Sound Art / All styles

ɅV (phonetic transcription for ‹of› or ‹off›) is a vinyl record consisting of spoken words, which can be used as a DJ-tool to compose artifical dialogues. It makes use of 32 monosyllabic words on each side recited by two synthetic voices which were collected from the website of the New York Times and the Politically Incorrect subforum of the messageboard 4chan, thus mirroring two opposing extremes of current online debate in the materiality of an LP. Mixing two copies of this record in a DJ-setu…

* 300 copies * Trying to set musical events in a sculptural form, the Düsseldorf/Wuppertal based artist and musician Detlef Funder (a.k.a. Konrad Kraft), develops the temporary audio-sculpture. Knowing that a tonal event can never take the materiality of a real sculpture, Konrad Kraft attempts this special transformation with the help of various elements. Human imaginativeness, time, as well as the tonal event itself are the elements for the listener to form an individual audio-sculpture and to …

Box 2 (VOD1.8-13) covering all his other contributions to vinyl and tape productions as well as unreleased recordings. Henri Chopin (1922-2008) was one of the most significant and influential avant-garde, sound and concrete poets of the second half of the 20th century. In his work as a sound poet, he was an early practitioner of a complex vocal art which he described and defined as poésie sonore , in which he used his voice, a microphone, and elementary "home" recording technologies to manipulat…

**Edition of 150 copies. Four softcovers, a hardcover, a vinyl record, and a dustjacket, arranged in a layered set** Box set comprising five books, a vinyl and a supplementary dust jacket, each highlighting different practices and transformative developments occurring in the realm of writing and speaking today as triggered by digital communication. Fog Friend Font: Ways of Doing Multilingual Sense is the editorial framework for a unique set of discursively related publications. It comprises seve…

**Edition of 200 copies. Box containing three folders, one vinyl, 300 pages,** Mahalla – The Survey offers a scientific investigation and an artistic statement which aims at a critical reading and a tentative exploration of a fascinating Uzbek cultural heritage: the mahalla (luxury box set including numerous documents, a 7" vinyl record by Carlos Casas and exclusive art prints by Bas Princen). Historically forged by family, ethnic and professional ties, the traditional mahalla is a neighbourhood…

**Moss Green vinyl, edition of 500 copies** "FUJI||||||||||TA, real name Fujita Yosuke, is a Japanese sound artist and pipe-organ builder, he provided us with one of the prettiest, weirdest records that passed over our desk last year, essentially a custom-built organ duet with a bat colony, recorded in a cave beneath Mt. Fuji. It’s now been remastsred by Rashad Becker (with whom Fujita will be collaborating on a performance for Issue Project Room next month) and captures a sound somewhere betwee…

A third and final collection of lesser-known and infrequently recorded artists living in London. Features: Syngen Brown (all the music is made using second generation sound sources as well as his own environmental recordings), Wits (first release by four women who specialize in live work. Along with their use of conventional instruments -- voice, electronics, keyboards and percussion -- and a dancer, they also fill the stage space with a huge supply of everyday objects that are noisily explored …

Second Editions presents Both by claire rousay. Claire Rousay has been exploring the sensitivities of sound always in relation to "the self" and "the other", equally. Her work is always seen as a contribution, as engagement. Recording, collaging and composing become acts of considering, remembering, giving. Therefore music becomes a context, or more precisely, a habitat. But what does it say about this music when the artistic choice goes deeper, when it is not only an urge to express but to find…

** 2021 Stock. Sold-out at source ** 6th CANT release - recording by Katya Shirshkova "The Pond", homage to the work of the same name by Ben Patterson. Katya Shirshkova: When I was 8 years old, Ben Patterson came to Irkutsk. They told me to show how I play Bach, and I did. Poorly. I also decided to play improvisation, unintentionally, I just got upset and played - I always liked to hold the keys and listen more. Ben liked it. He showed me a trick with a coin, I was scared. And dad became an hono…

Yet another incredible offering from one of the most exciting artists working today, Sloowtapes’ latest cassette from Louise Landes Levi - "Opacity & Oblivion" - takes deep dive into her multifaceted world. Joined by Ash Martin and Dok Gregory on various acoustic and percussion instruments, as well as Kelvin Daly on a number of his own custom made instruments, Levi’s poetic utterances and Hindustani tinged vocals weave the etherial, mysterious, and ritualistic into a delicate, droning and percus…

Another "surprise" box especially conceived and made for our "sound-related" series. The reflection made by If, Bwana/Al Margolis (as the two faces of the same artist) are upon the concept of communication in art. What is the role of the artist and what is the role of the spectator? Is any interpretation of art valid? Is it possible to have a direct communication between the act of creation and the act of seeing/listening?Each boxset in this series of 50 is absolutely unique, containing differen…

Recorded in 1985, this long piece, unpublished until now, belongs to the Gamelan series, which Philip Corner has worked for years and counting dozens of pieces. In the word of the author, the piece, for two pianists "...represents one of the most “curious” manifestation in the Gamelan series. The increment-link, high-to-low, is maintained on the chromatic scale of the piano keyboard, giving durations from 1 to 88. However they are realized in both directions at the same time. And counted out lou…

