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**This special picture LP is limited to 444 numbered copies** An awesome album by an underrated composer, the idea for this project came about after a visit to Calcutta in 1990, and through the nightmarish experiences during that short visit. The concept of aurally conveying the horror of a gas chamber was realised through field recordings in an abandoned electrical power station in Brisbane in 1992. The sounds are grating and harsh, a mixture of field recordings and electronic manipulations. On…
This is easily the most frightening and naked recording by Greek vocalist Demetrio Stratos, scripted by poet Nanni Palestrini and later choreographed by Valeri Magli after his death. The text of Le Milleluna was 100 words, all beginning with the letter "s" and all of which had some sexual allusion or connotation. The show that Stratos performed was completely free of all academic exploration. Instead, he had internalized each of these words for an articulation original to the performance of the…
Mere words can’t describe the impact of an album where the only instrument is the voice of Demetrio Stratos (actually, there are few synthesizer inserts played by Paolo Tofani). Originally released in 1976: a unique work where Demetrio Stratos makes any kind of experiments and sounds with his voice, reaching and going over the limit of human capabilities. Beautiful digipack
The lost live album by the late great Demetrio Stratos, Area's vocalist and leader. Recorded back in 1978, this album has been the missing title in the remastered reissue series on Cramps.
Restocked, special discounted price: one of his best and 'more affordable' release, Demetrio Stratos live in 1979 with Lucio "Violino" Fabbri (PFM violin player).The amazing research of Stratos brings many suggestions of unexplored fields of research that are still to be studied such as the particularly stimulating and innovative pre-eminence of the meaning over the meant, and the ritual value of the voice.[12] His research into the field of phonetics (Articulatory phonetics, Acoustic phonetics,…
Peter Rehberg (Pita) and Marcus Schmickler have been two of the leaders in the electronic revolution of the last fifteen years, both on their own and in collaboration with others. One (Snow Mud Rain) is the first duo CD from these two long-time friends and associates.Rehberg co-founded the massively influential Mego label in 1994, and soon after began recording under the name Pita. His first solo release, Seven Tons For Free, came out in 1996 and was a kick in the teeth to all those who heard it…
RESTOCKED! Finally available again, a must have early footage video documenting the incredible performances and vocal techniques of Demetrio Stratos, lead singer and organ player for Area. "Suonare la voce" is the most complete video collection of both performances and vocal studies of Demetrio Stratos during his solo years, with John Cage, M. Cunningham ecc. The VHS release on EMI has been longtime out of stock, now this very rare footage is available again in digital format.
Restocked, special price: digipak CD with 16 pages booklet, reissue of a 1978 LP out on Cramps Records. His research into the field of phonetic and experimental poetry led to his freeing his voice every naturalistic restraint, restoring its depth and dimension. The result of this van be heard in the two recordings of his compositions "Metrodora" and "Cantare la Voce" where what sounds like an instrument is in fact his voice.
