Jazz & Improvisation / All styles

Recorded 31 March 1983 at Woodland Pattern, Milwaukee, Wisconsin, USA. 'This was a cassette not officially released on Incus or any other label. It was sold by Derek Bailey at concerts. For a short period in 2010 original copies were sold via the Incus website. Now released on CD & Cassette, restored and transferred from the original cassette. The back story : In 1983 Derek Bailey was due to visit Japan for a concert tour and decided to take with him, for sale at the concerts, a cassette …

Black Goddess was written and directed by Ola Balogun (recognized as one of Nigeria's most renowned directors) but shot and cast in Brazil and released in 1978. The soundtrack was composed and produced by one of Nigeria's most successful and original musicians Remi Kabaka (who has played with Steve Winwood, Paul Simon and Ginger Baker, amongst others). The record was originally issued in both Nigeria and Brazil, but recorded in Lagos, using four of the Nigerian music scene's most innovativ…

The dialog of two improvising guitarists who, since 2004, have explored "timbres, interspersed with fragments of chords, rhythms and melodies, parallel plays in imitation or opposition". All the pieces that make up this CD are presented here in their entirety. They reflect our mutual explorations discussed in confidence, freedom and exigency since 2005. Dialogues of timbres, interspersed with fragments of chords, rhythms and melodies, parallel plays in imitation or opposition... Conversation…

An intensely personal journey, Charlotte Hug uses extended vocal techniques and an unusual language on the viola, creating an exceptional and unique improvisatory sound world.  Charlotte Hug's third solo (unaccompanied) CD is the first to feature her voice as well as her viola. The two are used together to create an even more complex instrument than before sometimes sounding like a duo performance. Recorded in her home town of Zürich after several visits to Cork in Ireland, she has subtly absorb…

A sequence of improvisations recorded in the warm natural acoustics of St Peter’s Whitstable. This quartet plays music created in the moment. From a starting point of contrasting histories, energies and aesthetics, they weave together, forming a tapestry of colours and dynamics.

John Butcher and Derek Bailey first played in duo around 1989, at London's Red Rose Club. Butcher then took part in the 1990 & 1992 (London) and 1996 (Vancouver) Company weeks. Various other playing situations materialised in the 90s, ranging from Saturday afternoons at the Oasis Wine Bar in Hackney, to a quartet with Robyn Schulkowsky in France, and a trio with Joelle Leandre at Tonic in New York in 2000.A comparatively long lived grouping was with tuba player Oren Marshall - which relea…

2011 release ** "The leitmotiv of this release signed by the Koln-based trio made up of Matthias Muche - talented trombonist and active media artist -, Philip Zoubek - inventive Austrian pianist, who likes to alter his instrument's timbre...what is known as prepared piano - and Achim Tang - experienced bass and double-bass player whose artistic path is rich of relevant collaborations including the ones with Oskar Aichinger, Wolfgang Pusching and dZihan & Kamien, a notorious duo for jazzy disco a…

“Michel Doneda soprano and soprano saxophones. Jonas Kocher accordion, objects. Recorded live on 27th november 2009 at Red House, Sofia, Bulgaria. Mastering by Christian Weber. Design: Fabienne Bartel. Limited edition of 160 numeroted copies. Screenprint on sandpaper. The duo explores and questions the sound, listening and space with sound actions simple, minimal and acoustic. Entirely improvised, the duo's approach is in place and time of the concert, thus inviting a real experience of listenin…

Dominic Lash, double bass. Patrick Farmer, percussion. Sarah Hughes, zither & piano. A 20-minute improvisation plus realisations of scores by the Wandelweiser composers Eva-Maria Houben & Taylan Susam, including an extraordinary outdoor performance of Houben's Nachtstück recorded in a wood in Derbyshire during a rainstorm. 'It's exciting to play Wandelweiser music because of its difference from improvisation, the satisfaction of being given specific tasks to carry out and attempting to do so to …

