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*Expanded gatefold reissue of Loop's head-burning 2nd album* The band's 1989 LP was their second album proper, following on from their 1987 debut Heaven's End and The World In Your Eyes compilation released in 1988. By this point the band's line-up was all-but unrecognisable from its original roster, with both bassist Glen Ray and drummer Bex having been replaced, and yet the music policy remained very much on course for Fade Out. A variety of studio tricks heighten the sense of experimentation …
2LP Edition with insert and printed inners - featuring exclusive material from Mark Fell, Bass Clef (Some Truths), Miles Demdike and Joane Skyler. Collecting four acutely contrasting live presentations by Mark Fell, Miles Whittaker, Some Truths (Bass Clef), and Joane Skyler, recorded in Bäsel, Switzerland, 28th September, 2013 for the closing party of Thomas Baldischwyler's 'Hot Knobbing' installation at Oslo 10. The record presents 12+ minute tracks from each contributor's set yielding very dif…
The Confusional Quartet are Enrico Serotti, Gianni Cuoghi, Lucio Ardito and Marco Bertoni, a four piece experimental band with new wave, avant-garde and post rock influences who have been recording since the late 70s. Having first released their debut album more than three decades ago, they now return with a new, eponymously entitled full length on Hell Yeah recordings, due for release in October 2012 and accompanied by fabolous artwork by Andrea Amaducci. One of the most recognized Italian band…
Gerd Kühr is a synonym for combining complexity and simplicity, modernity and “tradition”. Revue instrumentale et électronique - spatial composition for an instrumental ensemble and recorded sound in six movements – manage to cross and unite great variety of aspects of musical expression: complex, though powerful rhythmical constructions with hard accented percussion - boosted through ensemble spread in a room - and highly lyrical passages with extreme appreciation of time structured silence. Al…
Debut solo album by Norwegian vocal performer whose distinct way of working with her voice has a strong focus on intervals, repetition and texture. Recordings were made indoors and in outdoor environments, to give things a site-specific field recording vibe.Stine has been active for a number of years in different constellations and as a solo performer, but In Labour is her debut solo album. Stine has a distinct way of working with her voice - with a strong focus on intervals, repetition an…
Reinhold Friedl and Dirk Dresselhaus come from really different backgrounds: Dirk Dresselhaus has released several experimental-electronic freak-pop recordings as Schneider TM since the late '90s. He started making music in the late '80s and developed his personal approach to sound and structure as an autodidact, starting with guitar effect devices and four-track home-recording. Reinhold Friedl studied mathematics and music, won scholarships and international commissions, and built up the ensemb…
Recorded at H sei University, Tokyo, April 26, 1996.'No band on Earth has ever sounded like Fushitsusha. Sure, there are antecedents to their mind-scraping, soul-searing roar: Blue Cheer's in there, as is Hendrix circa 1970, when he'd given up the showmanship of 1967 and '68 and aimed himself straight at the heart of the music, but nobody ever exploded the rock power trio form the way Keiji Haino, Yasushi Ozawa and Jun Kosugi did. Clad in black, impassive and stoic, the bassist and drummer buil…
Marc-Alexandre Reinhardt: drums, electronics, piano, field recordings. Steve Bates: guitar, electronics. Plus guests, Burkhard Stangl (additional guitar, electronics), Toshimaru Nakamura (no-input mixing board), Sophie Trudeau (violin, electronics). Recorded and mixed by Steve Bates in Montréal, late 2012. Mastered by James Plotkin. For those who appreciate: This Heat, Yellow Swans, Magik Markers, no wave, New Zealand noise...For their second full-length release, Lanterner will work again with …
*LP limited edition of 299 copies* Thurston Moore, electric guitar. Margarida Garcia, electric double bass. 'With Sonic Youth on hold, Thurston Moore has time to venture out into the world of improvised music and plays around a lot. The instruments are the electric guitar for Moore and the electric double bass for Garcia. The electricity brings a certain 'body' to the proceedings, which makes it easy to play a bit more loudly than one would perhaps expect. Moore and Garcia don't play noise, but …
Senastional new full-lenght album from this legendary band, Blow Up record of the Month! Rome is a city of oxymora. An antithesis of History and stories. A perennial contradiction between cement and people. Between freedom and reason. Between sex and destructive desires. The city's inhabitants build their reality out of the imagination of an entire population, almost as though they were a polycephalic slime, a miry, unicellular mould capable of accomplishing extraordinary wonders, almost on…