Birchville Cat Motel is the project of New Zealander Campbell Kneale, who has from his base in Lower Hutt since the mid 90-ies established himself as the leading voice of this generation of NZ sound artists. Gunpowder Temple of Heaven is a new highlight in his extensive discography. A single 40 minute long-form piece that keeps building and unfolding; heaven for drone-noise enthusiasts. The CD comes with a booklet with a complete Birchville discography as well as liner-notes by Bruce Russell. Fr…
a new compilation CD documenting the forgotten history of Australian experimental music, beautifully packaged, absolutely fundamental! "one of those rare compilations whose desire to edify is equalled by its unabashed enthusiasm, and whose audio matches and sometimes exceeds expectations. Musically, it answers many questions about our history and poses still more - The Wire, August 2007....represents one of the first serious investigations into the sparse recorded history of experimental sound p…
Original material by Nurse With Wound. Recorded 2001-2003. Dismantled, raped and set fire to by Cyclobe (Ossian Brown and Stephen Thrower). Hurdy Gurdy by Cliff Stapleton. Bells performed and recorded by Ossian Brown and Thighpaulsandra in St. John's Church, Gdanska, Poland. Flute and sax by Hansi Fischer and Tim Belbe of Xhol Caravan. Completed material mastered by Cyclobe at Strange Hotel. Apocalyptic guitar by David Tibet. Original material mastered by Denis Blackham. Cover paintings by Babs …
Ed. of 300 numbered copies. 'Welcome to the machina. Anla Courtis and RLW skillfully dowse noisome spirits from their stony crags and carve a kind of power electronics opera in so doing. The stunning opening piece is birthed from a complete silence, out of which a shuffling hiss and a wailing drone very, very slowly rise up to a swarming crescendo, only to settle carefully back into the stoic rocky mists. This serves almost as an overture, where the textures and dynamics of the whole are suggest…
A 25-minute CD EP from 1994. by this renowned UK tape/voice/concrete composer. "Explores our human aspirations and absurdities, through the musical transformation of the human voice. The slightly angry, disgruntled, comic mutterings with which the piece begins are the source of all the sounds, which appear in it: sounds suggesting drums, water, metallic resonances, fireworks, or entirely imaginary materials or events, all generated through processes of sound-transformation on the computer. 'Ton…
Although Machine was completed in 1971 it was not released until 1973, shortly after the release of Journey Into Space. Machine is therefore the first major composition by Trevor Wishart. It was composed at York University and was originally issued on vinyl as 3 sides of a highly adventurous 3LP box set called Electronic Music From York, released by the University’s own record label. In common with Journey Into Space (also on Paradigm Discs), Machine makes use of a large number of volunteer cont…
Founded in Italy between 1964 and 1965, the world's first composers collective, Gruppo Di Improvvisazione Nuova Consonanza, sought to unhem the purposefulness of their respective instruments and the primacy of composition in order to open up a space for the emergence of free music and unintentional noise sounds.
The music sways between nearly inaudible whir, clatter and scrape and bubbling blasts of sound. Their overtures to noise, anti-musical operations and compositional experiments on this di…
A selection of the best work of Cultural Amnesia spanning 1980--1983. Includes remastered tracks from their three released cassette albums and from compilations. Nearly half the tracks are previously unreleased, including pieces from two unfinished late albums that the band consider amongst their strongest songs.
It's Thurston's first solo outing since 1995's Psychic Hearts. Of course, Thurston's been releasing records here, there and everywhere, mostly in the context of rowdy and rambunctious noise/improv escapades but this new one is killer diller SONGS! Unlike Psychic Hearts' skeletal trio rock, this new jammer, 12 years post, has a far fuller bouquet of sonic depth and proves this Sonic dude to have a very real songwriting life outside of the legendary Sonic Youth (of which he is a founding figure, d…
Third archival MEV release on Allan Bryant's label. The first track, 'Quadrupl Play', is a piece for rubberbands recorded in 1966 by Allen Bryant. It can be described as 'variations on melody' and was played at the first MEV concerts in St. Paul du Vence, France and at Teatro Argentina in Rome. The second track, 'Pich Out' (or 'Rocket Take Off)', for 4 guitars, is loud and thundering, played by 4 musicians through 4 speakers at Sala Beloch, Rome in March 1967. Features Rzewski, Phetteplace, Curr…
A previously unreleased document of MEV -- four sections of an improvisation recorded in London, 1968, spread out over 43 minutes. The line up was Bryant (synthesizer), Alvin Curran (trumpet, percussion), Frederick Rzewski (amplified percussion, singing), Jon Phetteplace (amplified cello). Powerful, historic noise and the first easily available MEV music on CD. Also comes with a Bryant solo synth wig-out piece at the end. Both of these IRML CDs come in regular jewel cases, and endearingly primit…
Joan La Barbara begins Sound Paintings with a scream that pushes you into an unusual world of vocal sound. Her virtuoso singing style, developed over a 20-year period, can be heard on this disc, which combines some of her earlier works with more recent compositions. She takes her extended techniques, which include multiphonics, overtone singing, and glottal clicks, and orchestrates them in layered soundscape compositions using from 8 to 16 tracks of material.