'How do you become Peter Brötzmann? How do you become what you are: a painter, a musician, an absolute artist? Europe was nothing but a ruin and shame possessed the heart of the young Germans. They needed to invent, scream, regain a lost brotherhood. Overcome this silence ! That's how some young German, British, Dutch, Belgian musicians made Europe exist long before Maastrich and have kept on cherishing, imperturbably, their freedom! They are no longer twenty-year-olds, but others have followed.…

Second outing for this powerful Anglo-Czech electronics-led trio (Jez Riley French, field recordings, zither, contact mics, electronics. Daniel Jones, turntable & electronics. Ivan Palack , amplified knitting machine). Recorded live in Hull, November 2010. 'With the Caisson CD, I think we all feel that this meeting between intuitive composition, sound & improvisation has a language of its own. The aspect of listening is constantly shifting in a forward motion. Moments are at the core of wh…

Ressuage: Michel Pilz (bass clarinet), Itaru Oki (trumpet, flugelhorn, reeds), Benjamin Duboc (doublebass, voice), Jean-Noël Cognard (drums, objects), Patrick Müller (electrosonic) and Sébastian Rivas (laptop). Recorded in 2010 by Patrick Müller. Mixed by Patrick Müller. A coproduction by Bloc Thyristors-Bimbo Tower Records.

Two instruments with totally different histories come together and look for a connection across two great sets from 2006 & 2010. "What counts is who you are performing with....in the end that is more important than the actual instrument"-Thomas Lehn

s of Weston's compositional framework based on a cycle of pentatonic scales. Tessellations I explores the possibilities of improvising with a pre-established form as a soloist and was conceived for acoustic piano. (The composer recorded a version in 2003 on a Luthéal piano in Brussels released as Emanem 4095). Only the first half of the 2010 version by the young concert and improvising pianist LEO SVIRSKY is included here because of CD durational limitations. His interpretation of the piece is v…

The whole of the performance at the 2010 Freedom of the City festival by the 38-strong LIO. Conductions by Alison Blunt, Steve Beresford (featuring guest Leon Michener), Philipp Wachsmann, Caroline Kraabel, and Dave Tucker (featuring guest Ishmael Wadada Leo Smith), were interspersed with free improvisations.

With a career now spanning over 40 years and more than 100 recordings, Joe McPhee has shown that emotional content and theoretical underpinnings are thoroughly compatible — and in fact, a critically important pairing — in the world of creative improvised music. Since recording The Hated Music with Paul Flaherty in 2000, Chris Corsano has been hyper-active in far-reaching corners of the free improvised world. Under A Double Moon, recorded live in Paris during a spring 2010 tour of Europe, i…

Thomas ! Thomas wrote me one day and said to me to check out some audio called So long ago in Berlin... wow, i immediatly fell in love with that sound, really 60's and melancholic in a way... those were the rec. of a mini Tour that Norris Jones set up with his new sextet (2 gigs in Berlin/2 more in NYC). Sirone was one of the most respected bassist coming out of the New Thing, having played with all the greats: Albert Ayler, Archie Shepp, Marion Brown, Pharoah Sanders, Cecil Taylor, Noah Howard,…

Monumental! Who could have imagined back in 1969 that a German label religiously dedicated to uncompromising free-jazz would outlast the Berlin Wall? Such is the ongoing tenacity of Free Music Production, and its story is told in this intriguing 12-disc box set, compiled with a lavish book of photos and perceptive essays by such musicians as saxophonist Ken Vandermark and author Felix Klopotek. The company has been a true labor of love (or fanaticism) for Jost Gebers, who maintained a day…

A keenly awaited recording from the long standing collaboration and friendship between Fernandez and Saura. They have worked together in many different groupings but this is the first time their specific duo music involving piano and live sampling has been documented.

