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*2023 stock* 'The chief attraction of this album is an almost 50 minute, previously unreleased solo performance by Taylor given at New York University in November 1976 as part of the Bösendorfer Festival, a benefit series for the Kitchen performance centre. His previous solo recital that year had been in August at Moosham Castle in the Lungau region of Salzburg during an open-air festival, subsequently released as Air Above Mountains (Buildings Within) (Enja, 1977). Taylor had come across a Böse…
*2023 stock* In 1973, Indent marked a new direction for one of the founders and masters of what was to be called »free jazz«; yet it turned out to have defined styles and highly sophisticated rules of its own. It was radically new and initially difficult to tune into for some. Cecil Taylor was composing in fractions of seconds. He was free to decide what to compose but in the end intelligent structures can be perceived with a multitude of »cells« being introduced, developed and layered one upon …
*2023 stock* 'If you had to pick three architects of modern jazz piano, you could just about cover everything with Bill Evans, McCoy Tyner and Cecil Taylor. Despite his phenomenal talent, Taylor may have seemed like the lesser influence at first, as most of his followers were relegated to the avant-garde end of things, but over the years his influence has grown and these days you are liable to hear Taylor type assaults on the piano from guys like Craig Taborn, Jason Moran or others, while they p…
*2023 stock* In the life of every artist comes the time when toward the end of his existence, he will create a monument to his ever-lasting artistic efforts. It is the Swan-Song for which he wishes to remain being known; for centuries, this has crossed the borderlines between cultures and arts. Poschiavo was recorded when Cecil Taylor was sixty-nine years old, very much at the height of his musical and poetic powers. Recorded in Europe on a fine Bösendorfer grand piano in perfect digital clarity…
*2022 stock* "The piano: the perfect balance between harmony and melody. Processing a piano is always an adventure; having 24 recordings of free improvisations performed by Francesco Arrighi and Mara Lepore is an incredible sound palette to have available. These recordings were deconstructed into individual phrases and micro fragments and then reassembled, both serially and in parallell, to follow a unifying compositional idea. At the same time the tracks were dilated and processed with filters,…
*In process of stocking. Limited edition of 400 copies.* We haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer. With this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing co…
Respiration adds to the Cecil Taylor oeuvre a nearly perfect 43 minutes of Taylor’s solo power recorded at a beautiful level of quality. It comes from early-ish in his career—it’s always surprising to me, even though I know the history very well, how early Taylor was going this far away from the rails—when he had only just cemented his mature vision ( Conquistador! and Unit Structures were 1966). It feels as joyfully playful for him as it does for him as it does for us.
It’s hard to tell sometim…
*In process of stocking.* The greatest Polish piano trio RGG played in the great final of Ad Libitum Festival 2020. In the middle of pandemic restrictions, almost without the audience but with a great companion on three additional and at the same time exceptional guests. Next to the band stood on the festival's stage, one of the most interesting and promising vocalists Marta Grzywacz, great trumpet player Artur Majewski, and block flutes virtuoso Dominic Strycharski.They met for the first time, …
*2022 Stock.* “I was born and raised in Kentucky, and for many generations my direct ancestors and extended family have been farmers. So, creating music that is ‘about’ soil, plant life, and the natural world, is my way of honoring that legacy.” Composer Tyler Kline’s tools, though, are not the plow – and vegetables are not the crop – in this collection of brief piano pieces commissioned by and for over a dozen pianists. Instead, Orchard is a celebration of fruit. Each sketch draws on a specific…
*In process of stocking.* “Well, isn’t it always now?” Joel Futterman’s audible smile, in response to my simple query about the time during a phone conversation, bespeaks and accentuates the deeper truths embodied in his creativity. Grounded, sometimes adrift, forced to live in the world of duality, we capitulate too willingly to the whims and whiles of intervals, to their capricious grip on our intersecting realities, to their encapsulation of alternating mood and ebb-and-flow vitality. Doors o…
Dinzu Artefacts presents Abstersion by Lorenzo Abattoir. An exquisite collage exploring the internal sound-world of an upright piano. The piano here has shed its traditional use as a musical instrument to emerge as a wonderfully sonorous body in itself. Incidental sounds which are typically relegated to the periphery are moved towards the center of attention in a kaleidoscopic unity which privileges no sound over any other, opening up a whole world of noise, tone, and every shade between.
*In process of stocking. 2022 stock.* For as long as I can remember, Christian Wallumrød's piano touch has done something to me. We met early. The peculiar and surprising, but still somewhat self-evident, melodic twists. Not to mention the far above average well-weighted ornaments. He manages to create completely unique universes, either with his own ensemble or alone. In recent years, he has also returned to electronics and he treats them with a gentle rawness. There has always been something h…
*2022 Stock.* Natürliche Dauern (Natural Durations, 3rd Hour from Klang) for piano (2005/06) is presented in a 2 CD set. Some of these short piano etudes (24 in all) are predicated on the decay times of sustained, pianistic attacks, while others are fascinating explorations of melodic and rhythmic contrast. These final, late-era piano pieces are truly beautiful postcards of shape and color.- Stockhausenspace.blogspot.com
*2022 Stock. Includes a 86-page booklet.* Although several recordings of Stockhausen's cycle for solo piano have been recorded over the decades, notably by David Tudor and Aloys Kontarsky, this set is the definitive edition, with Ellen Corver presenting the first 14 Klavierstücke, working directly under Stockhausen's supervision and incorporating his latest corrections/additions. Stockhausen first started working with Corver in 1982, and these tracks were recorded in 1997/98. The 86-page booklet…
*Numbered edition of 200, with a risoprinted cover.* Ultraääni Records is releasing Otto Taimela - Stars & Silence 7'' on june 15, 2022. "Two imperfect naive piano pieces inspired by the Stars & Silence, a moment in moonless air and a walk in the path of invincible love." Composed, played and recorded by: Otto Taimela in Kimmeltie, 2021.
Vom Klang Des Lebens/ Of The Sound Of Life features pianist Roger Woodward on a Steinway model D, playing Peter Michael Hamel's cycle of works composed for and dedicated to his wife and new son. The producer/engineer for the recording sessions in January 2006 was Ulrich Kraus.
Long before he discerns the light of the world, still in the womb, nascent man begins to sense the sounds of life. Long before his spirit attempts to differentiate experiences, develop ideas or make his mark on the path of…
The music produced from the remarkable collaboration of Georges Ivanovich Gurdjieff and Thomas de Hartmann typifies the creative explorations undertaken by many artists just after the turn of the 20th century. In visual art, Wassily Kandinsky (1866-1944) explored abstraction in both sight and sound, while composer Alexandre Skryabin (1872-1915) proposed an æsthetic format through his compositions that entailed the collaboration of colors, sounds, scents and movement. Each of these artists and th…
*120 copies limited edition* 42’37’’ is forty-two minutes and thirty-seven seconds long.Track 7 is named Sept.42’37’’ is filled with sounds and silences.Track 4 is named Quatre.42’37’’ is an imaginary musical seascape where time is in suspension.One can listen to 42’37’’ for 34’22’’ or any other length.42’37’’ is composed by Wladimir Schall and released on parisian label AmiciMiei.
Matthew Shipp takes an introspective turn on his latest solo piano album, continuing to discover new territory for his singular cosmic pianism. Codebreaker encrypts rich harmonies, cloud-like clusters, and the unlikely confluence of Bill Evans and Bud Powell. Within the voluminous catalogue that pianist Matthew Shipp has created over the last three and a half decades, his solo piano work has charted a unique and compelling pathway for the evolution of the instrument’s vocabulary. On his latest a…