The debut album by post-punk/funk group, Pigbag - Formed from creative jam sessions in punk’s aftermath, the young group gathered steam after convincing Simon Underwood to join the fun following his departure from The Pop Group. Mixing punk, funk, jazz, ska, reggae and afrobeat into a bewitching brew, this vinyl reissue is the first time this album has been on wax since 1982.
One of the most influential and underground Hammond organists of the 1960's was "Big" John Patton as he was then known. If it was the groove that you wanted Patton was your Man and he made several albums for the legendary Blue Note label, many of which went on to sell for eye watering prices. As his style went out of favor, some of the recordings never saw the light of day until almost 20 years later and at the same time Patton slipped into the background. He resurfaced in the 1980s and went int…
"Space Jungle Luv" emerged in 1976 (a year after the classic "African Rhythms" set) and marked a distinct change of direction for Plunky and co. Their feet were still in the ghetto, but this time they were looking at the stars; headed up by the strong, sweet vocal stylings of Jacqueline Holman (aka Lady Eka-Ete) and Branch's often effects drenched saxophones, this is cosmic dancefloor jazz of the first water.
Bisou Records asked Eugene Chadbourne to do an album for children and he proposed an album about horror movies and monsters. Some references are obvious, like “The Thing”, “Blacky Lagoony”, etc., and some are about strange characters, like “Vampire Tiger Girl”, and some are covers (Sam And The Shams, Shockabilly). It’s probably the best recorded album of Eugene Chadbourne. Eugene met Steve Beresford and Alex Ward in London at Eastcote Studios (where Adele, Duran Duran, Aswad, Tindersticks…
* Edition of 300. Paste on covers/Inserts screened by Alan Sherry on Stoughton Tip-ons ** Solo Guitar 2 was recorded by Bill Nace in 2008, in a good-sounding room in Bennington, Vermont. This year the record, originally released as a now (nearly) extinct cassette, is reissued without it's mysterious and (maybe?) long-lost sibling Solo Guitar 1 (Like any good punk demo -- which, both aesthetically and energetically, Solo Guitar 2 is -- the thrill of discovery is made only sweeter by the potential…
*2022 stock* Exact repro, originally released in 1978. One of the hippest, tightest sessions ever recorded by drummer Sunny Murray – a large group set recorded with his Untouchable Factor group – a great ensemble that includes Frank Foster on soprano sax, Oliver Lake and Arthur Blythe on alto saxes, Hamiet Bluiett on baritone, Don Pullen on piano, and Cecil McBee and Fred Hopkins on bass! The sound is somewhat straighter than Murray's free jazz of a few years before – almost in the mode that Fos…
A very trippy album from the enigmatic former member of Sun Ra's Arkestra, and also a lecturer on the east coast. This album's his first, originally issued on the Strata East label – and a space mixture of other-worldly sounds. The renowned French horn player known as Brother Ah (aka Robert Northern) is one of the most prolific and respected musicians in the history of jazz music, with a recorded output spanning more than 30 years. Born in 1934 and raised in the south Bronx, Brother Ah was playi…
2022 Stock The arrival of English tenor saxophonist Tubby Hayes in New York during the autumn of 1961 caused a sensation in American jazz circles. The first British jazz soloist to ever make a guest appearance in a US club, his opening night at the Half Note was attended by figures including Miles Davis, Al Cohn and Zoot Sims, with Metronome describing Hayes as a swinging ambassador from Britain who definitely can hold his own in fast company. At the end of his visit Hayes recorded the album Tu…
*In process of stocking.* Terrific session originally licensed on Japanese indie label Nivico in 1970. Recorded at Victor Studio, Aoyama Tokyo 11 September, the album is the essential work of four wicked minds. Saxophone player Steve Marcus has been cutting his teeth in late sixties with the Jazz Composer's Orchestra, while Miroslav Vitous was the former bass player in jazz-rock pioneers Weather Report. Sharrock is still considered one of the most original player in creative music, his guitar pl…
It is unclear whether it was Wayne Shorter’s initial intention to do anything particularly ambitious during the two visits to Rudy Van Gelder’s studio in February 1966 that produced Adam’s Apple. Certainly, neither the repertoire—five recently composed Shorter tunes in AABA format and “502 Blues,” by pianist Jimmy Rowles, a hard drinker, as Shorter was at the time (the subtitle denotes the police code for drinking and driving)—nor the treatments contain the radical originality of the five pieces…
The first official release of the June 1970 Montreux Jazz Festival concert featuring trumpeter Ian Carr’s pioneering Nucleus performing with US vocalist Leon Thomas on a set of Thomas’ repertoire. The collaboration with Thomas is (in Ian Carr's words) a combination of the “rock thing...with the roots of the music”. The set kicks off with "The Creator Has a Master Plan," originally the thirty minute plus opus found on Pharoah Sanders' 1969 album Karma.
