Jazz & Improvisation / All styles

The newly formed quartet is making its debut performance at the gallery. Alan Wilkinson (alto saxophone), Olie Brice double bass,Dominic Lash (double bass), Mark Wastell (cello). Mark Wastell Quartet is combining the unavoidable and reverential influence of the great jazz pioneers of the 20th century with the sophisticated integrity of the modern day improviser.

Amazing and strong vintage synth and keys duo improvisations by free jazz pioneers Alan Silva and Burton Greene, still exploring and pushing boundaries after half a century of no compromise careers. Burton Green says: “It’s not about the latest (electronic) instruments or gadjets.. it’s about the creativity of the composer/improvisor. Alan Silva and I have so-called “dated” instruments or “retro electronics”, but you can just judge for yourself if what we do with them is dated on not..!.. …

Reissue of Anthony Braxton's second album for Delmark Records, originally released in 1969. Featuring Leroy Jenkins (violin and percussion) Leo Smith (trumpet) and Richard Abrams (piano, cello, alto clarinet). "...is there a McDonalds nearby?... remember, jazz musicians have to deal with the problem of no coins. On the road you either eat well and go home broke or you eat junk food and go home sick. Sick, but solvent." -- from Forces in Motion: The Music and Thoughts of Anthony Braxton by Graham…

This is a holy grail of an album not many people actually seem to know about. I heard about 1978 as initial release date but it could be some archive material as well because the music sounds more vintage. Strange drum patterns, cool jazzy melodies and a tenor sax going crazy make the first tune and you could imagine Miles Davis, Pharoah Sanders, John Coltrane and Herbie Hancock jamming. Suddenly this tune, “Royal walk” turns weird. A spoken word part sets in which feels like the guy (Ron Everet…

Landmark work from the Finnish scene of the 60s – one of those ultra-rare European jazz records that collectors have dug for decades! The set's got a stark, modern sort of feel – but also a nice soulful swing, too – a balance that few of the other Scandinavians hit so well at the time – as they were either hanging between farther-out progressions, or more inside, tightly arranged jazz! Drummer Christian Schwindt's vision here is exceptional – full of rich feeling, deep tone, and careful…

To kick off their new “Jukebox Series”, Trost Records provide us with a single pairing up the jubilarian with German painter Albert Oehlen. It’s certainly a somewhat unexpected collaboration; but then again, Gustafsson is a restless soul, constantly looking for new challenges, constantly seeking to push the envelope – so why not team up with someone from the visual arts? Besides, Oehlen is no complete stranger to the world of music. In the 80’s, he was part of the Neue Wilde art movement – along…

Trost continues its Trost Jukebox Series of 7"s. Raymond Boni is a French jazz guitarist and composer. Joe McPhee (born November 3, 1939) is an American jazz multi-instrumentalist born in Miami, Florida, a player of tenor, alto, and soprano saxophone, the trumpet, flugelhorn and valve trombone. McPhee grew up in Poughkeepsie, New York, and is most notable for his free jazz work done from the late 1960s to the present day. Raymond Boni - guitar and electronics / Joe McPhee - soprano saxophone, vo…

Duo of Kazuhisa Uchihashi (daxophone) and Junji Hirose (tenor saxophone) excerpt from two live performances in 2014 and 2015.Kazuhisa Uchihashi is a japanese guitarist  involved in free improvisation music. Born in 1959 in Osaka, Uchihashi began to play the guitar at age 12, playing in various rock bands, though he later studied jazz music. In 1988 he joined the band the First Edition, and in 1990 formed the band Altered States. He was also a member of Otomo Yoshihide's Ground Zero from 1994 to …

Improvised pieces for tracker action organs and strings recorded in five English churches. Because these organs are entirely mechanical, there is a more direct physical relationship between the instrument and the player. When each stop is very carefully and slowly pulled while a key is pressed, a myriad of uncertain transitional stages of sound is produced. Thus organist Veryan Weston has a much wider of range of tones than he would have if he were playing a piano or electric organ. Violist Jon …