Restocked: outstanding reissue, Choice finds Arnold Dreyblatt making his instruments and chosen musicians sing and chime from minimalism to moments of forthright completeness over two sides of vinyl which demand an honest listen and are ultimately rewarding when given such. Curated from more than thirty years (1981-2007) of live recordings, the LP is all the more remarkable for not sounding like a compilation of music made over such a long time-frame at all. Often characterized as the most…
* Limited edition of 100 copies on clear green vinyl. Silkscreened cover * Bloody Language is the new Control Unit single and represents a new phase of the band after exploring various forms of improvisation and after they has experimented with a large range of dynamics and tonal variety, are now composing their songs reconnecting to the tradition of rock 'n' roll in all facets (psychedelia, industrial, punk, no wave ...).Three new exclusive killer tracks! Released in two different vinyl colours…
**Initial copies pressed on Initial copies pressed on transparent wax** Driven by my love for solo albums by drummers and percussionists like Jon Mueller, Wil Guthrie, Nick Hennies and Burkhard Beins, I've made Drum Solos. It's my take on a solo drum record, despite the fact that I lack the talent to hit a steady beat or a play a drum roll. Instead, I used the sounds of a drum kit as a source for further processing.I booked a rehearsal room with a drum kit, and recorded as much sounds as I could…
An outstanding lbirary LP (Originally on Cometa) played by Pulsar, a short living group formed in 1976 by jazz musician Enrico Pieranunzi and Silvano Chimenti , was called The Pulsar in honor of the neutron star and, to date, it was thought that their only album had been used for the soundtrack of the MarioCaiano's movie Milano Violenta. The feel of the album is similar to that of some of the best tracks on the Stroboscopia comps – with lots of tight drums, rumbling basslines, and cool electric …
Few copies restocked - recorded in 1970 during the same period of "Overground", Uderground was recorded into 2 volumes (RT 104 and RT 16), both released in the same year in may and june at Dirmaphon studios, Roma. Together with Overground these records are really fascinating instrumental Free Jazzy/Psych Libraries, released with the auxiliary of historical Rai session musicians as guitarist Silvano Chimenti and organist Giorgio Carnini. This record collects all Underground' tracks in 1 LP.…
A cloud of quick gray motion, a presence in the forefront, then rapid withdrawal. A dazzling cloud, swirling, drawing together to the thinnest of waists, then wildly twisting in pulses of enlargement and diminution, a fluid choreography of funnels, ribbons, and hourglasses, spills and mixing, ever in motion and achieved through scale-free correlations.
Four year after the album L’Isola (“The Island”, Snowdonia) based on a noir-horror story by Alda Teodorani and three years after the shocking techno-hc cd-single Preti Pedofili (“Pedophile Priests”, Sussidiaria), Le Forbici di Manitù think back to three decades of eclectic activism on the edge of the Italian music scene - with influences ranging from post-punk to noise, from prog-rock to ambient, lounge and folk - in a "Self-Myth-Anthology" that collects rare tracks from various singles and comp…
*200 copies limited release* Another stringed drone ritual here - but less choral than the quartet session - where the cello and the harmonium (or the accordion organ) are endlessly chasing each other aiming to the perfect sinergy around the same tune, resulting in a deep and intense meditation practice. Exquisitely mixed and mastered by Jon Wesseltoft in Oslo, 2013. A single nineteen minute track captured live in Oslo, 2010 in the same period of the astonishing Cold Burn LP (Feeding Tube Record…
Niagara are pushing modern house music in yet another direction. Their debut introduces one to their own unmistakeable balance between tropical psychedelia and danceable electronica.The Lisbon based trio's unconventional song structures rely on a stripped down junction between hypnotic repetition and immersive, experimental, spaced-out blips and cuts. Drawing equal parts of their raw analogue execution both from classic chicago tracks as well as mid 70s german experimental rock and electronic ae…
Performed and recorded by Enrico Malatesta, August 2013. Skin instruments and metal objects. Mastered by Giuseppe Ielasi. Enrico Malatesta (1985) is a percussionist active in the field of contemporary music and his personal research is aimed to extend the sonic and multi material possibilities of percussion instruments through simple gestural techniques, able to realize complex polyrhythmic thicknesses and multiple information that exist between performer, space and instrument. Regularly works a…