Jazz & Improvisation / All styles

Six-CD box with all six sets played by Keith Jarrett, Gary Peacock and Jack DeJohnette at the Blue Note, New York, on 3, 4 and 5 June 1994. Produced by Manfred Eicher, engineered by Jan Erik Kongshaug; released by ECM in 1995.

Three albums by John Abercrombie's first quartet, with Richie Beirach (piano), George Mraz (double bass) and Peter Donald (drums): Arcade (1978) and Abercrombie Quartet (1979), recorded in Oslo, and M (1980), recorded in Ludwigsburg. Produced by Manfred Eicher. 3CD.

Three early Jan Garbarek albums on 3CD: Sart (quintet with Bobo Stenson, Terje Rypdal, Jon Christensen, recorded Oslo 1971), Witchi-Tai-To (1973) and Dansere (1975) by the Garbarek-Stenson Quartet with Palle Danielsson and Christensen. Produced by Manfred Eicher.

3-CD box with Arild Andersen's first three ECM albums as leader, Clouds in My Head (1975), Shimri (1977) and Green Shading into Blue (1978), with Knut Riisnæs, Jon Balke, Juhani Aaltonen, Lars Jansson and Pål Thowsen, recorded in Oslo 1975-1978.

Sold out, last copies: 'Beautiful duo set from these two European improvisors which is a deal more removed from any established notions of intuitive post-SME thought than you might initially suspect. Davies plays harp throughout, but right from the first track he steers away from both the scrabbly string attack favoured by most post-Derek Bailey strategists and the Heavy Metal assault of instrumental pioneers like Zeena Parkins, opting instead for a slow blur of droning notes that flare like fiz…

a beautiful duo album, Alfredo Costa Monteiro: accordion. Ruth Barberán: trumpet. Recorded in 2004, Barcelona

Henry Kaiser, electric guitar; John Oswald, alto saxophone. Pre-vou (01.21), Vancouver (17.00), Vancouverification (38.00), Acouverstic (02.17), Vancouverymuch (56.00). Recorded at the Western Front, Vancouver; tracks 2 and 3 recorded on 7 February 1978; other tracks recorded on 6 May 1996.

2003 release ** "Justin Bennet, Anne Wellmer and Stephie Buttrich fuse minimal electronica and free improvisation in a set of 16 warped and lovely songs."

Recorded at LOFT Köln on December 14, 1993

Korm Plastics is proud to present the eigth release in the brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative project; a …

Nine songs by Karen Mantler (vocals, harmonica, piano) with Doug Wieselman (guitar, bass clarinet) and Kato Hideki (bass), recorded in Brooklyn between October 2012 and April 2013. XtraWATT/14, 2014.

Into the Woodwork (XtraWATT, 2013) is a studio album by the Steve Swallow Quintet: Swallow (bass), Carla Bley (organ), Chris Cheek (tenor saxophone), Steve Cardenas (guitar) and Jorge Rossy (drums), recorded 15-16 November 2011 at Studios La Buissonne, Pernes-les-Fontaines.

So There (XtraWATT, 2006) sets readings by poet Robert Creeley to music by Steve Swallow (bass), with Steve Kuhn (piano) and the Cikada String Quartet; recorded 25 August 2001 in West Shokan, NY, and 27-28 August 2005 in Oslo.

Damaged in Transit (XtraWATT, 2003) is a live trio album by Steve Swallow (bass) with Chris Potter (tenor saxophone) and Adam Nussbaum (drums), recorded on tour in France in December 2001; nine Swallow compositions, produced by Swallow.

Appearing Nightly (WATT, 2008) is a live album by Carla Bley (piano, conductor) and her 17-piece big band with Steve Swallow, Billy Drummond, Andy Sheppard and Lew Soloff, recorded 17-18 July 2006 at the New Morning, Paris.

Carla Bley on organ with Steve Swallow, Hiram Bullock, Larry Willis, Victor Lewis and Don Alias, playing six Bley compositions. Recorded December 1986 to January 1987 at Grog Kill Studio, Willow, New York. WATT/17, 1987.

Solo piano concert by Abdullah Ibrahim (then Dollar Brand), recorded live in October 1969 at the Jazzhus Montmartre, Copenhagen. First issued by Spectator in 1970, then on JAPO (60002) in 1973.

Gary Burton Quartet (Burton, Mick Goodrick, Steve Swallow, Ted Seibs) with members of the NDR Symphony Orchestra, playing music by Michael Gibbs, who conducts. Recorded in Hamburg in December 1973, produced by Manfred Eicher, ECM 1040 (1974).

Purcor (Songs For Saxophone And Piano) is the 2010 ECM duo album of Trygve Seim (tenor and soprano saxophones) and Andreas Utnem (piano, harmonium), recorded in May 2008 at Tøyen Kirke, Oslo, produced by Manfred Eicher.

What Exit is Mark Feldman's first ECM album as a leader, eight of his compositions played with John Taylor (piano), Anders Jormin (double bass) and Tom Rainey (drums), recorded in 2005 at Avatar Studios, New York, produced by Manfred Eicher.

