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"Bitches Brew Live" contains recordings from two performances: the first three songs were recorded at his Newport Jazz performance in July 1969 - a couple of weeks before the Bitches Brew sessions in August of that year - and have remained unissued till this day.
**Edition of 200** Texts by Joshua Abrams, Paal Nilssen-Love, Jim Sauter, Mike Watt, Guy Peters, Mette Rasmussen, Dave Rempis, Bruce Ackley, Sandrine Verstraete, Laurens Smet, Ken Vandermark, Koen Vandenhoudt. The idea for this publication started with a request made by photographer, reviewer and overall music enthusiast Hans van der Linden to document the Oorstof series behind the scenes for a whole year. In addition to his unique photographic impressions, we asked graphic designer Marijke Looz…
Ears Are Filled With Wonder, the debut release from the duo of pedal steel player Heather Leigh and reedist Peter Brötzmann, blows the old adage about improvised music somehow not being best appreciated via the recordings to beautiful pieces. This is a music that demands re-visiting, that seems to alter, slightly, every time it is played, with new details emerging, new relationships of tone and style, new romance, even. Recorded during a mammoth stint in Kraków, Poland, where Brötzmann and…
As Black Saint and Soul Note continue their boxed set "Complete Recordings Of" series in 2011, this volume by Lester Bowie is one of the most diverse. Containing three discs cut over a decade, it reflects the numerous dimensions in Bowie's musical persona, from fiery improviser to post-modern formalist and engaged ensemble member, and above all, his love for the entire jazz, blues, and gospel music traditions. The first disc in the collection is 1978's 5th Power. It's the only title here that sh…
"This is a reissue of a now out-of-print album from live trio date by the legendary LA-based pianist, composer and multi-bandleader, Horace Tapscott. Pianist Horace Tapscott is always at his best when he is leading a trio. Sketches of Drunken Mary features some sparkling piano revolving around a most lyrical bass part that is absolutely touching. The piece ends with a long, monstrous drum solo has to be heard to be believed. I recall hearing/seeing the mighty Sonship with John McLaughlin's One T…
An exciting new international trio initiated by Scandinavian saxophonist Torben Snekkestad, accompanied by two esteemed international players in the field of improvised music – the Spanish pianist Agusti Fernández and the British double bass player Barry Guy. The music they create together is situated somewhere between free improvisation, free jazz, and contemporary classical music and executed with lightning fast interaction and explorative, innovative sounds and textures. Recorded by Stefan De…
Powerful saxophone textures from the sax player of the mighty ZU. On this debut album Luca T. Mai is placing his probing and powerful saxophone artistry from energetic sound scapes to celestial layered drones. A stunning solo piece of work, immersive and deep.Luca T. Mai: baritone saxophone. Recorded in September at ZK Squatt Riot Studio. Mixed and mastered by Lorenzo Stecconi.
The Last Dream of the Morning is the new band from three UK masters of contemporary improvised music – they released a trio CD under this title on Relativ Pitch (NYC) in 2017, now choosing it for their bandname for continuing activities. Recorded by Shaun Crook at Cafe Oto, London on 8 August 2018. Mixed and Mastered by John Butcher.Line-up:John Butcher: tenor & soprano saxophonesJohn Edwards: double bassMark Sanders: percussion
Massive industrial noise and free jazz blasts from the past,16-17 returning with new material after 25 years. Founded 1983 in Basel by saxophonist Alex Buess and former drummer Knut Remond, they have been shaping the forefront of a new sound area. Playing an abrasive distorted mix of dub, hardcore and free jazz that lead to a meeting of likeminded heavy heads that temporally took part in the band e.g. Kevin Martin (The Bug, Techno Animal) or G.C. Green (Godflesh). After marking their presence an…
Heavyweight old-style tip-on jacket with IARC obi strip and dome pattern inner-sleeve. Album insert includes production credits and vintage portraits of Jeff's father Ernie Parker. Best known as a multi-instrumental member of Tortoise and a pillar of the Chicago jazz and experimental music scene, Jeff Parker has been incomparably prolific over the last 20+ years while merely producing 5 albums as a “lead artist” (just 2 since 2005, including 2016’s duo recording with Rob Mazurek on Rogue Art). “…