"Hora Harmonica," realized in 1983 at the Pietro Grossi S 2F M (Studio di fonologia musicale di Firenze), is not a proper piece of music, but conceptual art inspired by the physics of sound. Albert Mayr proposes a harmonic clock, a model of non-linear time.. “When we slow down a sound many times, all the way below 15 cps approximately, we perceive as a series of discrete pulses. In a physical sense it remains a sound, but not for human perception. Try now to imagine an extremely slow 'sound' whe…

** Edition of 100, bilingual (German / English). Text and photo accordeon by Christian Y. Schmidt and an aerosol. Original drawing by Hartmut Andryczuk ** When Christian Y. Schmidt returned to Berlin with the last flight from Beijing on 12 February 2020 to promote his book Der kleine Herr Tod, he felt like he was on a strange planet. In January and February he had already witnessed the pandemic measures in Beijing. With this knowledge advantage, he tried to warn his numerous virtual friends and …

A look at the activist artist group Guerilla Art Action Group (Jon Hendricks, Poppy Johnson, Silvianna, Joanne Stamerra, Virginia Toche and Jean Toche), The Guerrilla Art Action Group, 1969-1976: A Selection is a compilation of manifestos, letters and press communiqués issued by the group (to Nixon, Hoover, The Secretary of Defense and Museum officials.) Originally published in 1978, the publication documents the art actions by the Guerrilla Art Action Group between 1969 and 1976

** Limited edition of 70 copies with small insert with a photo of Charles Plymell in close coorperation with Cherry Valley Editions * An intimate reading by one of the last original Beats. Recorded at his Cherry Hill farm.

Listening to the sound practices of bands and musicians such as the Asian Dub Foundation or M.I.A., and spanning three decades of South Asian dance music production in the UK, Transcultural Sound Practices zooms in on the concrete sonic techniques and narrative strategies in South Asian dance music and investigates sound as part of a wider assemblage of cultural technologies, politics and practices. Carla J. Maier investigates how sounds from Hindi film music tunes or bhangra tracks have been sa…

The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s into a turbulant field of academic critique and a…

Mute Records is one of the most influential, commercially successful, and long-lasting of the British independent record labels formed in the wake of the late­1970’s punk explosion. Yet, in comparison with contemporaries such as Rough Trade or Stiff, its legacy remains under-explored. This edited collection addresses Mute’s wide­ranging impact. Drawing from disciplines such as popular music studies, musicology, and fan studies, it takes a distinctive, artist- led approach, outlining the history …

The state of contemporary music is dizzyingly diverse in terms of style, media, traditions, and techniques. How have trends in music developed over the past decades? Music Composition in the 21st Century is a guide for composers and students that helps them navigate the often daunting complexity and abundance of resources and influences that confront them as they work to achieve a personal expression. From pop to classical, the book speaks to the creative ways that new composers mix and synthesi…

What is sound design? What is its function in the early 21st century and into the future? Sound Works examines these questions in four parts: Part 1, "Why This Sound?", presents an overview of the modern history of sound design. Part 2 is highly visual and provides a glance onto a sound designer's workbench and the current state of "Sonic Labor." Part 3 uses cultural analysis to explore our contemporary "Living with Sounds." The final and fourth part then proposes a series of anthropological and…

Noise has become a model of cultural and theoretical thinking over the last two decades. Following Hegarty's influential 2007 book, Noise/Music, Annihilating Noise discusses in sixteen essays how noise offers a way of thinking about critical resistance, disruptive creativity and a complex yet enticing way of understanding the unexpected, the dissonant, the unfamiliar. It presents noise as a negativity with no fixed identity that can only be defined in connection and opposition to meaning and ord…

The Bloomsbury Handbook of the Anthropology of Sound presents the key subjects and approaches of anthropological research into sound cultures. What are the common characteristics as well as the inconsistencies of living with and around sound in everyday life? This question drives research in this interdisciplinary area of sound studies: it propels each main chapter of this handbook into a thoroughly different world of listening, experiencing, receiving, sensing, dreaming, naming, desiring, and c…

In Sound arts now, Cathy Lane and Angus Carlyle explore contemporary artistic practices and theories, and what contributes to or hinders artistic and career development. This is conducted through a series of interviews with artists and curators, putting the often-unheard voice of the maker at the centre of the discourse.  There is a conscious shift of reference away from the “white men from the global north” who have dominated the canon during the decades of the discipline’s emergence and establ…

In Resonant Matter, Lutz Koepnick considers contemporary sound and installation art as a unique laboratory of hospitality amid inhospitable times. Inspired by Ragnar Kjartansson’s nine­channel video installation The Visitors (2012), the book explores resonance—the ability of objects to be affected by the vibrations of other objects—as a model of art’s fleeting promise to make us coexist with things strange and other. In a series of nuanced readings, Koepnick follows the echoes of distant, unexpe…