Edition of 150 copies only "Spine-tingling free improv fire-blast from an international quartet with deep underground roots. Italian reeds player Genta and drummer Vanzan form the basis for all Jooklo aktion (Duo, Golden, Stellar, et al.). Norwegian reeds dude Stiberg and guitar/electronics manager Jon Wesseltoft also collaborate in Maranata. Together in Olso in 2012, the quartet laid down this very hard-blown and stylish session. There are let-ups in the attack, but there aren't many. Broken…

British free improvising guitar master John Russell's 60th birthday gig at London's Cafe Oto is celebrated in a duo with Phil Minton, a trio with Henry Lowther & Satoko Fakuda, in a trio with Evan Parker and John Edwards, and in a duo with Thurston Moore. John was off the scene for several months prior to this gig (Dec, 2014), mainly in hospital under observation for a serious heart condition, but he was determined to play this ... "On approaching my sixtieth birthday and how to celebrate the fa…

CD edition. This album features Peter Brotzmann on tenor saxophone and Peeter Uuskyla on drums, they are longtime collaborators and this album was recorded back in 2006 in Uuskyla’s home base of Sweden. Parts of the music on this album was previously released as part of the Born Broke 2CD set, and is remixed here for LP and MP3 and some of Brotzmann’s provocative artwork graces the cover. The title track is a continuous 36 minute improvisation broke in two sections for the vinyl. They open …

Entirely recorded at Tunefork Studios on the outskirts of Beirut, Burj al Imam's five tracks include three largely improvised numbers, a loose reworking of early Sun City Girls track "The Imam," and a cover of traditional Americana song "Gently Johnny." The album displays remarkable coherence, for four musicians coming from such different backgrounds. True to their habits, the Lebanese trio of trumpeter Mazen Kerbaj, guitarist Sharif Sehnaoui, and bassist Raed Yassin create acoustic improvised d…

Concert recording from Jazzatelier, Ulrichsberg, Austria - 12 June 2009. In co-operation with Linz09 - European Capital of Culture 2009.

A reissue of the first LP by the exceptionally fine improvising trio of John Russell (guitar), Phil Durrant (violin and trombone) and John Butcher (saxophones). This group came into being in 1984 after Russell and Durrant had spent the previous two years performing in private with another saxophonist. For this debut LP, made in 1987, they performed eleven short pieces. This CD has been expanded by the inclusion of a previously unissued extended concert performance made a few years later. The str…

Marcio Mattos has been an important member of the free improvisation and free jazz scenes since moving to London in the early 1970s. This, however, is his first solo album. There are six short solos on cello, three of which also use electronics, and three brief double bass solos, followed by an extended concert performance on bass with electronic enhancement. An overdue chance to hear this consistently fine musician in the foreground. 59 minutes.From the linernotes "Marcio Mattos’s first instrum…

Milestone reissue! Evan Parker's monolithic 1978 solo record Monoceros was originally released on Incus in 1978, and distinguishes itself in several respects: first, because it was recorded by the direct-cut process, whereby the sound pathway went directly from the microphone to a vinyl master. By virtue of eliminating the tape intermediate, the hope was to reduce noise and limit the need for processing and filters. The important functional consequence of this technology was that the musician (…

Ndikho Xaba was born in 1934 in Pietermaritzburg, KZN, South Africa. For thirty-four years —  1964 –1998 — he lived in exile in the US, Canada and Tanzania. Originally issued by Trilyte Records out of Oakland, California, this 1970 recording is bracing, freewheeling Now Thing, suffused with SA idioms, and focussed by a political urgency wiring together US Black Power, Black Aesthetics and the anti-apartheid front-line like nothing else. You can hear Trane from the off — ‘a spiritual offering to …

CD comes in a silkscreened gatefold cover. Le Jardin Bizarre (the odd garden) is the follow up to the album 'Outside Darkness', released in 2011 by PSF. It is a hollow album, stretching out long rests in which a sticky melancholy, an infinite sadness amplifies itself. 6 tracks dark as so many gardens - gardens seen through night, 6 shades of black, 6 colours of silence. While 'Outside Darkness' appeared like a shadow cast over Fukushima, 'Le Jardin Bizarre' is it's elegy. Disquieting calligrams …