Compass is Susanne Abbuehl's second ECM album, with Wolfert Brederode (piano), Christof May (clarinets), Lucas Niggli (drums, percussion) and guest Michel Portal (clarinet), recorded at Rainbow Studio, Oslo, in 2003 and 2004 and produced by Manfred Eicher.

Easy Living is Enrico Rava's 2004 ECM album with his Italian quintet: Gianluca Petrella (trombone), Stefano Bollani (piano), Rosario Bonaccorso (double bass) and Roberto Gatto (drums), recorded in June 2003 at Artesuono Recording Studio, Udine, produced by Manfred Eicher.

Different Rivers is Trygve Seim's 2000 ECM debut as a leader, for a thirteen-piece, mostly wind ensemble with Arve Henriksen, Sidsel Endresen and others, recorded at Rainbow Studio, Oslo, between December 1998 and December 1999.

First album by the trio of Vassilis Tsabropoulos (piano), Arild Andersen (double bass) and John Marshall (drums), Tsabropoulos's ECM debut, with nine original pieces. Recorded October 1999 at Rainbow Studio, Oslo, produced by Manfred Eicher. First released in 2000 as ECM 1728.

Fourth and last ECM album by the Peter Erskine Trio, with Erskine (drums), John Taylor (piano) and Palle Danielsson (double bass), recorded July 1997 at Rainbow Studio, Oslo, and produced by Manfred Eicher. First released in 1999 as ECM 1657.

The complete first set played by Keith Jarrett (piano), Gary Peacock (double bass) and Jack DeJohnette (drums) at the Blue Note, New York, on 4 June 1994: Autumn Leaves, Days of Wine and Roses, Bop-Be, You Don't Know What Love Is / Muezzin and When I Fall In Love.

Expectations exploded, intentions fleetingly revealed, faith justified. A new album from Keiji Haino's Fushitsusha is always going to be a major event. And to make the release of Origin's Hesitation even more significant, it is the first new album from the group in almost two years, the first studio recordings by the new duo line-up, and the first Fushitsusha album on PSF since 1994's stunning Pathetique. The popular perception of Fushitsusha has usually been as a rock band, albeit one that push…

Keiji Haino's rock trio debuted to the world of recordings with a double live LP set (PSF 3/4 -- long deleted) and then followed it up with this one -- another double live set (completely different material). Mind boggling guitar/bass/drums extensions from the heaviest rock band on planet earth. This 150 minute double-CD (wrapped in stunning all-black cover) is one of the quintessential documents of the modern era.

Recorded 2005-6. 'FURT's new CD combines live sets from Durham and Belfast into a vertiginous journey lasting almost 78 minutes. Richard Barrett and Paul Obermayer once more redefine the outer limits of intensity, virtuosity and improvisational rapport in electronic music in OMNIVM, named after the essential inherent interior essence which is hidden in the root of the kernel of everything in Flann O'Brien's novel The Third Policeman

Album by Tunisian oud player Anouar Brahem with Richard Galliano (accordion), François Couturier (piano, synthesizer), Palle Danielsson (double bass), Jon Christensen (drums) and others, recorded September 1994 at Rainbow Studio, Oslo. First released by ECM in 1995.

John Surman (saxophones, clarinets, piano) with his trio of Chris Laurence and John Marshall and a seven-piece brass section conducted by John Warren. Recorded April 1992 at Angel Studios, London; produced by Surman and Steve Lake.

Duo album by Miroslav Vitous (double bass) and Jan Garbarek (tenor and soprano saxophones), with seven Vitous compositions and two joint improvisations. Recorded February 1992 at Rainbow Studio, Oslo, produced by Manfred Eicher.

Keith Jarrett (piano), Gary Peacock (double bass) and Jack DeJohnette (drums) in a tribute to Miles Davis, recorded on 12 October 1991 at the Power Station, New York, two weeks after his death. Executive producer Manfred Eicher.

First ECM album by the Louis Sclavis Quintet: Sclavis (clarinets, soprano saxophone), Dominique Pifarély (violin), François Raulin (piano, synthesizer), Bruno Chevillon (bass), Christian Ville (drums). Recorded September 1991 at Rainbow Studio, Oslo.

Highlights from small group recordings from the 2001 Freedom of the City festival featuring artists such as Steve Beresford (electronics), John Butcher (saxes), Lol Coxhill (sax), Paul Rutherford (trombone), Phil Minton, and more in various arrangements.

Solo, duo, trio, quartet & octet improvisations by John Edwards (double bass), Sylvia Hallett (violin, voice, sarangi), Marcio Mattos (cello), Neil Metcalfe (flute), Evan Parker (soprano saxophone), John Rangecroft (clarinet), Mark Sanders (percussion), Philipp Wachsmann (violin, electronics). 152 minutes - previously unissued.

Animato is a 1990 ECM album by guitarist John Abercrombie with composer Vince Mendoza (synthesizers) and drummer Jon Christensen, mostly of Mendoza's compositions, recorded in October 1989 at Rainbow Studio, Oslo, and produced by Manfred Eicher.

Extensions is a 1990 ECM album by the Dave Holland Quartet: Holland (double bass), Steve Coleman (alto saxophone), Kevin Eubanks (guitar) and Marvin "Smitty" Smith (drums), recorded in September 1989 at the Power Station, New York, produced by Manfred Eicher.