★Crónica
間
*2022 stock. Limited edition of 100 copies.* Society, as we have constituted it, will have no place for me, has none to offer; but Nature, whose sweet rains fall on unjust and just alike, will have clefts in the rocks where I may hide, and secret valleys in whose silence I may keep undisturbed. —Oscar Wilde, De Profundis Love is the voice under all silences, The hope which has no opposite in fear; The strength so strong mere force is feebleness: The truth more first than sun more last than star —…
Témoins
*2022 stock. Limited edition of 100 copies.* A series of commissioned works, each connected to a location given to me. The sites were used as recording studios for creating multilayered compositions with minimal to none post-production. All instruments were played on site. Roz was recorded in Roz-sur-Couesnon in April-May 2014, mixed in Nantes in September 2016. Commissioned by the sound art gallery Le Bon Accueil (Rennes), as a workshop with schools from the area of the Mont Saint-Michel. Bruz …
Shadows and Reflections
*2022 stock. Limited edition of 100 copies.* Shadows and Reflections develops from an audiovisual collaboration between Monty Adkins and the painter Andy Fullalove exhibited at Bradford Cathedral in October 2016. The exhibition comprised a series of fourteen paintings and sound that responded to the newly restored altarpiece by William Morris as well as the priceless stained glass windows in the Cathedral made my Morris’s company, which include designs by Morris, Ford Madox Brown, Edward Burne-J…
OBEX
*2022 stock. Limited edition of 100 copies.* To start AMT and Tarab exchanged materials and objects. AMT exchanged a single sound sculpture for Tarab’s collection of small objects. This material exchange led to activity. AMT manually manipulated, Tarab also, but more often than not he placed the sculpture in situations and let them work on it. Once again exchanges took place, this time of audio material. Elements where then selected and arranged and further rearranged; some left untouched and so…
Superpositions
*2022 stock. Limited edition of 100 copies.* Witness the common phenomenon of feedback such as produced inadvertently through poorly configured microphones and loudspeakers in public amplification situations: the sound coming from the speakers finds its way back into the microphones and produces an uncomfortable squealing sound. The component elements are electronic and acoustic, the latter involving air movement and vibration of physical objects. But internal electronic feedback is quite a curi…
Stikhiya
*2022 stock. Limited edition of 100 copies.* “Having realised the errors in rational knowledge I found it easier to free myself from the temptation of futile theorizing” Leo Tolstoy (1880) I understand this phrase as an expression of Stikhiya, the word used by Russian poet Aleksandr Blok in early 20th century to describe the fundamental value of primitive immediacy. Contradictory to intellectualism and rationality, Stikhiya is emerging from organic holistic experiences, it is perceived as an unf…
Under My Skin
*2022 stock. Limited edition of 100 copies.* Gintas K has been active as a composer, performer and interdisciplinary artist since the 1990s, focusing on experimental digital music aesthetics — overloaded massive structures, static and physically overwhelming frequencies, melodic ambiences, voice and field recordings. Gintas K has released several albums, four of which in "Crónica: Lengvai / 60 x one minute audio colours of 2kHz sound" (2006), "Lovely Banalities" (2009), "So On" (2010), and now "…
Hiku Komuro, Hikikomori
*2022 stock. Limited edition of 100 copies.* This album was created from January and December 2016 in Vigo, Galicia, using digital media in a Windows laptop, and hacked VST plug-ins from the late 1990s. Samples from old videogames were used as source materials, recorded with the freeware emulator Nestopia (v1.40) by Martin Freij, FM synthesis with Sound Forge (v6.0) and other synthesized sounds created with the modular synthesis freeware application SynFactory (v1.16rc1) by Peter Wendrich and Ru…
The Waste Land
*2022 stock. Limited edition of 100 copies.* Realities, appearing as multiple layers and folds in which memories, cognitions, perceptions are coined and ready to emerge. The starting point for The Waste Land was an invitation to compose a twenty minutes soundtrack for a documentary movie. Accordingly, Luca Forcucci received six minutes of a field recording, without any mention of its own nature, or any information about the documentary. Forcucci didn’t ask anything about it, instead he listened …
Lemuria
The hidden meanings are those that are at the origin of things. In an interview to Blow Up magazine in 2010, Venetian sound artist Enrico Coniglio, commenting on his aesthetic approach to the soundscape (it is the result of the aggregation of clusters of elements that have reason for existence in relation to their own specific function), marked off the traces for a path that some time later would take him to collaborate with the photographer and field recordist Giovanni Lami, from Ravenna, in …
Queendom maybe rise
Maybe Rise opens up a concrete sound space of two contradicting elements, firstly a harmonious but nondescript utopian location, secondly a highly symbolic and hyperrealist place of human action, derived from material recorded in the coastal rainforest, table lands and outback of Tropical North Queensland, Australia, in July 2011. The piece was commissioned by Radio Sonores, composed in Spring 2012 while constantly traveling and premiered on May 2, 2012, during the Guimarães 2012 European …
Untitled #284
'untitled #284' was created in 2011 by extensive evolutionary transformation of original environmental recordings made in Lisbon during the year of 1992. These sources were recovered for a commission of the Teatro Municipal Maria Matos, where the composition was premiered on 16 July 2011.
Strings.Lines
Created between September 2008 and February 2010 in the artist's studio. Viola da gamba: Pierre-Yves Martel. Violin: Chris Bartos. 'strings.lines' came to life from an obsession for old and forgotten object-matter and the desire to produce music that exists in between the new and the old. The starting point to the composition of this work were acoustic tuning forks. In 2007 Nicolas Bernier became fascinated with this object/instrument of particularly beautiful design, and started a collec…
Sleppet
Composed and produced by Marc Behrens in 2007-2008 in Bergen, Oslo and Frankfurt am Main. Basic material recorded in Gloppen, Bergen, on Utvær island, at Brenndalsbreen glacier and close to Rosskleivvatnet lake, Norway. Sleppet originated from a sound art project in 2007, when six renowned artists (Natasha Barrett, Bjarne Kvinnsland, Steve Roden, Chris Watson, Jana Winderen and Marc Behrens) recorded sounds on a 10-day trip through the Norwegian Westlandet region and used the nature exper…
Strings
“Strings” documents the long awaited first encounter of David Maranha and Stephan Mathieu, taking place in the Tennis Court of the Parque de Serralves, in Porto, on a sun-drenched yet gusty late-afternoon in July 2011. Having discussed in advance which instruments, tuning and notes to use, the piece was accomplished as an improvisation on the violin, shruti-box and virginals, reflecting both players love for classic minimalism, but also their ability to transform this language and make it their …