New Jooklo finnish formation, this time with great guitarist Topias Tiheasalo joining the compact trio of saxophonist Virginia Genta, drummer David Vanzan and bassist Tero Kemppainen, whom have been working together for the past three years now. The first time that the four played together was for a live concert in Turku, Finland, in 2009: meeting up just few minutes before the show started, and immediately throwing out a mighty jam of superfast free jazz. After one year, they met again for a sh…

Two releases in one, Otherways was a 2nd generation free improvising group from London performing in '73; and Free Space was a group assembled in '73 by John Stevens with Trevor Watts, John Russell, &c.  The bulk of this CD features Otherways, a 'second generation' London group that has not appeared on record before. This delayed publication, combined with the general lack of recognition of the musicians involved, does not prepare one for the excellent music they made together, distinctly differ…

Recorded in 1984, this issue on vinyl of a performance by German bass clarinetist Michel Pilz and French drummer Jean-Noël Cognard is everything my heart needs today, bringing raw but lyrical improvisations on two short album sides (really too short). Both musicians are absolutely great to hear. Pilz's tone on the bass clarinet is excellent, and so are his improvisations. He did not release much under his own name, but performed amonst others with the Globe Unity Orchestra, Peter Kowald and Manf…

Moody, open, and airy – not really a jazz record, but one that feels quite improvisational in nature – although more in the ways you might get from an extended minimalist jam at start of the 70s! Instrumentation here includes synth, music box, violins, guitar, kalimba, and toy keyboard – but often used in these really abstracted ways, so that the sounds float out in the air, and are circled back a bit – and getting nice and noisy by the end! (Limited edition.)

Surprisingly, this remarkable and magnificently captured performance has never been issued on LP (or CD) before. Sun Ra and his larger than usual Arkestra are caught live here – dancers and all – sometime during 1971 at the Théâter du Châtelet in Paris, France for what is surely one of the Arkestra's finest concert happenings – particularly during this period.While Ra's Arkestra was recorded live several times during 1971, the personnel and the instrumentation presented here are closest to a Oct…

"The boundaries in jazz have now become smoother, the horizon is expanding. Dauner, Mariano and Saluzzi anticipated these developments back in the eighties. You can hear it immediately: three world class musicians get together. Wolfgang Dauner is one of the pioneers of German jazz and is one of the first avant-garde players; he also explores classical territory on the piano. Charlie Mariano showed for decades that he had an open ear for world music influences. And the virtuoso on the bandoneon, …

"Best known for his collaborations with people like Paul Flaherty, Michael Flower and Thurston Moore as well as a year-and-a-half stint as the drummer for Björk's Volta tour, Chris Corsano is widely considered to be one of the best and most adaptive drummers of his generation. Equally adaptive is UK saxophone giant, Paul Dunmall, who has worked disparately with jazz greats like Alice Coltrane and Evan Parker as well as funk and folk acts like Johnny Guitar Watson and Dando Shaft. After a…

On Vintage Duets, Anderson is joined by Steve McCall, a drummer who touched many listeners with his style and sensitivity, especially as a member of the group Air. McCall worked with Anderson at various points from early in his career. Recorded on 11 January 1980 at Soto Studios. (label)

Sun Ra's second album was a Delmark release, although it was originally intended for the Transition label, which did not survive long enough to release it. Recorded in 1957. Personnel: Sun Ra, piano, electric piano; Art Hoyle & Dave Young, trumpets; John Gilmore, tenor sax; Pat Patrick, alto & baritone sax; Jim Herndon, tympani, timbali; Julian Priester, trombone; Charles Davis, baritone sax; Victor Sproles, bass; William Cochran, drums; Clyde Williams, vocals. (label)

In this incredible big band-style ensemble you'll find the likes of Rob Mazurek and Jeff Parker supporting trumpeter and composer Bill Dixon. Spread across three long-form orchestral narratives, featuring various horns and woodwinds, guitar, piano, vibraphone, timpanis and voice. Far from being the muddled affair it could have become, the musicians each somehow find their own space to cut loose a little within the composition, with an accommodating, airy production to match. Of the three pieces,…

