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1996 release ** "Reconstruction of Sound features Ellen Christi on vocals, Yuko Fujiyama on piano, Masahiko Kono on trombone, and Mauro Orselli on drums and cymbals. This album was recorded at Baby Monster Studio in New York City on March 30, 1993, and includes live recordings from a performance at Roulette in New York City on April 2, 1996. Ellen Christi is a prominent figure in the avant-garde jazz scene, known for her innovative vocal techniques and improvisational style. Her contributions to…
2006 release ** "Harris Eisenstadt's fifth album as a leader features a sextet of young Chicago players and all-star names. The lesser-known names are vibraphonist Jason Adasiewicz, gracefully waltzing through the drummer's complex compositions, and reeds player Jason Mears, who seems too busy keeping up with the score to truly shine. Bassist Jason Roebke has previously proved his worth (in Tigersmilk and the Scott Fields Ensemble, among other projects). Vandermark 5 trombonist Jeb Bishop and To…
1990 release ** "A classic of '90s avant garde jazz, True Live Walnuts features Italian percussionist Mauro Orselli joined by British saxophonist Evan Parker and keyboardist Antonello Salis for some of the most fascinating free music of recent years. Performing just two pieces live at the Europa Jazz Festival in Noci, Italy, the three bring about an extraordinary union of disparate voices in a coherent whole. Orselli is stupendous on percussion, where he interacts with Parker as a second horn. T…
1996 release ** "The thing to do would be to get all misty-eyed about what a great bassist the late David Izenson was and how he brought in the whole deep-bowing technique to jazz with Ornette Coleman in the early '60s. It would also be summarily reasonable to note the student-teacher relationship between Lindberg and Izenson, as well as their friendship, and then discuss the influence of the object of this CD on the subject in terms befitting a jazz record. But forget it. The deal is clear: Joh…
2006 release ** Ten pieces of free-improv-folk-jazz from Finland, with a distinctive foundation of playful vigor and heartening spirit. Some of the tracks take on a higher timbre and slightly more tongue-in-cheek feel as the quartet splinters into the duo Lauhkeat Lamaat.
1989 release ** "For his recording debut, Ivo Perelman performs seven folk melodies, five of which are traditional Brazilian children's songs. A powerful tenor player whose style and sound at times recalls Albert Ayler (without the vibrato), Gato Barbieri, and Clifford Jordan, Perelman uses the simple melodies as points of departure and places to land after his intense and fairly free but melodic improvisations. The first three songs co-feature vocalist Flora Purim, who is at the top of her game…
2004 release ** "The percussionist as poet, the drummer as sound painter, the composer as storyteller, and the improviser as artist of survival. What Pierre Favre writes for the Arte Quartet is like a choral fantasy, a suite for individualists with a strong collective spirit. Four singers, each with their own utterly unique timbre, a chamber choir with a highly developed sonic sensuality. The percussionist runs his threads between the voices, becomes one himself, creates space, provides the beat…
One of the most electrifying records we've ever encountered from the power of the Nobuo Tsukahara's Sharps & Flats – a collection that infuses fantastic keyboards into the group's signature horn-heavy sound! The set features an incredible mix of Fender Rhodes and organ, frequently taking the spotlight as the lead solo instrument over the rich backings, creating a particularly delightful experience on the tracks with Rhodes! The tunes are absolutely fantastic, bringing a fresh and funky vibe that…
A 20th Century Renaissance man, cartoonist, film director, author, radio personality, record company owner, German guitarist Volker Kriegel played an important role in the European jazz-rock and fusion movements. Co-founder of the United Jazz and Rock Ensemble, Kriegel’s own groups and collaborations with American vibraphonist Dave Pike gained him a world-wide audience, as his 14 albums for MPS as leader and 15 as sideman can attest.
Volker Kriegel assembled a band of some of the leading musical…
Black Rhythm Revolution! Is the first solo album from the jazz-funk legend Idris Muhammad, a New Orleans-bred rhythm king who successfully made the leap from the finest soulful jazz records of the ’60s to the nastiest fusion funk of the ’70s. Here we catch him literally on the cusp of the two in 1970, with one good foot in the get-down of “Express Yourself” and “Super Bad,” and the other in his own heady excursions into modal rhythm and melody, accompanied by virtuosos Kenny Barron, Ron Carter, …
American Vibraphonist Dave Pike may not be as well-known as contemporaries Gary Burton and Bobby Hutcherson, but recordings with Bill Evans, Herbie Mann, and Paul Bley evince Pike’s pedigree. His MPS albums from 1969 through the early 70s have become minor classics.
Underpinned by funk and fusion, Infra-Red ventures into country rock on Suspicious Child and trips through fractured iridescent landscapes on Attack of the Green Misers. Raga Jeeva Swara is a rock meditation and Send Me the Yellow Gu…
Delivering a career-defining statement from the Italian electroacoustic composer and saxophone player, Laura Agnusdei, Maple Death returns with “Flowers are Blooming in Antarctica” - a startling, multifaceted journey through imagistic sonorous worlds resting at the juncture of spiritual jazz, fourth-world minimalism, tropical electronics, tribal futurism, and rigorous electroacoustic experimentalism - rooted in thrilling ecological ideas, that marks the launch of Opale, a new suite of releases c…
This is the first ‘lost’ album Jazz In Britain has discovered. We’ve released albums that were only previously released on vinyl, or even cassette tape, ie never on CD, or albums produced from sessions by groups that never made a record, or we’ve included unreleased tracks that never made it only albums… but this is a real first for us. In 1979 Tony Coe and Bob Cornford composed pieces for an unusual, and unrepeated, combination of a six-piece jazz ensemble (two reeds, bass trombone, piano, perc…
After Chick Corea’s Piano Improvisations, and Keith Jarrett’s Facing You, Paul Bley’s Open, To Love was the third fabulous chapter in ECM’s quietly revolutionary solo piano manifesto, whose impact endures and continues to influence improvisers today. In the liner notes to this Luminessence vinyl edition, Bley biographer Greg Buium writes, “After more than fifty years, Open, To Love remains an imperishable gem, lodged forever in the present tense, and among the great masterpieces in ECM’s vast c…