Deluxe tip-on Stoughton jacket plus insert sheet with self-portrait photo and credits, IARC obi strip and dome-patterned inner-sleeve. The label behind Angel Bat Dawit’s amazing debut present a glorious side from persistent jazz innovator Jeff Parker (Tortoise), melding deeply soulful charm with naturally explorative leanings operating at similarly loose but focussed levels of intuition and dextrous freedom across his swirling ‘Suite For Max Brown’, but with plusher recording and production valu…
Tortoise mainman Jeff Parker throws down the lissom, balmy jazz-fusion of ‘Max Brown’, the final track of his ‘Suite For Max Brown’ album as a tease for the promising full LP “I’m always looking for ways to be surprised,” says composer and multi-instrumentalist Jeff Parker as he explains the process, and the thinking, behind his new album, Suite for Max Brown, released via a new partnership between the Chicago–based label International Anthem and Nonesuch Records. “If I sit down at the piano or…
Gowanus Session II was seven years in the planning. Thollem McDonas, Nels Cline, and William Parker convened at Peter Karl Studios in Brooklyn on January 3rd, 2012 and recorded two complete albums. The first was Gowanus Session I, released by Porter Records in April of 2012. GS II was put aside to eventually complete the five-album palindromic cycle of trio albums Nels and Thollem ambitiously set out to realize. The albums in between include Radical Empathy with Michael Wimberly (Relative Pitch,…
Available on vinyl for the first time since its original release in 1984, Outernational Sounds proudly presents Build An Ark pianist Nate Morgan’s second outing for the celebrated Nimbus West label – the conscious and spiritualised sounds of Retribution, Reparation.
Bitter Balls – the second full length studio album from mostly Middle Eastern supergroup Karkhana, features members of Dwarfs of East Agouza, „A“Trio, Konstrukt, Chicago Tentet, Land of Kush among others – shows the ongoing incredible progression and artistic flow the group is currently working under. Four new fine tuned compositions of crystal clear and deep, dark, distorted unrock – electric and acoustic. The cross between old school and contemporary oriental free-jazz sounds and western impro…
This trio is on to something extraordinary; full on furor brushed w thin melodic lines or rage contained in a certain kind of drunken beauty and bliss - all stumbling on towards the heard and the unheard - in a whisper, in a shriek, forces joined and disjoined....This trio is the whole in the never ending audible crack Johan Berthling: double bass; Martin Küchen: tenor and soprano saxophones, retardophone, flute; Steve Noble: drums and percussion. Recorded by David Carlsson at Gula Studion, Malm…
**2020 Edition with updated colour** Blinding Sun Ra reissue, finding Ra on his newly acquired Crumar Mainman synth (with early drum machine!) in stellar 1978 recordings from the same Italian sessions that birthed ‘Disco 3000’ and ‘The Sound Mirror’ Well known to Ra disciples, but not as much to everyone else who stands by his catalogue and doesn’t know where to start, ‘Media Dream’ is a massive highlight of Sun Ra’s fecund period circa 1977 and 1980 - the peak of his output of new LPs. Recor…
Two totally infectious sets from Decoy -- the trio of John Edwards, Steve Noble, and Alexander Hawkins -- reunited with pocket trumpet and saxophone player Joe McPhee on the closing night of his four day residency at Cafe OTO. In the eight years between the recordings which make up AC/DC and their last release Spontaneous Combustion, Decoy and each of its members have been practicing individually at the very top of their form. Coming together again in such celebratory circumstances and in the go…
Born in 1938, and raised in Glendale, California, Lloyd Miller has had one of the most unusual careers in all of jazz. By age 12 he had declared an intent to make his living as a jazz musician, and by high school he had already begun to experiment, shunning swing music's mechanical perfection, and chafing at his parents' desire for him to nurture his talents with formal training. This tumultous relationship with his parents would eventually lead to a stint in a psychatric hospital, before reunit…
Wonderful, previously unreleased recordings by Derek Bailey and his guests at Company Week in 1983. What's remarkable throughout this album is the respect and affection the musicians show for each other, exemplifying the dictionary definition of "company" as "the fact or condition of being with another or others, especially in a way that provides friendship and enjoyment." It starts with "Landslide", a brilliant, spiky, spluttering, twanging reunion of Music Improvisation Company members Evan Pa…