We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Special 15% discount on all available VOD Records items until Monday at midnight!

Experimental /

The Suncrows Fall and Tree
* Edition of 75 * Originally released on CD in 2006 on Sedimental 'The Suncrows Fall And Tree' pushed Stefano Pilia to the forefront of the European experimental avant garde scene showcasing his incredible knack for creating beautiful soundscapes, blissful ambience and electroacoustic compositions that speak to the heart. His sound can aptly be defined ‘ecstatic', in the purest sense of the term, as a result of the exploration of these points of focus, through multi-instrumental practice and inv…
The harmless dust
The Harmless Dust is a unique release in the discographies of both David Grubbs and the Athens-based cellist Nikos Veliotis (Mohammad). In 2005 the duo were on tour in the U.S. in support of Grubbs’s album A Guess at the Riddle when they took a most productive break at John McEntire’s Soma Studios, over the course of a day laying down something utterly different from the song-based set they were playing most evenings. The Harmless Dust presents the same composition in two arrangements: one for p…
Arborvitae
This is the first LP release on Loren Connors’ and David Grubbs’ Arborvitae, originally released on CD by the Swedish label Häpna in 2003. Loren Connors and David Grubbs first performed as a duo on May 30, 2003 at the Green-Wood Cemetery Chapel in Brooklyn, N.Y. Green-Wood Cemetery is one of Brooklyn’s landmarks—it’s the highest natural point in the borough, and an unexpected expanse of tranquility in the midst of the city. The stone interior of the chapel makes the quietest of sounds audible, a…
Gaznevada
* Limited to 100 copies * The end of the 1970s was an historical period of great social and cultural tensions and changes, the Gaznevada band was formed within this context. Their first recordings are collected in a K7 simply titled Gaznevada. Recognized by critics as the first publication of Italian punk rock, this production is a “time window” open to this historical period, it records intact the ingenuity and contradictions, but also expresses its creativity and energy. Released in 1979, the …
Sick Soundtrack
* Edition of 300* The end of the 1970s was an historical period of great social and cultural tensions and changes, the Gaznevada band was formed within this context. Their first recordings are collected in a K7 simply titled Gaznevada. Recognized by critics as the first publication of Italian punk rock, this production is a "time window" open to this historical period, it records intact the ingenuity and contradictions, but also expresses its creativity and energy. Released in 1979, the K7 Gazne…
Avvitagalli
* Sold out at source. Edition of 60. Handstamped and numbered *  A summer recording session, conceived as a dadaist collage sound experiment and edited in the traditional apulian cooking style. Efisio Biancofiore: Potatoes, handmade metal & wood instruments, reed objects.Pino Montecalvo: Rice, keyboard, bass, plastic bone, some toys and voice.Valentina Magaletti: Mussels, drums, percussion, magnetic sources.Thanks to Gianluca Ranieri for his saxophone fragments.
Colliding Wind
* Edition of 250 copies. 180g vinyl, includes insert * The ambient/cross-genres record label Concentric Records (Simone Merli / Soundwalk Collective & Luca Calo / Born In 1986) - launches Colliding Wind, the second compilation of its introductory release trilogy. Featuring music by Christina Vantzou, Echium, Etapp Kyle, Jana Winderen, Kareem Lotfy, Soundwalk Collective, Tragic Selector (Daisuke Tadokoro & Terre Thaemlitz), the album is composed of a wide spectrum of ambient, field recording-base…
Glowing Sounds
Harry Bertoia's Glowing Sounds LP contains three versions of the same composition, each transferred at different tape speeds in accordance with the artist's instructions. This is the third LP to be released from Bertoia's extensive tape archive and it's the first, of many, to be released using instructions left behind by the artist himself. Bertoia wrote the concept for this Glowing Sounds LP on a note in 1975 and slipped it into the master tape case where it sat unread for 45 years. The idea wa…
I Belong To A World That's Destroying Itself
* 2021 Stock * Ironic Records presents I Belong To A World That's Destroying Itself (Aka Revenge) by Annette Peacock. Recorded simultaneously live at various studios in New York, 1968. Annette Peacock gets it right again. In the lyric booklet here she writes "This is my first record. It was the right album, in the wrong century." Startling but true. An earlier version of I Belong to a World That's Destroying Itself was released as Revenge by Polydor in 1971 - the same year as her classic I'm the…
I Have No Feelings
* 2021 Stock. Original 1986 copies * Ironic Records presents I Have No Feelings, a studio album released in 1986 by Annette Peacock. Line-up / Musicians: Annette Peacock / vocals, keyboards, bass, arrangements, programming, producing, Roger Turner / percussion. Artwork by Alfreda Benge. Recorded at Eel Pie Studios. Mastered at The Town House. Born in 1941, Brooklyn, New York. American composer, arranger, producer, musician, lyricist, singer. Composer of Paul Bley's repertoire from 1964 - 73. Pro…