About a week after September 11, 2001 I flew into New York City to be a grant panelist for the Rockefeller Foundation's arts program. Flying into New York the aftermath of the destruction of the Twin Towers could still be seen as an eerie cloud and haze that embraced the site of the attacks. Walking through the streets there were flyers posted everywhere that detailed the names and descriptions of the missing and dead. I sat in a room for the arts panel that gave me a birds eye view of the…

Founded in the Italy centre town of Ancona, Agorà curiously debuted with a live album instead of a studio one: they played an almost-instrumental typical jazz-rock, and they were invited to play at the famous Montreux Jazz Festival in Switzerland (a place that is most remembered for the fire that inspired Deep Purple's "Smoke on the Water"). That's where "Live in Montreux" was recorded, a four-track LP, one of which has been cut in two parts on the two sides of the album.Music, as specified in t…

Music From Tomorrow's World is a fascinating document and a boon to Sun Ra collectors. It gathers previously unheard tapes from two sources: one from the Wonder Inn club and one from Majestic Hall, probably a rehearsal. Both were recorded in 1960, toward the end of the Arkestra's Chicago period. The Wonder Inn tape is especially revealing, as it presents the Arkestra in front of a crowd. And although Saturn album releases from the period feature Ra compositions almost exclusively, this set shows…

A fascinating live document that captures Sun Ra & his Arkestra performing an eclectic set for a Cleveland audience in 1975. Though the recording quality leaves something to be desired, this remains an inspired performance and includes a chaotic take on Duke Ellington’s “Sophisticated Lady” as well as “Astro Nation,” a clamorous foray into disco rhythms that anticipates Ra’s pioneering 1978 effort Lanquidity. (AMG)

A very "jazzy" performance of uninterrupted Sun Ra's standards diluted with "Prelude to a kiss" by Duke Ellington and "Blue Lou". An excursion into the history of jazz encouraged by an ecstatic crowd.

"Cosmos" is a hard-to-find, alternately chaotic and tightly organized mid-'70s session that was issued on the Cobra, and then Inner City labels. Sun Ra provided some stunning moments on the Rocksichord, while leading The Arkestra through stomping full-band cuts of atmospheric or alternately hard bop compositions, peeling off various saxophonists for skittering, screaming, at times spacey dialogues. (AMG)

The Sun Ra Arkestra looks both forwards and backwards in time on this obscure small label LP. Ten years earlier, one could not have imagined Ra and his men romping through "On the Sunny Side of the Street" or reinventing "Flamingo." However, those versions certainly sound quite original, and there is no mistaking the band for any other orchestra on "Space Fling," "Manhattan Cocktail" and the trademark "Space Is the Place." The music on this album features a version of the Arkestra consisting of …

The excellent Live at Montreux set from 1976 was released on vinyl by both Saturn and Inner City before disappearing from print for many years. In 2003, the set was reissued by both Universe/Akarma and P-Vine. A full 20-member Arkestra (plus dancers) turns in a typically freewheeling set. From "Take the 'A' Train" (featuring a killer solo from Marshall Allen), to the gospel-influenced "El Is a Sound of Joy," to the almost exotica "Lights on a Satellite," to the free and raucous "Gods of the Thun…

More stuff from Sun Ra's archives, this time focusing on his work with doo wop groups. Sun Ra had a home tape recorder early on, and most of these are previously unissued home rehearsals. The sound is generally excellent given that these are '50s home recordings (except for the studio tracks released on Saturn as singles and their studio rehearsal counterparts). Sun Ra clearly knew and loved this type of vocal music and probably could have had a career cranking out doo wop numbers (he wrote most…

Gatefold double LP version. It can't be easy gathering 28 of Northern Europe's finest jazz and improvising musicians in one place at the same time, which is why Sweden's Fire! Orchestra has been one of the continent's best-kept secrets so far. After playing rare shows a handful of times a year, this incredible mass ensemble is getting ready to unleash its full power with Enter, its first studio recording. This isn't jazz: this is Nordic dynamite. Fire! originated as the trio of Swedish …

