Experimental / All styles

Solo album by Iva Bittová (voice, violin, kalimba): twelve pieces titled Fragments I-XII, mostly her own. Recorded February 2012 at Auditorio Radiotelevisione svizzera, Lugano, produced by Manfred Eicher.

Waves of polytonal freedom and poetic beauty... lines of noise clusters and complex patterns... She is sculpting her sounds around a microtonal hub, transforming slow melodies into free improvised structures and drama (...) a new language - with a totally new concept on how to produce sounds and noises from an acoustic instrument (...) making electronic music on acoustic instrument..." Mats Gustaffson

Solo album by Stephan Micus in ten parts, layering raj nplaim (Laotian free-reed pipe), nohkan, sho, zithers, kalimba, shakuhachi, sinding and up to nineteen of his own voices. Recorded 2007-2010 at MCM Studios; released 2010.

Recorded in June 2003 at Radiostudio Zürich. Mixed and mastered 2004/05.

1994 release ** "All live improvisations should be this much fun! This live date between turntablist and electronic weirdmeister Christian Marclay and percussionist and electronics tinkerer Günter Müller is what the art of improvisation is supposed to be: fun, continually compelling textually, and inspired. While many intellectuals have made wild pronouncements about Marclay and his art -- and it is art, make no mistake -- writing all sorts of blather about how he strips the adult century bare b…

This is seen by many as the "turning point" between early Fennesz electronic abstract works such as the Instrument 12" and Hotel Paral.lel CD, and the more guitar-based works such as Endless Summer and Venice. The two tracks, "Paint It Black" and "Don't Talk (Put Your Head On My Shoulder)," were initially released as cover versions of songs by The Rolling Stones and The Beach Boys, respectively. Since then, via the relevant mechanical and publishing rights, the world has ruled that these tracks …

From Montreal across the Prairies to the North-Western Arctic, down to the Pacific and back through the Badlands. The Mercury minivan took to the road, loaded with recording equipment, tools, DAT cassettes, tent, Coleman burner, sleeping bags and cooking apparatus, spare tires, beer and camera, boots, books and maps.In 'The little man in the ear', materials are presented with little transformation. Only to better the listening clarity did we apply some processing. On the other hand, we took at …

2004 release ** Matchless Recordings presents a live concert by Christian Wolff and Robin Schulkowsky recorded at Poggiolo fram, Pozzuolo, Umbria, Italy on April 22-24 2003. The album includes fifteen tracks performed by Christian Wolff - composition, melodica, Robin Schulkowsky - percussion. "Rooms talk to me. I send out a sound, the space answers. The first message I picked up from the old barn in Umbria was 'yes'.Christian Wolff and I had been thinking, speaking about, even planning a CD with…

The purr of a leopard close up against a baobab tree, waiting. Whales surfacing, breathing in cold air. Coll starling imitate the noise of farm machinery from the hollow ring of a ruined bothy. The rattle of wood over a black stream... Chris Watson's second CD is a dramatic contrast to the spacious atmospheres of "Stepping into the Dark" (touch TO:27, 1996). Featuring 22 close-up recordings of animals, birds and insect life, "Outside the Circle of Fire" enlarges our awareness of the sound univer…

For her second solo album, Hug (pronounced 'hoog') concentrates on solo viola without any electronics in a series of pieces inspired by her recent visits to London. Her strong musical personality and original extended techniques ensure that this is a solo recital unlike any other.

Eight-part suite by Stephan Micus, who plays every instrument and sings every voice: duduk, bass duduk, Bavarian zither, sinding and doussn' gouni harps, charangos, hammered dulcimers, nay, gongs. Recorded 2005-2007 at MCM Studios; his 18th ECM album.

Debut album of the Norwegian-French improvising quartet Dans les arbres: Xavier Charles (clarinet, harmonica), Ivar Grydeland (guitar, banjo, sruti box), Christian Wallumrød (piano), Ingar Zach (percussion). Recorded July 2006, Festiviteten, Eidsvoll.

Matchless Recordings presents a live concert by Yann Charaoui, John Lely and Seymour Wright recorded at Gateway Studios, Kingston-upon-Thames on 2nd August 2000. The album includes four tracks performed by Yann Charaoui - cymbals and table top samplers, John Lely - piano and prepared bal-bal tarang, Seymour Wright - alto saxophone. "The new austerity on the first CD from the young exponents of the growing art of improvisation...in the year 2000, this approach in which traditional musical instrum…

2nd album from 1987 by this French trio made up Gilbert Artman (post-Lard Free, Urban Sax), Jac Berrocol and Jean-Francois Pauvros. Chaotic, experimental rock & wave.

2003 release **

Ten-part instrumental suite by Stephan Micus, who plays every part through multitracking: sattar, mudbesh, hné, nay, suling, sho, shakuhachi, mandobahar, sitar, guitars, hang and gongs. Recorded 2003-2006 at MCM Studios. ECM 1987, 2006.

North Six is a mind-bogglingly great trio recording from two adepts and an up-and-coming interventionist. Definitively old-school noise in inclination, the performers repeatedly set bombs and deviant devices of their own making against each other, stoking a great astral spat. A wild plume of electric-fire smoke invades the performance space as Ranaldo's guitar is repeatedly speared by silver darts of electronics. This tactic only serves to illuminate those moments where the six-string suddenly s…

Five chapters of sound inspired by one of the most powerful and complex emotions of humankind. arrogance is a departure from the digital machine insanity of his previous full length release, Welcome Home (Important Records), for a world of total analog electronics, primal energy, walls of monumental sound and precise attention to layers - creating massive slowly evolving structures that are both beautiful and terrifying. arrogance is the first CD release on the No Fun Productions label. Recorded…

There has been a connection between carl michael and raster-noton since the early days of the label. First meeting was at documenta x in kassel in 1997 where carsten nicolai, olaf bender, frank bretschneider, mika vainio and c.m.v. hausswolff came together to do a spontaneous session at kassel autospindel. their common interest in focusing on underrated qualities of sound or music has brought them together. Above all carl michael von hausswolffs work is about presentation of static quality of hi…

The first domestic release from these two youngish Austrian improvisers. Guitarist Stangl (Polwechsel, Ton Art, etc.) and Powerbook player Kurzmann (co-leader of Orchester 33 1/3) improvised tributes to four of their favorite films (from Barbara Albert, Fassbinder, Chris Marker & Godard). Rather than simulate a vertical narrative to showcase plot development or the buildup of tension in the films, "Schnee" is concerned with the actual sensory non-cerebral experience: the relationship between col…