Jazz & Improvisation / All styles

Percussionist Eddie Prévost not only co-founded the British improvising collective AMM more than 45 years ago, he is its chief annotator and its sole consistent member. With these dual roles he has both explained the aesthetic, political and ethical dimensions of an enterprise dedicated to constant self-examination and on-stage negotiation, and ensured the music’s immediacy through the agency of his exactingly tuned-in playing. But before he did any of that, he was a fine jazz drummer wit…

Jennifer Allum,violin. Ute Kanngiesser, cello. Grundik Kasyansky, theremin, electronics. Dimitra Lazaridou-Chatzigoga, zither. Eddie Prévost, percussion. Daichi Yoshikawa, electronics. At Café Oto on Monday 21 May 2012.

* Hardback cover edition * Breaking through pervasive misconceptions, Jazz in the 1970s explores a pivotal decade in jazz history. Many consider the 1970s to be the fusion decade, but Bill Shoemaker pushes back against this stereotype with a bold perspective that examines both the diverse musical innovations and cultural developments that elevated jazz internationally. He traces events that redefined jazz’s role in the broadband arts movement as well as the changing social and political landscap…

**imited edition of 175 copies** Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight. This might be the only we've seen with Fisher as a leader – but the set's got a quality that will certainly have us …

The trio of guitarist Tetuzi Akiyama, saxophonist Gregor Vidic, and drummer Nicolas Field introduces Akiyama to Vidic and Field’s standing duo. The result is a magnificent set of exploratory improvisation. Vidic and Field’s playing has a rich, textural quality, developed through their use of timbre and dynamics. In this way, Akiyama’s multiphonic approach to guitar, and his innovative use of effects, offset’s Vidic brilliantly. Over the course of 45 minutes, Akiyama, Vidic, and Field generate a …

** First pressing of 200 with artwork by Tiny Little Hammers ** Recorded over the course of 2019 by Don Forks at Palliative Studios. Dedicated to Steve Dalachinsky 1946-2019. Michael Foster: saxophones, Ben Bennett: drums, percussion

"Two concert recordings -- never before released, mastered from original radio master tapes-by larger groups led by the German saxophone legend Peter Brötzmann. Both recorded by the esteemed Hessischer Rundfunk organization at the Frankfurt Jazz Festival, in 1968 and 1970. Two of the most explosive, rivetting pieces of music ever to come out of the European vaults. First: an unheard alternate version of Brötzmann's groundbreaking Machine Gun, this time with a nine piece group (same as the LP, ad…

"Great Spirit again makes abundantly clear William Parker's multi-faceted talents as bassist, composer, poet, bandleader and =songwriter=. Raining On The Moon is the extraordinary group which seamlessly fuses all of these prodigious gifts: his long-standing Quartet with Hamid Drake, Rob Brown, Lewis Barnes is here exquisitely augmented by singer Leena Conquest breathing further compassion & dignity into William's lyrics, and pianist Eri Yamamoto for expert chordal support. Going back a few years…

A tremendous pair of brand new studio albums created by drummer-leader Whit Dickey together with two distinct yet interrelated Quartets. All involved here have long been deep seekers of truth through sound, and between them is a luminous web of deeply affecting work, which now spans decades. This Yin & Yang pair presents their very latest work together. Peace Planet features Matthew Shipp - piano, Rob Brown - alto sax, William Parker - bass. Box of Light features Rob Brown - alto sax, Steve Swel…

2014 expanded reissue. Mono. Spiritual Unity, recorded on July 10, 1964, is the album that made Albert Ayler and ESP-Disk' famous (or, in some people's eyes/ears, infamous). Mr. Ayler had already recorded in Europe and, in February '64, in New York, but this was the first album on which neither he nor his collaborators held back. It was also ESP's first jazz recording. Spiritual Unity presented a new improvisation paradigm: looser structure, less regard for standard pitch, and no obligation to p…

2012 release. Born in Buffalo in 1939, Charles Gayle had hit New York City by the early '70s. He almost made his mark with an album on ESP-Disk' in 1974, but the label shut down before it came out. When he next recorded in 1988, he had been homeless for a while, sheltering in an empty Brooklyn storefront. The Knitting Factory gigs and concurrent CDs from Swedish imprint Silkheart, the Knit's own house label, the Italian label Black Saint, and a particularly well-received-in-Europe album on FMP, …

