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Portrait album of Misha Cvijović: nine works from full orchestra to minimoog and tape, played by the Rundfunk-Sinfonieorchester Berlin under Enno Poppe, Ensemble Musikfabrik, Sebastian Berweck and the Trio Splitsignals Berlin.
First reissue of the Norwegian percussionist's debut, recorded in 1981 at Henie Onstad Kunstsenter: vibraphone, marimba, bells and synths over environmental recordings, between Midori Takada and Fourth World.
Gidon Kremer and Kremerata Baltica play Georgs Pelēcis' title concerto, written for Kremer, Andrius Žlabys' Kaleidoscope of Lost Time and two works by Arvo Pärt, Passacaglia and Darf ich.
Museo Rosenbach's 1973 debut on Ricordi: a Nietzsche-inspired suite of Mellotron, Hammond and heavy guitars, sunk at the time by accusations of fascism and now one of the cult records of Italian progressive rock. Music On Vinyl reissue on 180g transparent vinyl, gatefold.
Clawhammer banjo meets synthesizers, loops and pedal steel: Allison de Groot and Nashville's Rich Ruth turn a planned solo record into a shared album of cosmic, tender instrumental music.
Miguel Atwood-Ferguson marks John Coltrane's centennial on Impulse! with a 21-piece collective (Brandee Younger, Shabaka Hutchings, Flying Lotus, Jeff Parker, Azar Lawrence), recasting Naima, Giant Steps and A Love Supreme as cosmic, spiritual music.
Martin Küchen's trio Angles, with Ingebrigt Håker Flaten and Kjell Nordeson, joined by vibraphonist Mattias Ståhl of Angles 9: four Küchen compositions recorded in Stockholm in April 2024.
Anthony Braxton's 12+1tet live at Victoriaville on 20 May 2007: Composition No. 361, seventy minutes of layered Ghost Trance writing with Taylor Ho Bynum, Mary Halvorson, Steve Lehman, Nicole Mitchell and others.
Ithaca trio of Sarah Hennies, Willie B. and Keir Neuringer, three percussionists reaching into vibraphone, saxophone and piano. Eight studio improvisations, playful and energetic, held against a meditative core.
Munich, Studio 70, 24 June 1972. Four players who would otherwise never have been in the same room: Karl Berger on vibraphone and marimba, the Japanese pianist Masahiko Sato (the trio Trinity for Enja dates from the same period), the Austrian bassist Adelhard Roidinger, and Allen Blairman, the Pittsburgh drummer who had played with Albert Ayler and was then Mal Waldron's regular in Germany.
Berger had been in Don Cherry's Paris band, had recorded for ESP and Milestone, and in 1972 was founding t…
Eric Dolphy live in 1962-63, in Gunther Schuller's Twentieth-Century Innovations series at Carnegie Hall and in Syracuse: his own quartet with Richard Davis and J.C. Moses, three Schuller third-stream pieces with strings and Jim Hall, and a Donna Lee jam with Phil Woods, Benny Golson and Don Ellis.
One day at the MPS studio in Villingen, 21 January 1969. Dave Pike on vibes, Volker Kriegel on guitar and sitar, Hans Rettenbacher and Peter Baumeister, produced by Joachim-Ernst Berendt. The Dave Pike Set's debut, with the sitar piece Mathar and Kriegel's rework of Zappa's Mother People.
1967. Joachim Kühn had left the GDR the year before and settled in Hamburg; Rolf Kühn, his elder brother, had come back from six years in New York (Benny Goodman, the Tommy Dorsey band) to run the NDR television orchestra. They had already played Newport together. Transfiguration, on SABA, is the Rolf + Joachim Kühn Quintet with Karl Berger as guest on vibraphone, made in the months before Joachim moved to Paris for good.
It sits between two records the brothers made the same year: Re-Union in B…
Jef Gilson (born Jean-François Quiévreux, 1926) had played clarinet with Claude Luter in Boris Vian's band, switched to piano in 1947, and in 1963 formed the big band through which half of French modern jazz would pass. In 1965 he was musical director of Les Double Six. That year Woody Shaw and Nathan Davis played in his orchestra. New Call From France, released by SABA in 1966 and credited to the Jef Gilson Nonet with Jean-Louis Chautemps, is the record he made for the Black Forest label at the…
Gunter Hampel's first record, 1965, on SABA: a quintet with Manfred Schoof on trumpet, Alexander von Schlippenbach on piano and Buschi Niebergall on bass, a year before Globe Unity. Down Beat gave it five stars. Hampel on vibes and flute, Dolphy and Ayler in the room, nobody screaming.
Donaueschingen, October 1979. Karl Berger brought the orchestra of his Creative Music Studio from Woodstock to the German contemporary music festival, and Südwestfunk and MPS recorded it. The roster reads like the CMS guest book: Don Cherry on trumpet and bamboo flute, Lee Konitz on alto, Oliver Lake on alto, soprano and flute, George Lewis on trombone, Leroy Jenkins on violin, Trilok Gurtu on tabla and congas, Peter Apfelbaum on drums and baritone, Ingrid Sertso singing, Berger on vibes and pia…
CD eissue of Don Cherry's classic Eternal Rhythm Group, recorded at the Berlin Jazz Festival, 1968. An amazing line up of: Cherry (cornet, gender and saron [gamelan], flutes), Albert Mangelsdorff (trombone), Eje Thelin (trombone), Bernt Rosengren (tenor sax, oboe, clarinet, flute), Sonny Sharrock (guitar), Karl Berger (vibes, piano, gender), Joachim Kühn (piano, prepared piano), Arild Andersen (bass), & Jacques Thollot (drums, saron, gong, bells, voice). Two "side-long" pieces with gamelan under…
The second chapter of Gong's Radio Gnome Invisible trilogy, first released in 1973, remastered from the original BYG tapes and cut at half-speed by Lewis Hopkin, in a gatefold sleeve with a 16-page booklet replicating Daevid Allen's guide to the saga.
Two duo albums by pianist Matt Mitchell: Oblong with Kate Gentile on drums and Aplomb with Ches Smith on drums, percussion, vibraphone and timpani, recorded in Brooklyn in summer 2022 and mixed by David Torn.
Debut of the trio Secret People: Nathaniel Morgan on alto saxophone, Dustin Carlson on guitar and Bass VI, Kate Gentile on drums and vibraphone, recorded in August 2019.