100 copies limited edition* Erosion is a sprawling yet focused love affair with the bass drum, allowing myriad objects to playfully interact with its grand form. Kevin and Jacob engage with the instrument in an entirely unrelenting way, traversing textural, pointillist sections, as well as rippling metallic drones. Notice’s admiration of Kevin and Jacob’s work goes back to circa 2008, with Kevin’s album with Tetuzi Akiyama and Christian Kiefer on the much-loved Digitalis Industries, and J…
**70 copies** A little bit more than a decade ago, we were introduced to the music of Filipe Felizardo. In all those years we’ve learned about his chameleon-like ability to adapt different states of mind and perception to the way he plays guitar. “Red Cross” is his last declared homage to the late John Fahey, but also a record representing all the imprisonments and liberties of living during a lockdown. The two tracks in this release exist in two different moments. “there’s an endness to it” is…
Arnold Dreyblatt has been called "the most rock 'n' roll of all the composers to emerge from New York's downtown scene in the 1970s." Arnold Dreyblatt founded the Orchestra Of Excited Strings in 1979, harnessing unusual tuning intervals to an exuberant performance style. Propellers In Love, the Orchestra's second album – originally released in 1986 on the Stasch imprint, in conjunction with the contemporary art space Künstlerhaus Bethanien – develops Dreyblatt's rhythmically exacting exploration…
Dovetailing and combining the rich harmonics of Michel Doneda's soprano and sopranino saxophone with Pascal Battus' rotating surfaces--mechanisms from small consumer electronics and their like put in motion and in contact with resonators and vibrators--this French improvising duo create fascinatingly shifting, unusual textures and sonic environments.
Tip! Parallel Traces of the Jewel Voice by dj sniff is a project that takes inspiration from historical narratives and personal memories constructed around The Jewel Voice Broadcast (Gyokuon Hoso) that took place on August 15 of 1945. Contrary to common belief, Emperor Hirohito did not speak live on air to announce the surrender of Japan on this day. Instead, two lathe-cut discs with his recorded voice were skillfully mixed and played by NHK engineer Shizuto Haruna. Haruna’s proto-DJ/turntablist…
In an interview for The Wire magazine back in January 2012, Spencer Clark claimed that one the most important "lesson" learned while performing with The Skaters was "stay true to your imagination". Taking this life motto at heart, Clark's world today is still a place of wonder and myth, conveyed through a myriad of aliases and invocations like Vodka Soap, Fourth World Magazine or Typhonian Highlife. Always the wide-eyed mystic and searcher of the netherworld, Clark surfaces again on Discrepant s…
A globetrotter in the most pure and respectful sense, away from the trappings of neo-colonialist ventures and predatory tourism, Discrepant head honcho Gonçalo F. Cardoso returns to his Island impression series to offers us another glimpse of his deep, abstract impressions of (an)other island. After passionately collecting the sounds and lives inhabiting the main Island of Zanzibar, Unguja, released through Edições CN back in 2018, Cardoso now dwells into the Malaysian heartbeat of the Borneo fo…
Tip! Elders is the debut release from Ensemble Nist-Nah, a nine-piece percussion group led by Nantes-based Australian drummer and percussionist Will Guthrie. The diverse group of French musicians that make up Ensemble Nist-Nah – whose collective experience encompasses traditional Gamelan performance, contemporary composition, noise, jazz, and everything in between – perform on drum kits, traditional and junk percussion, and a complete set of Javanese Gamelan instruments. Though building on the f…
Dirk Serries (worldwide renowned for his ambient alter-ego Vidna Obmana from 1984 till 2007) returns to this expansive sound universe with a new collaborative album that redefines the genre. Together with alto saxophonist Trösta the duo delivers a breathtaking album just in time to comfort, soothe and challenge in these darker times. Island On The Moon is a symphony of harmony, depth and nuance. A solace drenched in melancholy and light, made without the aid of computers but by the hands of two …
Wire were born at the dawn of punk, but they became the quintessential art band. In the three closing years of the 1970s, the English quartet had one of the greatest opening runs of any band, shifting to post-punk before punk began to go stale and forging three masterpieces in a creative furnace so hot it burned out by the end of 1980. Those albums-- Pink Flag, Chairs Missing, and 154-- still sound remarkably fresh, and have been re-mastered and reissued with their original vinyl tracklistings, …
*200 copies edition* In its own way the music of British duo brothers Mark and Clive Ives—known creatively as Woo—seemed destined for a digital world that the internet offers. They began making music together decades ago, but it’s only been within the last decade that they’ve started to receive the critical acclaim they rightly deserve. Their music is largely instrumental (though not always the case) and is perhaps the best example of “mood music” I can think of. Occasionally it’s meditative and…
We're heading for the dark side of the krautrock kaleidoscope with this month's Electronic Sound cover stars, the inimitable Can. Prompted by the release of 'Live In Stuttgart 1975', the first in a series of archive Can gig recordings, we speak to Irmin Schmidt about the band he created with Michael Karoli, Holger Czukay and Jaki Liebezeit towards the end of the 1960s. As we try to deconstruct their wholly unique brand of sonic voodoo, Schmidt reveals the inner workings of Can, together with his…
We're marking 40 years of the one and only Chris & Cosey in the new issue of Electronic Sound. Our cover story is an in-depth interview with Chris Carter and Cosey Fanni Tutti, who look back over the highs and lows of their incredible musical partnership, which they formed straight after Throbbing Gristle imploded. The fact that Chris and Cosey are a couple has always been central to everything the pair have done, including the 20-odd albums they have released under a range of different guises, …
Second Sleep presents Mercury Hall's latest release Night Calls. Mercury Hall is the solo project by the label's founder Matteo Castro, one of the most relevant figure in Italian noise scene. With this solo project, Castro delivers long excursion of concrete music.