** Texts in English and French ** 169 fundamental free jazzrecords recommended in 180 pages by Maurizio & Roberto Opalio (My Cat Is An Alien) and Philippe Robert, from must-have classics to indispensable curiosities. Free Jazz Manifesto is not simply a list of 169 recommended records, but a poetic vision, a parallel universe based on a personal aesthetics of perception and an in-nite love for the most creative, incendiary, spiritual music. If Sun Ra, Ornette Coleman or Anthony Braxton are well p…

*2021 stock* This album, originally released in 1977, was re-mastered and repackaged in Digifile cardboard format. It includes the original full-color booklet.  Old and New Dreams was a jazz group that existed from 1976 to 1987, and was composed of tenor saxophone player Dewey Redman, bassist Charlie Haden, trumpet player Don Cherry and drummer Ed Blackwell.  A virtual reincarnation of Ornette Coleman's first ensembles, the cooperative Old and New Dreams brought together trumpeter Don Cherry, te…

The press release is disingenuous in describing "Forlorn Green" as "lo-fi": even if Jason Lescalleet's work involves tapeloops using cheap recording gear and "trashed" speakers, his digital reworking and mastering is painstakingly perfectionist ­ and perfect. Recorded in four different locations in the Boston area (a church, a gallery, an art school and the local Twisted Village record store) and crafted in Lescalleet's studio with what can only be described as loving care, the sonic alchemy of …

One of the central aesthetics of the Erstwhile label is the counterpositioning of electronic and acoustic improvisers. Rarely has that been more starkly, and beautifully, achieved than on the opening and closing tracks of eh by guitarist Stangl and turntablist/electronicist Dieb13 (Dieter Kovacic). Stangl is one of a handful of contemporary free improv musicians who happily forays into tonal, even melodic spheres, conjuring up a reduced version of John Fahey, perhaps. On "eeeh", his delicate str…

* Edition of 100 * While working on a filmmusic job, Bjorn Eriksson started to fool around with a philharmonic orchestra plugin, and created his own crazy jazz combo. Music Iinfluenced by his heroes Django Reinhardt, Eric Dolphy, Duke Ellington, Raymond Scott, Ennio Morricone, Universe Zero and many others. This collection of compositions could be a soundtrack for a East European saga or a French strange  detective serie.  Although The Easywood KIller is a solo project, there will be a live grou…

**Edition of 285 silk-screened wooden slipcase with inserts and a 6 postcards set. Liner notes by Michel Henritzi. An'archives presents three documents, three vinyl records carved by the illuminations of Masayoshi Urabe,  six performances engraved like epitaphs in the stone that covers the Living World. These are recordings made in small suburban venues in Japan where Urabe would play in front of a  meagre audience: the Bitches Brew in Yokohama, the Groove in Okinawa and the Gari Gari in Tokyo. …

** 2021 Stock ** Following in the footsteps of the landmark 1966 double-quartet recording by Joe Harriott and John Mayer, Indian born musician Amancio D’Silva produced some of the most adventurous and sophisticated recordings within the canon of ‘indo-jazz’, a term used to define a pioneering east meets west synthesis that reflected the shifting musical and cultural landscape of post-war Britain. An experiment which reached a pinnacle in 1972 with D’Silva’s seminal recording Dream Sequence by Co…

** 2021 Stock ** Two outstanding performers, Carlos Santana and Alice Coltrane, collaborated to record their fantastic trip through time called Illuminations. Santana's interest in the Indian culture and different musical styles led him to the musician Alice Coltrane.

Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London  Trumpeter/ flügelhornist Charles Tolliver often straddled the line between the lyricism of hard bop and the adventurous nature of the avant-garde. Released in 1975, Impact contained a stimulating progressive edge within an energetic large band (14 horns, eight strings, and rhythm section) format.  Tolliver's arrangements are consistently bright and build momentum, while the soloists are given sufficient room to manoeuvre throug…

Recorded during a recent trek to the Pacific Northwest, this session is very damaged by the post-tongue explosive devices packed by each of the quartet's members. Skittering along the most devious edge of improvisational madness, Greg Kelley, Greg Campbell, Bill Nace and Mr. Shoup bring four chunks of deep underground moisture into the air for the first time. Let us make to examine them. 'Morning' greets the listener beneath a raucous grackle filled tree, mounting to a commuters' rage. The…

** First pressing glass mastered edition of 500 copies. Cinderblocks, safety glass, enfolded glass etched with text ** “Often, when finding titles for improvised music I go through poetry that I feel might have some relation to the way the music turned out. I look for two or three word phrases that capture something related. I think of this as “consulting a professional” when it comes to titles. When it came time for these titles, I found myself reaching for Fred Moten’s fantastic book “The Feel…

The vitality you hear on Antique Blacks is a testament to the unique energy of the community around The Foxhole Cafe in Philadelphia, as Ra honed his unique brand of Afro-Futurism through the late 60s and 70s. Cosmic theatre, spiritual chants, and experimental electronics make this record an essential document that was ahead of its time. Ancient to future! The 1970s saw change in Sun Ra's recorded output, and as far as we can tell, the content of his live performances. By the middle of the decad…

Teranga Beat proudly presents the drummer-composer Yannis Angelopoulos, aka Jan Van and his last project "Streams". A well known musician in the Athens jazz scene, accompanied by three fellow musicians, he created an album with a tough background story. Jan Van started as a drummer in clubs playing popular greek music (laïka) even before he was 18, a typical first step for a musician in Greece. In this way he experienced the underground and in fact the surrealistic atmosphere of the laïka greek …

CD Version. This previously unreleased concert recording by the Pan Afrikan Peoples Arkestra of pianist-composer-bandleader Horace Tapscott and a chorus under the direction of vocalist Dwight Trible is a wonderful example of how Tapscott channeled the political and cultural aspirations of a community into music of deep beauty and lasting value. The album opens with a big band version of “aiee! The Phantom,” a Tapscott original propelled by a vamp that spurs Michael Sessions into a melodic tenor…

Tony Scott (born Anthony Joseph Sciacca June 17, 1921 – March 28, 2007) was an American jazz clarinetist and arranger with an interest in folk music around the world. For most of his career he was held in high esteem in new-age music circles because of his involvement in music linked to Asian cultures and to meditation. Tony performed with many star as Billie Holiday, Sarah Vaughan and Harry Belafonte and before moving to Italy in the early ‘70’s he just cut two sought after masterpiece moving f…

** Limited edition, individually numbered copies on transparent blue vinyl ** Hans Dulfer is a Dutch jazz musician famous for playing the tenor saxophone. With his band Ritmo-Natural he released his second album Candy Clouds in 1970. The album consists of six songs, with its title track being split into two parts. One single was released, “Red, Red Libanon”, which hit the Dutch charts in both 1970 as well as 1977. This rare Dutch jazz album is now available on coloured vinyl for the first time.

Duo improvisations recorded unedited in Montreal in 2011 by bass clarinettist Lori Freedman and drummer and percussionist John Heward, the third set of duos featuring Heward on Mode/Avant.

This album, originally released in 1978, was re-mastered and repackaged in Digifile cardboard format. It includes the original full-color booklet.  "Shadowgraph and the duos with Douglas Ewart are characteristic of the free abstract jazz that emerged out of AACM's explorations in the '60s and early '70s. Listening to them, one is aware how little this music has been assimilated into the mainstream of either jazz or improvisation."

**CD Edition** A post-free masterwork, recorded in Milan in 1978. This is an extraordinary encounter between George Lewis's electronically modified trombone and the flute, alto sax and bass clarinet played by Douglas Ewart, a giant of impro jazz, often at Lewis's side. Both George Lewis and Douglas Ewart create arresting, complex music here, in ways that powerfully contrast and powerfully pull together. The two are prodigious musicians, their understanding is perfect and you can only admire the …

** 2021 Stock ** Not Two presents Stone Jump by Michael Marcus. Denton Darien – piano, John Austria – Fender Rhodes piano, Tyler Mitchell – acoustic bass, Warren Smith – drums & percussion, Lawrence Feldman – alto flute, Michael Marcus  –  soprano sax.

