We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Jazz /

The Paris Concert
** restocked** Kye is proud to present The Paris Concert, the second installment in our Joe McPhee archival series, following 2015's To Be Continued. Recorded May 13th 2015 The Paris Concert documents a historical private performance held in a 5th floor Paris apartment to an invited audience of 15 people. '40 years after a chance meeting in 1975 at The American Center in Paris, Raymond Boni (guitar), Jean Marc Foussat (synthesizer) and Joe McPhee (tenor/pocket trumpet) reunite with an impromptu …
Situations
My relationship with Steve Lacy’s music is not occasional. It was for me the “door”. Since 2009, titled So Long!, I have presented several times a program with his compositions on bass clarinet. In the summer of 2013, on the mountains, I recorded the solo using the Bb clarinet, finding a bare, naked and raw dimension that marks an important point in my personal process with the music of Steve. “I try to be empty and to see what sounds” (Tom Raworth) Giancarlo nino LocatelliLacy’s tunes are devis…
Prayer
I think it's important and proper to play Steve Lacy's music today and that we have to take the risk. Keeping his example alive means to me every time to question the results achieved. My relationship with his music is not occasional. Steve is present in three tracks of my first album "trochus". Later I played his music alone and in various groups. I would like to remember at least the Fish Horn Quartet, with Fabio Martini, Jean Jaques Avenel and John Betsch, the sextet 5or6 Bones with Sebi Tram…
Hassan's Walk
Don’t let the date fool you, released back in 1983 this modal to slightly free jazz outfit from California takes you on a journey back to the late 60s and very early 70s, into the spiritual realms of greats like John Coltrane, Pharoah Sanders, John McLaughlin and Miles Davis among others. A soul jazz treasure from the LA scene of the early 80s – a fantastic record that I rank with the best Strata East sides of the time! The group's led by alto saxophonist Dadisi Komolafe, and features vibes by R…
Desert Fairy Princess
Adele Sebastian was an Afro American jazz flutist and singer, active from the early 70s  (when she was still a teenager) until her untimely death at the age of 27 (!) in 1983 from a kidney failure. In fact she had been depending on monthly dialysis to stay alive for years. She lived through and for the music and you can hear it on her only solo album “Desert Fairy Princess” which was first issued in 1981. The mostly acoustic instrumentation brings a very natural and therefore rather retrospectiv…
The Call
Available on vinyl for the first time in 40 years, Outernational Sounds is proud to present a masterpiece from the Los Angeles jazz underground – Horace Tapscott’s burning, spiritualised 1978 set, The Call. One of the unsung giants of jazz music, the composer, bandleader, arranger, pianist and community activist Horace Tapscott was the undisputed keystone in the grassroots Los Angeles jazz scene. Throughout the 1960s and 1970s, his radical community arts and music formations the UGMA (Undergroun…
Live at IUCC
Available on vinyl for the first time in 40 years, Outernational Sounds proudly presents a crucial document from the Los Angeles jazz underground - the Pan-Afrikan Peoples Arkestra at their most together, stretching out on home turf in 1979, with the legendary Horace Tapscott at the helm. Horace Tapscott is one of the unsung giants of jazz music. A gifted composer and arranger, a boldly original pianist, and above all a visionary bandleader, Tapscott’s recorded footprint is small, but his legacy…
Bandstand
Svart Records is proud to reissue Olli Ahvenlahti’s first three solo albums on vinyl. This is is debut, Bandstand.When legendary producer Otto Donner of Love Records approached Olli Ahvenlahti and said: ”Olli, maybe it’s time for you to record your first solo album”, the pianist did not hesitate. After all, not too many jazz musicians had such a lucky break in 1970s Finland. Moreover, Donner was right. Olli Ahvenlahti had studied church music at the Sibelius Academy as well as English philology …
Jazz Liisa 11
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Jazz Liisa 10
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Jazz Liisa 12
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Jazz Liisa 07
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Jazz Liisa 09
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Jazz Liisa 15
Piirpauke was founded in 1974 by saxophonist Sakari Kukko, bassist Antti Hytti, guitarist Hasse Walli, and drummer Jukka Wasama. It has been considered one of the very first “world music” groups, and thus way ahead of its time. The ensemble played their first gigs in 1974, originally named as the Walli–Kukko quartet.Piirpauke was affected by folk music from Finland, Romania, Turkey, Ethiopia, Balkans, South America, and the Far East. Before recording the album Piirpauke, the band played in front…
Jazz Liisa 05
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Jazz Liisa 04
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…
Muusa Ja Ruusa
Svart Records continues the Eero Koivistoinen reissue program with this 1971 super-rarity. With Vesa-Matti Loiri, Seija Simola and Eero Raittinen on vocals. Koivistoinen’s children’s music album Muusa ja Ruusa was based on the poems of Kirsi Kunnas and released by the book publishing company WSOY. Although some of these songs were revisited in the 2000s on the Ville ja Valle album, the original album has never been reissued in any format. The moods on this 1971 range from pastoral calm to the ps…
Accelerated Frames Of Reference
Accelerated Frames Of Reference is the blistering debut album by Mopcut. With Lukas König (Koenigleopold / 5K HD / Kompost 3) on synthesizers and drums, Julien Desprez on electric guitar and vocalist Audrey Chen. Three artists have joined forces to create songs beyond language and gravity at the interface of sound architecture and performance-ritual. Minimal and maximal improvisation, noise and electronics overlayed by Audrey Chen´s ecstatic vocals.
Screen Off
The high impact duo of Paal Nilssen-Love (drums) and Ken Vandermark (reeds) has been working together at an accelerated rate since 2002, and they have put out seven albums of exceptional and wide ranging improvised music since then. Though they have both worked in many critically acclaimed groups- from the Peter Brötzmann Chicago Tentet, Lean Left (with Terrie Hessels and Andy Moor of The Ex) to Double Tandem (with Dutch saxophonist, Ab Baars)- they have continued to return to their duo for more…
Jikan
The trio of Scandinavian rhythm section Paal Nilssen-Love (drums) and Johan Berthling (double bass) hooking up with Japanese free jazz legend Akira Sakata (saxophone/clarinet) started in 2013 at the Molde Jazz Festival in Norway. The trio took their name from the legendary 1977 collaborative album by Yosuke Yamashita Trio and dance group Dairakudakan – an album that Sakata was a central part of, that even 40 years later stand solid as a radical and bold musical statement. And this piece of histo…