Produced in the twilight of the '80s in London and originally released on white-label LP with homemade rubber stamp impression, Witch is the mysterious and powerful debut from poet, artist, and musician Leslie Winer. It's an infectious patchwork of dub beats, tasteful samples and Winer's sultry blend of spoken word with cool, folksy lullabies that later became popularized by acts such as massive attack and tricky. Even though Witch predates those artists' breakthroughs by a year or more, Winer q…

Violinist Coombes explains things perfectly in his hilarious liner notes. Beethoven, he says, realized that the piano and violin sound horrible together, the instruments literally hate each other, and gave up after ten sonatas. "For us to try and surmount Beethoven's problems, for example, in the heat of trying to make the music up as we go along is almost laughable." Nonetheless, a blindfold test of this record to a knowledgeable listener often results in the music being misidentified as…

Michel Doneda (saxophones), John Russell (guitar) and Roger Turner (percussion). Recorded at Studio Honolulu in France (2009). 'What story can a non-figurative music tell if not that of the men that made it ? The memory is adjusted to the shape of the present, the space is open to the need to communicate; the transparency of brass, steel and wood, of the flesh and of the soul, through which passes the evidence of an unfinished ancestral sound. The substance is fleeting and the incessant gestures…

An excellent Sun Ra session from 1959! Ra and the Arkestra are playing in a fine mix of straight jazz and spacey styles, with Ra on electric piano throughout the entire set. A few tracks have some great chanted vocals – and we're not sure if they're sung by one of the Saturn doo wop groups, or by the ensemble – but they give the tracks a great sound, and the whole set has a good late 50's Arkestra sound.

Recorded in New York in 1962, this out-there disc sees Sun Ra and drummer / recording engineer Tommy Hunter experimenting to the max with wild use of home-made tape-loop echoes on the percussion pieces "Cluster Of Galaxies" and "Solar Drums". Also includes a lovely early version of the beautiful "Lights On A Satellite". Another essential reissue, complete with original hand-drawn artwork.

Saturn Research has just reissued one of the more harder to find LP’s in the massive Sun Ra catalogue that is pilling from reissue labels all over the world. With Saturn being the first label and Ra’s personal imprint, whenever a title gets pulled from the depths from them the Sun Ra community immediately takes notice. Saturn printed over a 100 different titles in Sun Ra’s vast body of recorded works from the early 50′s to the 80′s and early 90′s. The Soul Vibrations of Man is the LP Saturn is l…

Thierry Maucci, tenor and sopranino saxophones. Jean-Marc Montera, guitars. Gérard Siracusa, drums & percussion. Bruno Chevillon, doublebass. Recorded in 1986.

Jean-Marc Montera, guitar, Yves Robert, trombone, Gérard Siracusa, percussion. Recorded by Daniel Deshays at Théâtre Dunois in 1983.

Percussion solo recorded in Marseille in 1983. Gérard Sicarusa (born in 1957)was a founder member of GRIM in 1978 and played with André Jaume, Raymond Boni, Bernard Vitet, Sylvain Kassap, Jean-Marc Montera and Yves Robert.

Coxhill was a noted figure on the UK underground jazz and rock scene, his saxophone playing gracing recordings by Kevin Ayers (with Coxhill being a member of Ayers group The Whole World) and later on acts such as Caravan. Recorded between July 1970 and January 1971, the double LP Ear of the Beholder gave Lol Coxhill the chance to produce a unique solo work which saw him touch various musical areas, including the Avant Garde, Jazz, Rock and more. Coxhill was assisted in the recording sessions by …

One of the hippest, deepest release that Sagittarius A Star has ever published, a really wonderful set that opens up a whole new side of this legendary band: a journey into Middle Eastern music and free harmonic extractions, where one can hear the magic and effortlessness of the band's intimate communication. "I tried few times (and i usually try only once) to convince Mike Johnston to put together all this but i understand why: Faruq's passing was kind of a shock and bewildering event for North…