Whistling Kettle Quartet
* 2021 Stock. Last copies. * A singularly brilliant work for baritone, tenor, contralto & soprano whistling kettles from this unpredictable Argentinian collective Reynols seems to be more active than ever. Responsible for a bunch of highly conceptual projects such as the '10.000-chicken Symphony', 'BlanTapes', 'Fire Music', 'Reynols Plays the Eiffel Tower', etc. this sound-art piece redefines a traditional format in classical music, 'the quartet', in order to expand its boundaries and possibilit…
SMDSii
** Edition of 150. 2021 Stock ** There are two ways to use sound: in one way sound is close to music, however, it is also close to sculpture. In fact, it is not the medium that’s important but that you have a beginning and an end and that you can move around in the space. Noise is a material aspect of sound. SMDSii is an exploration of noise, space and time - as they are constituted formally through sound as well as through the tangential relations within and between audiences and the practice o…
Impedance
** Packaged in a deluxe, heavy duty tip-on gatefold sleeves printed by Stoughton; cut by Golden Mastering and pressed at RTI ** Alina Kalancea's Impedance is an entirely instrumental album spanning four sides, contains powerful rhythmic sequences, heart-beating frequencies and hypnotic loops that are paradoxically encapsulated in carefully crafted compositions which are full of secret passages and hidden doors. Kalancea's work creates ungraspable sonic experiences, which overtakes you, immersing…
Distortion Hue
** Edition of 300 ** For more than a decade, the Los Angeles based musical and composer, Byron Westbrook, has woven a progressively intricate tapestry in sound, bridging the worlds of sound art, avant-garde electronic music, and synthesis. He is an artist of rigorous detail, for whom the creation of hyper specific environmental contexts is a means to deconstruct what is presumed or imposed upon a given spectrum of sound. Extending from and beyond the ground covered by his 2017 LP, Body Consonanc…
A Morphology of Wonders
** Edition of 300 ** Timelash is the freshly erupted synthesizer & SFX duet of Embassador Dulgoon (Nonlocal Research) and Corum (Psychic Sounds / Million Brazilians). Together they reveal new sound forms by playing with primeval motifs contrasted sharply against unfolding futuristic developments. The result is a simultaneous listening experience of ancient and alien settings told through their unique rhythm of language by mood-driven atmospheres, exotic tones, and electrifying sci-fi Cumbia jolt…
Temidden Laaghangende Wolken
** Edition of 250 ** The Begotten is the brainchild of Jürgen De Blonde (Köhn/de portables) and Brecht Ameel (Razen), who initially performed a number of shows and released a CS under the moniker 'Kohier' - gleefully referencing the absurdity of Belgian tax systems and institutions. On their debut LP "Temidden Laaghangende Wolken" they are joined by percussionist and improv-veteran Dirk Wachtelaer (Pablo's Eye/Vanishing Pictures), who locked with De Blonde and Ameel's post-reality continuum duri…
Livets Ord
** Limited edition of 300 copies with insert ** From the early days of the found-sounds recordings (like the downright scary Unga Röster album and the hilarious Mandys Bil 7"), the homespun kitchen recordings/tape collages of the still-going Idiotmusik series to the more carefully elaborated and precise Leendet Från Helvetet and Knutna Nävar albums, the massive Livets Ord dropped like a bomb when it originally surfaced as a self-released cassette in 2018. Heavily based on synths and keyboards an…
Pop Ambient 2021
It’s 2020, the year Pop Ambient turns twenty-one years old, a spritely young adult waltzing out of its teenage joys and tears. Pop Ambient has always stood for a certain classicism and elegance, a kind of beatless music that’s diaphanous and hazy, gossamer and glittering. It’s a music that’s no less inviting for its slow pace and becalmed nature, with a different kind of tension bubbling under the surface. For twenty-one years, Kompakt co-founder Wolfgang Voigt has curated a series of peerless c…
Seconds Mark III
'Seconds Mark III' is the third iteration of a unique work within the sprawling discography of Alastair Galbraith: poet-dilettante, improvisor extraordinaire and one of the most important figures of New Zealand's storied DIY underground. "Commencing his collaborative musical activities in the early 1980s as part of Flying Nun outfit The Rip (with Jeff Harford and Robbie Muir), it was almost a decade earlier when Galbraith first invested in the violin, an instrument that would accompany him throu…
Nerve Net
Reissue of Brian Eno’s 1992 album which found him returning to a more rock-oriented sound, albeit skewed through an aesthetic that is simultaneously playful, funky and claustrophobic, and featuring a mixture of vocal and instrumental excursions. Includes contributions from Robert Fripp, Robert Quine and John Paul Jones.