This version although only half the length i…
Second album by Greece's premiere Afro-jazz band. An Odyssey of sound through West African percussion, jazz, Greek melodies and a tinge of funk. Greece is maybe not the first country that comes to mind when you think of Afrojazz. Afrodyssey Orchestra unexpectedly hit the scene some time ago after we released In the Land of Aou Tila, their debut album — while that first album was going to the hands of the few lucky ones who managed to discover the band back then, Afrodyssey Orchestra were already…
"Crazed time signatures abound as musicians from the West look East for inspiration, infusing their rock and jazz sounds with vibes looted from India and the Far East. A true marriage of Western and (Middle) Eastern music with a fuzzed-out psychedelic edge.Released originally in 1969, Middle Eastern Rock is a unique, compelling fusion record from Armenian-American oud player John Berberian. The Rock East Ensemble, Beberian’s backing band, consists of the artist’s standard group, which specialize…
"The album Tete’s Big Sound emerged during a golden age for local South African jazz recordings in the 1970s. Issued by the independent As-Shams/The Sun label in 1976, it was the first album attributed to pianist Tete Mbambisa as a solo artist. Yet, Mbambisa was already a seasoned composer, arranger, bandleader and performer by the mid-1970s - an artist at the peak of his powers who had patiently cultivated his craft to create his enduring debut. Born in 1942 and raised in South Africa's Eastern…
First released on digital formats back in 2016, and here now given a richly deserved full vinyl release, "Holy Science", the debut outing from Amirtha Kidambi and her New York based quartet The Elder Ones, is a work of dazzling singularity. Delicately yet unashamedly divulging its complex network of influences at every turn, "Holy Science" simultaneously disperses of boundary and limitation, emerging as an album steeped in tradition yet located firmly in the futuristic present.
An absolute burner, the first ever vinyl pressing of “Dolunay” by the seminal Turkish ensemble Konstrukt's debut album with the legendary German free jazz saxophonist Peter Brötzmann
Deluxe tip-on Stoughton jacket plus insert sheet with self-portrait photo and credits, IARC obi strip and dome-patterned inner-sleeve. The label behind Angel Bat Dawit’s amazing debut present a glorious side from persistent jazz innovator Jeff Parker (Tortoise), melding deeply soulful charm with naturally explorative leanings operating at similarly loose but focussed levels of intuition and dextrous freedom across his swirling ‘Suite For Max Brown’, but with plusher recording and production valu…
In the words of Emma Warren: Alabaster DePlume is not doing things properly, and this makes him very happy. DePlume is a Manchester-born, London-based bandleader, composer, saxophonist, activist and orator. He’s a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for the off-grid, Scottish Hebridean island label Lost Map, and now the latest arrival into Chicago-based International Anthem’s growing family of progressive musical explorationists. Whilst mu…
Makaya McCraven's In The Moment E & F Sides contain 40 minutes of additional music from the original In The Moment sessions. These 9 pieces of organic beat music were sampled concurrently, but not fully completed, with the 19 that comprised the January 2015 release. Slowly refined by McCraven and mastered in November 2015 by Daddy Kev (founder of Low End Theory, Alpha Pup Records), the In The Moment E & F Sides demonstrate McCraven's further actualization as a unique composer/producer in an…
Extra Presence is a 90 minute, 17-track collection showcasing Los Angeles modern music scene pioneer Carlos Niño’s unique, highly developed, self-described “Spiritual, Improvisational, Space Collage” sound, and featuring an incredible cast of collaborators (including Jamael Dean, Nate Mercereau, Shabazz Palaces, Deantoni Parks, Sam Gendel, Laraaji, Jamire Williams, Iasos, and more). It's an expanded edition of a 10-track suite called 'Actual Presence' that Niño self-released exclusively via his …