Acoustic Justice engages issues of recognition and misrecognition by mobilizing an acoustic framework. From the vibrational intensities of common life to the rhythm of bodies in movement, and drawing from his ongoing work on sound and agency, Brandon LaBelle positions acoustics, and the broader experience of listening, as a dynamic means for fostering responsiveness, understanding, dispute, and the work of reorientation. As such, acoustic justice emerges as a compelling platform for engaging str…

From its use in literary theory, film criticism and the discourse of games design, Salomé Voegelin expands ‘possible world theory’ to think the worlding of sound in music, in art and in the everyday. The modal logic of possible worlds, articulated principally via David K. Lewis and developed through Maurice Merleau­Ponty’s phenomenological life­ worlds, creates a view on the invisible slices of the world and reflects on how to make them count, politically and aesthetically. How to make them thin…

From the late 1990s until today, China’s sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electroni…

Steve Beresford's polymathic activities have formed a prism for the UK improv scene since the 1970s. He is internationally known as a free improviser on piano, toy piano and electronics, composer for film and TV, and raconteur and Dadaist visionary. His résumé is filled with collaborations with hundreds of musicians and other artists, including such leading improvisers as Derek Bailey, Evan Parker and John Zorn, and he has given performances of works by John Cage and Christian Marclay. In this b…

Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go...' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and liste…

From the mid-20th century to present, the Brazilian art, literature, and music scene have been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, mail art, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recog…

** In process of stocking ** Liturgy is a journey into the uncanny realm of the senses that dives into histories of perception and intuition. The artist Flora Yin-Wong deploys a variety of images and texts to explore issues related to cosmic principles, conspiracies, and parallel universes. The result is a constellatory work filled with religion, dreams, and fragmented memories and knowledge that also gestures at the artist’s own history. The book’s chapters—Rituals & Fire; Omens; Hexagrams / Or…

First published in 1994, Camino Road is artist Renée Green’s debut novel—a short, ruminative work infused with semantic ambiguity and the dreamy poetry of the quotidian. Republished here in a facsimile edition, the book ostensibly traces its protagonist Lyn’s journeys to Mexico and her return to attend art school in 1980s New York, but what emerges is more an intertextual assemblage of the moments between drives, dreams, and consciousness. Lyn does her Spanish homework and makes note to read Ann…

**Original 1977 copies * Beautiful artist book based on Melody III  (1975) for tape and slide projections Rather than a musical score, the work in this book is a graphic realisation of the structure of a musical composition. The pattern which unfolds takes on elements of landscape and architecture in stark black and white.

This video and book are based on Dan Graham’s Rooftop Urban Park Project, which opened as an extended exhibition at Dia Center for the Arts in 1991. Re-released as a VHS and packaged with the original 1992 publication, this title includes an essay by the artist and a 20-minute video.

A fully illustrated retrospective look at the long and influential career of a challenging avant-garde artist reviews forty years of Ono's work, including films, music, and Conceptual art, and includes thought-provoking essays from respected scholars and a music CD. Born in Tokyo in 1933, Yoko Ono moved to New York in the mid-1950s and became a critical link between the American and Japanese avant-gardes. Ono's groundbreaking work greatly influenced the international development of Conceptual ar…

Yoko Ono: One Woman Show, 1960–1971 examines the beginnings of Ono's career, demonstrating her pioneering role in visual art, performance and music during the 1960s and early 1970s. It begins in New York in December 1960, where Ono initiated a performance series with La Monte Young in her Chambers Street loft. Over the course of the decade, Ono earned international recognition, staging "Cut Piece" in Kyoto and Tokyo in 1964, exhibiting at the Indica Gallery in London in 1966, and launching with …

First part in the reissue series of all Selten Gehörte Musik records. CD in printed CD sleeve packaged in fullcolour 12" LP sleeve (reproduction of the original artwork) and printed 12“ innersleeve featuring rare photos and an english text on Selten gehörte Musik by Gerhard Rühm. This is the reissue of the first SGM release from 1973. Recordings of the 3rd Berliner Poetsworkshop (First Berliner Musicworkshop) with Dieter Roth, Gerhard Rühm, and Oswald Wiener, Berlin 12th & 13th July 1973. Editio…

Crucial early work from the Japanese master of digital minimalism - like Thomas Köner or Lustmord, but with more bass. Ryoji Ikeda needs no introduction here - the Japanese composer and A/V originator has been impressing the world with his game-changing hi-frequency rhythmic loops and stark monochromatic visuals since the mid 1990s, and has never gone astray. This special Sähkö vinyl EP combines two of Ikeda's most important early pieces, 'Luxus 1-3' from his 1995-released solo debut "1000 Fragm…

**Rare 1988 LP document of an Action-Theatre play for 4 performers and experimental improvised music.** Performers: Michael Kopfermann, Peter Fjodoroff, Thomas Hirsch, Wilhelm Riemenschneider; directed by Carmen Nagel-Berninger