Limited LP edition...MINDBLOWING! a unique and incredible orchestra of acoustic & electronic improvisation. "Jazz cornetist Rob Mazurek has created a sound world that is uniquely his own, sculpting a TOTAL sound environment, by fully utilizing the beautiful instrumentation of the Exploding Star Orchestra and sounds from a variety of sources, including: rain from the Brazilian Amazon, insects at the turn of an eclipse, the hammering overdrive of bicycles in Copenhagen, stacked muted cornets run t…

Repress, originally released in 2000. Surprise reissue of the most infamous and difficult to procure Sun Ra artifact; originally issued on Amiri Baraka (then LeRoi Jones)'s Jihad label (home of the original Sunny's Time Now by Sunny Murray as well). This is the first release on the DC-based Sonboy label officially sanctioned by Baraka (and mastered from the original tapes that have been sitting in his basement all along). Other unreleased sessions from the Jihad library of tapes are still rumore…

40th volume in the BYG Actuel series; gatefold sleeve, 180 gram vinyl. "'A wild and passionate interstellar mix of free jazz, solo synthesizer and hard rocking cosmic philosophy specifically commissioned by the BYG/Actuel label (and apparently recorded in New York between 1970 and 1971)... this material 'would prove to be one of the cornerstones of the entire Sun Ra/Arkestra career'... with Kwame Hadi, Akh Tal Ebah, Ali Hassan, Charles Stephens, Marshall Allen, Danny Davis, John Gilmore, Danny R…

Soul Jazz Records are re-issuing this lost classic deep jazz album. This is the only recording of Maulawi Nururdin and his group. Originally recorded in Chicago in Sep 1973, and released by a small independent label in Detroit the following year. The music fell between the gap of the avant-garde and straight-ahead jazz, and had elements of Funk and Latin that were rare at the time that meant that commercially it sank without a trace -- but, thirty years on, we can see that these are exactl…

Trio improv; Yoshizawa playing 5 string bass, Kosugi on violin, and Miyake on piano. A post-Cecil thirdstream air about it that's real avant-classical. Fluxus member Kosugi was also a member of '70s legends Taj Mahal Travellers.

In improvised music, double bass and drums have a very different role to that in rock or jazz. Freed of the duties of “the rhythm section,” they are featured as much as any other instrument, without having to wait in line for their turn to solo. They are equal partners in the collective enterprise of music making. Bassists or drummers who have arrived at improv via rock or jazz often seem to relish the freedom they are afforded and become more extroverted. One need look no further than Ha…

The first song on side A, Brainville, is such a great start, a walk down a busy street full of fascinating people all going somewhere. Everyone's in a good mood. You are among an intelligent group of people with senses of humor. They like to laugh at situations they find themselves in, and at themselves, sometimes. What a great introduction. You want to stay among these people, keep listening to them, keep watching them.The second song, Call For All Demons, has a catchy main phrase going …

restocked, very last copies : awesome LP reissue on Qbico's new label Sagittarius A-Star, unreleased before and limited to 200 copies only "one day i was reading a book about the Milky Way... the name for the black hole at the center of our galaxy was called Sagittarius A-Star... ding ! it just sounded perfect ! later on i was checking out Father Yod wonderful book to find out the right pic for the cover... could i have ever envisioned something better for the front cover of the A-Star rocket #0…

On Journey, violinist India Cooke and bassist Joelle Leandre improvise in that exalted state of grace that every improviser hopes to attain. It’s a state in which everything they play just works. It’s as if they can’t play a bad note or make a sound that doesn’t advance the music. In this state, the music unfolds without prior arrangement and at speeds too fast for conscious control, yet it’s development and intent is always clear. That deep communication between two or more people is exa…

 "The recording and release of Onecept celebrates David S. Ware's 50th year of singular and profound saxophone artistry; a studio session specifically arranged for same featuring Ware on three saxophones - saxello, stritch, tenor - along with fellow musical masters William Parker (stalwart fellow prophet) on bass and Warren Smith (also featured on Ware's album Shakti) on drums and tympani. Unlike almost every previous album Ware has made in the past 20 years (Corridors & Parallels being another …