Trumpeter/composer Wadada Leo Smith’s Ten Freedom Summers is the work of a lifetime by one of jazz’s true visionaries, a kaleidoscopic, spiritually charged opus inspired by the struggle for African-American freedom and equality before the law. Triumphant and mournful, visceral and philosophical, searching, scathing and relentlessly humane, Smith’s music embraces the turbulent era’s milestones while celebrating the civil rights movement’s heroes and martyrs. This four-disc set documents a stunnin…
An incredible double CD from trumpeter Leo Smith's Organic with Michael Gregory, Pheeroan AkLaff, Angelica Sanchez, Skuli Sverrisson, Brandon Ross, &c &c... incredible electric and acoustic jazz from the legendary improviser and innovator!"Lauded as "one of the most vital musicians on the planet" by Coda, Wadada Leo Smith is one of the most visionary, boldly original and artistically important figures in contemporary American jazz and free music, and one of the most distinctive trumpet pla…
The group toured widely and had a large body of work to draw from, but only released one, self-titled album on the Ogun label during their lifetime. Looking For The Next One, a compilation of rare and unissued studio sessions and live recordings, will not only rekindle discussions about S.O.S.’s innovative music among connoisseurs, but introduce their exciting, virtuosic music to a new generation of listeners. While the entire set is filled with striking music, the inclusion of the entirety of t…
Le Très Jazz Club present the first reissue of Naosuke Miyamoto Sextet's Step!, originally released in 1973. A fantastic modal jazz LP, led by Naosuke Myamoto on bass, with Masayoshi Yoneda on the piano and Takashi Goto on saxophone. On One For Trane, the group delivers a strong and amazing moment of spiritual jazz. Also features Kunji Shigi (trumpet), Takashi Furuya and Shoji Nakayama (drums). Produced by Takeshi Jujii. Recorded on August 25, 1973. Le Très Jazz Club keeps on exploring the Three…
**500 copies, one-time pressing. Deluxe edition with special printed inner and insert** One of the legendary projects of 20th Century Egyptian jazz, the Cairo FreeJazz Ensemble was formed by Hartmut Geerken - who sadly left this planet on October 21st - as an avant-garde offshoot of The Cairo Jazz Band - the first jazz big band in the country - formed by Salah Ragab in 1968.Sinfully under-documented, in 1970 the band issued Heliopolis, what has since become one of the rarest, most celebrated and…
Gondwana Records present ‘Next Time Could Be Your Last Time’ – the debut album by Forgiveness, AKA Jack Wyllie, JQ and Richard Pike. Described as “not really jazz, not really new age, not really ambient or electronica”, instead they welcome you into a synaesthesia-inducing technicolour fantasy, full of wondrous emotive beauty. This genesis began with the sharing of music, burgeoning friendships, and the mutually-inspirational benefit of the collective power of a group dynamic, with each spurring…
*300 copies limited edition* Recorded intermittently between June and September 1962, "Year of the Iron Sheep" was Ken McIntyre's third album, the fruit of various studio sessions featuring three different personnels. Here the great multi-instrumentalist, mostly known for his collaborations with the likes of Eric Dolphy, Archie Shepp, Cecil Taylor and Charlie Haden is heard on alto sax and flute while the rhythm section variously features pianist Jacki Byard, bassists Ron Carter and Ahmed Abdul-…
The influential Detroit pianist's sole 1970s album. Remastered and lacquered by Bernie Grundman. Now-Again presents the definitive Tribe Records reissues. Deep, spiritual jazz of the highest order. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards tow…
Recorded in 1961 and released on Prestige records in the same year, this was Brother Jack McDuff's fourth studio effort and the first featuring his regular partners Harold Vick on tenor saxophone, Grant Green on guitar and Joe Dukes on drums. Vick and Green would soon become two prominent figures in soul jazz while McDuff stands as one of the key organ players in the genre. This is an absolute soul-jazz gem!"This 1961 date was organist Jack McDuff's first with his regular working band. That grou…
Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip across the Sahara.