** 2021 Stock ** Pianist Carlo Morena leads this lyrical and energetic piano trio with bassist Joe Fonda and drummer Félix Lecaros Herrera, performing 6 Morena compositions and one piece by Emil Boyd, recording at the Firehouse 12 studio in Connecticut for the 3rd album under the Step In name, and the first with drummer Herrera; upbeat but never cloying, a very compelling album.

LP version. "Every now and then I meet a bull who announces itself with its horns ('Le Corna'). But it doesn't scare me, it moves and dances, it runs away. Archery ('Tiro') is its favourite ('Rito') hobby, and my bull likes tea. It always eats round roti ('Chapati') together with its bull ('tori') friends who all have bristling hair like hedgehogs and succulent plants. My bull keeps different things in the vegetable gardens ('Orti') and in the wineskins ('Otri'). Then there is the tail ('la coda…

The Don Rendell Ian Carr Quintet live in session in 1964 playing much of their debut album ‘Shades Of Blue’ including the title track composed by Neil Ardley. Beautifully packaged 180g vinyl. Flip-back sleeve. Strictly limited pressing run of 500 copies worldwide. Liner notes by Simon Spillett. Not nearly celebrated enough, Rendell & Carr were Britain's answer to Miles & Coltrane. With beautiful, introspective modal numbers & a fine backing group consisting of Colin Purbrook (piano), Dave Green …

** Remastered. Housed in Gatefold Sleeve with 20 Page Booklet ** Deluxe reissue of Frank Foster's The Loud Minority LP for RSD. Released on Bob Shad's Mainstream Records in 1972, it's a landmark album and one of the key political works of the 70s. Featuring an all-star cast of superb musicians including Elvin Jones, Stanley Clarke, Airto, Cecil Bridgewater and Marvin 'Hannibal' Peterson, it is also Dee Dee Bridgewater's earliest full recordings. This special edition includes a 20-page booklet fe…

Wherein we come upon three visceralists who have been collaborating for years - innumerable instances in a roulette wheel of settings -- finally shacking up in a studio and fashioning a proper trio record. Glory be. Let's listen in-- 'These.' It's a phrase that never gets started, and an apt title for this record, which right off bolts from the barn and burns so brightly it nearly gets away from you by the time you're done twisting your head around looking for whoever it was that left the …

** Limited Edition* 140-gram "Shades of Night in Gold" color vinyl LP inside a reverse-board jacket (artwork by Damon Locks), with Eastside IARC obi strip, 17"x22" folded broadsheet insert (with liner notes, photos, and illustrations), and dome patterned inner-sleeve **  Damon Locks & Black Monument Ensemble’s new album "Now" was created in the final throes of Summer 2020, following months of pandemic-induced fear & isolation, the explosion of social unrest, struggle & violence in the streets, a…

** John Fordham It would make an absorbing blindfold test to present a panel of interested listeners with a track from this disc and one from the same pianist's Little Klunk trio session for Decca, 40 years ago, and invite them to decide which one's played by the 71 year-old. Not that the early record didn't sound as fresh, witty and jostling with clamorous harmonies and sidelong melody as Tracey has done for most of his life, but that the later one is, miraculously, fresher still. If there's an…

** In process of Stocking. 2021 Stock ** Cadillac presents Night Time Is The Right Time - 60s' Soho Sounds by Dudu Pukwana & Bob Stuckey. Recorded at the legendary Ronnie Scott's Old Place, Gerrard Street, Soho, 1967/68 - Recordings from the artists' archives. These rare recordings feature the great South African altoist Dudu Pukwana in a combo with some of the key young players on the 60s London scene at the time and playing more like a young Jackie McLean than the free player of the Brotherhoo…

A triple CD limited box set of 3 CDs and a 48 page booklet, introducting 2 new studio CDs of solo bass, and a reissue of William Parker's out of print 1995 solo bass album "Testimony". A strictly limited/one-time only edition of 1000 copies (987 to be exact) specially designed box set containing 3 albums of William Parker solo bass compositions/performances in full tandem with a 48-page booklet of all-new William Parker writings (poems, dreams, meditations and more). Very powerful and prof…