We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Derek Bailey's Improvisation , originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms,Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and "free" music. By drawing on conversations with some of today's seminal improvisers,including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scot…
Excerpts from gloomy days is an intimate journey through the winters of the province of Ravenna, captured from the window of my car between 2015 and 2017, wandering between the city, the countryside, the industrial areas and reaching the coast. The photos, taken through fogged up windows and raindrops, tell of blurred landscapes, deserted roads, and melancholic atmospheres, suspended between the real and the dreamlike. A tale of moments stolen from time, where rain becomes a brush and the fogge…
Adriano Zanni is well known here at Boring Machines. Our collaboration started in 2008 with the album "Piallassa (red desert chronicles)", an album inspired by a simple but meaningful coincidence. In 1964 Michelangelo Antonioni shot his first color film "Il Deserto Rosso" (Leone d'Oro at Venice Film Festival) inside and around the huge assembly of petro-chemical factories in the outskirts of Ravenna, known at that time as ANIC. Adriano Zanni was born in 1964 in Ravenna.
In the last 25 years he…
Among the few truly experimental composers in our cultural history, Harry Partch’s life (1901-1974) and music embody most completely the quintessential American rootlessness, isolation, pre-civilized cult of experience, and dichotomy of practical invention and transcendental visions. Having lived mostly in the remote deserts of Arizona and New Mexico with no access to formal training, Partch naturally created theatrical ritualistic works incorporating Indian chants, Japanese kabuki and Noh, Poly…
Bluetooth sound walks featuring extreme interference.Side A recorded at Cedar Point with bluetooth earbuds.Side B recorded in Oberlin with bluetooth speaker.
Hardback cover, richly illustrated. A full-length book on Boards of Canada, the Scottish duo of Michael Sandison and Marcus Eoin, published by Disco Pogo with the approval of the band and of Warp. It is the fifth volume in the magazine's Tribute series, after Daft Punk, Aphex Twin, LCD Soundsystem and Andrew Weatherall, and the artist readers had been requesting most since the series began. Ships 10 November 2026.
Sandison and Eoin started recording in the Pentland Hills outside Edinburgh in the…
Tony Conrad alone with amplified violin and self-built Long String Instrument, playing behind a sheet inside the unfinished Mudam in Luxembourg, October 2002. Nearly an hour of unbroken drone, first published here with an extended interview by Philippe Franck. CD digipack, 8 page booklet.
*50 copies limited edition* »presage« is an act of sonic foraging: shortwave radio transmissions and field recordings were collected around Helsinki, then assembled and transformed into two long-form pieces. Collecting radio brings with it a particular uncertainty, as signals may have travelled enormous distances before arriving stripped of their context and misted with static, interference, and the imprint of atmospheric conditions. A field recording is a more certain and geographically secure …
Rather than offering a single narrative, A Study on Tension unfolds as an atmosphere. The tape focuses on the thresholds between attraction and resistance, intimacy and distance, stability and collapse. Its fragmented structure invites the viewer to remain attentive to small gestures, pauses, interruptions, and the accumulation of pressure over time.
*2026 stock* "As a fifth-generation Nebraskan, growing up on the native lands of the Chatiks si chatiks people (Pawnee), this project is a part of my process of learning, listening, and developing a relationship with the land and its stewards in my home state: a beautiful place with a rich history that is as much a part of me and my family as it is part of the settler-colonial project of displacement and genocide
Self-portrait as a meditation on something else is the third entry in my ongoing se…
*2026 stock* A follow up to 'A Year In Any Other Place' (Falt) from 2022, 'The Root, The Interim' is a tape composition in four parts, drawing on the influences of musique concrete, cinema & dub. Constructed over 14 months in 2022-3, it is a tour of parks, hotels, kitchens, churches, utility rooms. Obstacles are encountered. Objects tested, discarded or transported from one space to another. Recordings endlessly played back and forth through different media. Song fragments forgotten and remember…
For a group founded on refusal, The New Blockaders have collaborated a great deal. It is less a contradiction than it looks. Where most collaborations in music amount to two recognisable personalities meeting and reinforcing each other, TNB's have always worked in the opposite direction: material is passed over, altered, buried, returned, and what emerges belongs to nobody in particular. Paul Hegarty has described the process as one in which individuality gets swamped, the sound cut loose from a…
Few gestures in the history of recorded sound have been as absolute as the one Richard and Philip Rupenus made in a garden shed in rural Newcastle in 1982, when – as The New Blockaders – they committed Changez Les Blockeurs to tape and, with it, drew the founding line of noise as an art of pure negation. From the outset TNB armed the music with a manifesto: blockade as resistance, an anti-music and anti-art set against every convention of composition, performance, and even personality, the sound…
*75 copies limited edition* The material suggests the idea. The idea emphasizes certain aspects of the material, and these could be physical and concrete, fully subjective, or something in between. For many years I've been drawn to the sound of urban and suburban spaces, and in particular I've been able to explore, in an empirical and non systematic way, the sonic environment of my street and neighborhood, with focus on the quiet moments in which one can almost hear the place breathing. Over tim…
*75 copies limited edition* I have chosen my workplace environment in Dublin as my area of sonic investigation over the last year or so. Where it is or the history of it is not important as my focus is purely on the sonic character of the spaces and materials I find there, and the potential they hold for articulating noise in imaginative and engaging ways. My tendency is to go in deep and make a thorough range of recordings that give me more than adequate scope to draw on to create atmospheric c…
Few gestures in the history of recorded sound have been as absolute as the one Richard and Philip Rupenus made in a garden shed in rural Newcastle in 1982, when – as The New Blockaders – they committed Changez Les Blockeurs to tape and, with it, drew the founding line of noise as an art of pure negation. From the outset TNB armed the music with a manifesto: blockade as resistance, an anti-music and anti-art set against every convention of composition, performance, and even personality, the sound…
“between soil and signal” is a three-part audiovisual performance featuring live electronics and Cretan bulgari. It reimagines the atmosphere of long-duration poetry singing and oral traditions from Balkan, mainland Greek, and Cretan communities. Expanding poetry beyond language through an interplay of immersive sound and dynamic moving images, the performance crafts a world that is at once synthetic and organic, fragile and intimate, inspired by cosmogonic myths, magic spells, and folk songs. T…
I’m very happy to present this cassette by my dear friend Martha Hviid. A sprawling and colorful collage of field recordings from Amager, A place many (especially those who live there) would call their favorite part of Copenhagen. When you listen to the tape, you definitely get the sense that adventure is always waiting for you just around the corner. Martha Mostly makes Visual art, but I hope she will make more music, or sound works, as I think she likes to call her recordings.
304 pages, paperback. Serpent's Tail Classics edition, with a foreword by Hanif Kureishi. Originally published in 2006. The sixties began in the summer of 1956, ended in October 1973, and peaked just before dawn on 1 July 1967, during a set by Tomorrow at the UFO Club in London. That is Joe Boyd's thesis, delivered in the opening pages with a precision that is obviously a joke and obviously not. He was in the room. He built the room.
This is the sixties memoir that survives re-reading, and the r…
234 pages, paperback, 14 x 17cm. Over 200 flyers, compiled by Masala Noir, Paris. Nobody was supposed to keep these. A flyer is made to be handed out on a Tuesday, read once, and dropped in the street on the way to the show. It has a job, the job lasts about four days, and then it is rubbish. That is the whole reason this book exists and the whole reason it is worth having: what you are looking at is the accidental survival of a form designed to be thrown away.
And what a form. No budget, no cli…