* Brand new extended and remastered version of the original LP from 1981. Gatefold with new photography and liner notes * Slickest Afro-jazz-funk swerve from legendary South African cornet player and anti-apartheid figure Hugh Masakela, recorded at the Maseru Holiday Inn before a small audience during days surrounding his defiant 1981 performance in Lesotho while banned from performing just over the border in SA proper. Newly remastered and recut from the original single LP over a 2LP pressing."…
In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.
Invisible City Editions reissues a highly sought after and impossibly rare 1986 private-press spiritual jazz LP from Washington D.C. harpist Jeff Majors. Majors was a devoted personal student of Alice Coltrane’s for three years as a teenager, taking harp and spiritual instruction at her home in the Bay Area just before she established her renowned ashram in Huntington, California. Following his tutelage with Coltrane, he returned to the East Coast, joining Sun Ra acolyte Brother Ah's ensemble Th…
Vinyl Only / Original artwork / Black Vinyl / 400 mcn paper / 30x30 cm insert with notes by Tony Higgins and graphic elaboration printed on 250 gram G.F. Smith Colorplan / PVC outers. Jorge López Ruiz is one of most versatile of musical talents to emerge from Argentina. As a bass player, composer, performer and arranger he has worked across many genres including jazz, pop as well as stage productions and feature films. Like many of his fellow artists of the late 60s and 70s, Ruiz found himself i…
Limited Clear Vinyl edition, 500 copies! Lateef at Cranbrook (also reissued as Yusef Lateef) is a live album by multi-instrumentalist Yusef Lateef recorded in 1958 at the Cranbrook Academy of Art and originally released on the Argo label. Saxophonist, flautist, oboist and all-round reeds maestro Yusef Lateef was a renowned cross-pollinator of Eastern modes with the more traditional harmonic repertoire of American jazz. During the course of his covetable career he worked side-by-side with Dizzy G…
* 2022 Small Repress * Over a decade a half after his death, vindication has come to Fela Kuti, Africa’s musical genius. AfroBeat, his gift to the world, is now an international staple on his own uncompromising terms, social content intact. Throughout his life, Fela contended that AfroBeat was a modern form of danceable, African classical music with an urgent message for the planet’s denizens. Created out of a cross-breeding of Funk, Jazz, Salsa and Calypso with Juju, Highlife and African percus…
* 50th anniversary edition of 1971's London Scene, pressed on limited edition white, red, blue splatter vinyl. Complete with a collector's gold OBI strip *Fela Kuti (1938-1997) was a Nigerian musician, producer, arranger, political radical and outlaw, and the originator of Afrobeat. A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond. After graduating from Trinity College of Music (now Trinity Laban Conservatoi…
The Manchester trumpeter, composer and all-round northern new-music enabler Matthew Halsall might be a man with the open ears and eclectic energy to run a broad-based contemporary record label - but he's also a disciple of the meditative 1960s music of John and Alice Coltrane, which significantly steers his own ventures. Halsall's personal projects often come close to the Coltranes' most reflective later works, but his Gondwana Orchestra (including regular partners Rachel Gladwin on harp and sou…
Gondwana Records sign LA bassist and composer Seth Ford-Young's Phi-Psonics project and announce a remastered deluxe-edition of The Cradle featuring bonus material.