Percussion
All records with percussion · Solo percussion only
Manifold Of Partially Actualized Realities
The producer of Sunn O))) and co-composer of the Mandy score makes his own 'science fiction music' from a Philip K. Dick lecture, with Jim Jarmusch, Cyro Baptista and Charmaine Lee.
Reona
Tokyo tap dancer and metal percussionist Reona on a wooden platform with bells, bowls, chains, signboards and a loudspeaker; produced by Randall Dunn, with Atsuo of Boris on one track.
Miraggi
Argento is David August's new project: an imagined soundtrack to the Tyrrhenian coast, synthesizers and field recordings with Lorenzo Setti on drums and percussion, in the wake of Italian library music.
The Pulse Of Atoms
Dark ambient pioneer Lustmord and drummer Dave Lombardo meet as Lustmord Lombardo: evolving walls of low-frequency sound shot through with percussion and synthesizers, mixed and mastered by Lustmord.
Richard Raux & Hamsa
Richard Raux's band after Magma, recorded at the Château d'Hérouville in 1974: spiritual jazz, progressive rock and Malagasy rhythms, with his brother Patrice on guitar. Restored and remastered for Souffle Continu's 100th release.
Rêver, murmurer, dire
Solo recording by French trombonist Christiane Bopp, who uses voice, mutes, bass drum and objects to turn the instrument into a field of whispers, drones, fractured melodies and sudden eruptions.
The Mortgage Burn
Weston Olencki's compositions for the Quebec percussion trio Bascaille: tuned fiddles, homemade zithers, watershed debris, speaker cones and an upright piano in two long pieces of friction, resonance and lopsided pulse.
Puxe Means Pull
Drummer and percussionist Sofia Borges and saxophonist Yedo Gibson in a tense, searching duo recorded in Lisbon: objects, prepared sounds and tenor and soprano lines in improvisations built on texture, pressure and close listening.
Prisoner's Cinema
Second duo LP by Sarah Hennies and Tristan Kasten-Krause: two sidelong pieces grown from a live work played in darkness, singing bowls, gongs and double bass drifting into waltz-like pulses and field recordings. Numbered edition of 200.
Camminando di Notte
Following two remix EPs featuring reworks by Mad Professor, Peaking Lights and Danilo Plessow, Sensible Soccers return with Camminando di Notte, an album exploring the space where instrumental electronics, organic rhythms and dub-inflected textures c…
12+1tet (Victoriaville) 2007
Anthony Braxton's 12+1tet live at Victoriaville on 20 May 2007: Composition No. 361, seventy minutes of layered Ghost Trance writing with Taylor Ho Bynum, Mary Halvorson, Steve Lehman, Nicole Mitchell and others.
Rub Harder
Vancouver's Hard Rubber Orchestra led by trumpeter John Korsrud, with guests Lori Freedman, Marilyn Lerner and Brad Turner: new big band music by Korsrud, Turner, Jean Derome, René Lussier and Ron Samworth, recorded in 2000 and 2001.
I Dream of You Jumping
Fred Frith on guitar, Louis Sclavis on clarinets and soprano saxophone, Jean-Pierre Drouet on percussion and objects, live at Victoriaville on 21 May 2000: one extended improvisation from abstract textures to folk-like melody.
Quartet Noir
Urs Leimgruber, Marilyn Crispell, Joëlle Léandre and Fritz Hauser in their first concert as a quartet, Victoriaville, 15 May 1998: eight improvisations growing from small details into heated four-way exchanges.
What Is the Difference Between Stripping & Playing the Violin?
Miya Masaoka's orchestra, recorded live in San Francisco in 1995 and 1997 with George Lewis, Vijay Iyer, Trevor Dunn and others: strings, Asian winds, shamisen, electronics and turntables under her whole-body conduction.
Patrizio
Eugene Chadbourne and Paul Lovens on tour in May 1996, recorded in New York, in Michigan and in an Italian restaurant in Traverse City: guitar and banjo against drums, cymbals and saw, a suite for the waiters of the world.
Piece for Jetsun Dolma
Thurston Moore on guitar with drummers Tom Surgal and William Winant, live at Victoriaville on 17 May 1996: a single album-length improvisation of feedback and percussion, named after a Tibetan Buddhist deity.
Sudori
Pino Minafra's Sud Ensemble in the studio in Milan, January 1995: trumpet, didgeridoo and ocarina with Carlo Actis Dato, Lauro Rossi and Giorgio Occhipinti, mixing southern Italian band music, free jazz and theatre.
Abstract Repressionism: 1990-99
Elliott Sharp writing for strings: Orchestra Carbon's violins, viola, cellos and double bass with electronic percussion, recorded in New York in 1992. Dense, restless pieces between contemporary chamber music and noise.
Ursa's Door
Zeena Parkins' 1992 album recorded in New York: electric harp, keyboards and tape with Ikue Mori on drums, Chris Cochrane on guitar, David Shea, and her sisters Margaret and Sara on cello, violin and voice.