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*In process of stocking* Soft Machine performing two continuous sets of compositions, improvisations and dynamisms. All instruments, except saxes, variously processed with electronic effect devices Henie Onstad Art Centre, Høvikodden, Norway, 28th of February, 1971. Stereophonic ambient recording technique to Studer A62 Reel-to-Reel.
Classic line-up of early Amon Düül in a spacey live performance during the heyday of Psychedelic Underground. The band was comprised of: Renate Knaup-Kroaetenschwanz (vocals), Chris Karrer (guitar), Johannes Weinzierl (bass), Peter Leopold (drums) and Falk U. Rogner (organ).
Amazing french performance recorded live in Lyon on the 17th of January 1976. The classic line-up comprising of Holger Czukay (bass), Michael Karoli (guitar), Jaki Liebezeit (drums) and Irmin Schmidt (keyboards), is here strengthened by malaysian vocalist Thaiga Raj Raja Ratnam, who played a mere four dates with the band between January and March 1976, all of which were recorded, and did considerable studio work with them. A series of highlights from their repertoire stretched with improvising t…
Classic Soft Machine performing live at the prestigious Royal Albert Hall, right after the release of the milestone Third on CBS. Classic line up with Hugh Hopper (bass), Mike Ratledge (keyboards), Robert Wyatt (vocals / drums) and very special guest Elton Dean on alto saxophone and saxello. Canterbury goes to heaven!
High quality live FM radio broadcast of a concert that Can played in Hannover on 11 April 1976. The four-piece in brilliant shape surfin’ the cosmos with special guest Michael Cousins on vocals.
The machine lives. 1997 saw Kraftwerk playing live for the first time in four whole years, and they chose Luton as their stomping ground. Live at Tribal Gathering sees the krautrock pioneers re-emerge from their robot lab, they even decided to give their audience a shock and perform brand new material.
The first side of this fine album features three tracks (Tanzmusik, Kometenmelodie, Klingklang) from a live show in Denver (Colorado) during Kraftwerk's first tour of America in spring 1975. The second side is occupied by a 26 minutes version of their first robotic big hit Autobahn, recorded in Köln in March during the same year. Another great document from one the groundbreaking electronic music bands of all times.
Recorded live in July 1969 during the same sessions that gave birth to their classic debut album Monster Movie. The album contains rawer versions of classics tracks such as Yoo Doo Right and Outside My Door. This was Can at the very beginning of their career, before they would become widely known as one of the 70's Krautrock most iconic bands. A full catalogue of minimal grooves and extended song forms that would influence generations to come. Holger Czukay - bass, Jacki Liebezeit - drums, Micha…
These Soft Machine recordings for John Peel's Top Gear programme took place in December 1967 and June 1969 when the band was at the peak of their psychedelic revolution and during their first transition towards an unprecedented form of Psych Rock Jazz. These historical sessions, including a great version of Wyatt's masterpiece Moon in June, show the great potential of the band's early line ups featuring Hugh Hopper - bass, Kevin Ayers - vocals, guitar, bass, Robert Wyatt - vocals, drums and Mike…
Recorded Live at the BBC in spring 1971, the same year of In the Land of Grey and Pink release, this is the classic Caravan line-up playing music from the same iconic studio album, a true masterpiece in the '70s Rock history. A quintessential combination between Richard Sinclair's beautiful and timeless melodies and David Sinclair's fuzz-organ improvisations. A full immersion in deep Canterbury sound featuring, among others, a fifteen minutes epic version of Nine Feet Underground.
1975 was a turning point year for Kraftwerk and this live set from Koeln is a fine document of the band's live shows of the period. The album opens with an epic sidelong version of the previous year's big hit "Autobahn", their first lucky experiment with highly repetitive electronic structure, they would become known for later, and it also includes a fine rendition of "Ruckzuck", a classic tune from their 1970 first album. This is highly futuristic German Musik of the Seventies at its best.
This 1972 BBC Live recording is the perfect proof of what a band like Matching Mole could do in concert during their too short existence. The quartet playing was way more free and adventurous than in studio and the tunes were often stretched out and built to dense instrumental climaxes. Dave MacRae - electric piano, Phil Miller - guitar, Bill MacCormick - bass, Robert Wyatt - drums, vocals. A great live session from a key group in the Canterbury rock scene and an essential companion to the band'…
Recorded in 1973 at Inner Space Studios during the "Future Days" sessions , this album contains the full lenght performance of "Doko E" a track which appeared on the “Limited Edition” LP. But where the original release gave us only a two and a half minute version, here you can get the whole 40 minutes. A solid and energetic session from the Can classic line up featuring Holger Czukay, Michael Karoli, Irmin Schmidt, Jaki Liebezeit and "Damo" Suzuki. Highly recommended for both Can completists an…
The early mythical Soft Machine featuring the trio line up of Kevin Ayers, Mike Ratledge and Robert Wyatt, captured live in the full swinging London atmosphere. These were the band's psychedelic days, when their original magic potion was composed of unconventional songs and freaky organ, bass and drums improvisations. The group was literally exploding throughout the London club scene. One of the most innovative and influential sounds of that musically and culturally fertile era
Two long studio sessions recorded in 1971 in the band's hometown of Koln by the classic Can lineup of Damo Suzuki, Holger Czukay, Michael Karoli, Irmin Schmidt and Jaki Liebezeit. This is the '70s Krautrock scene's most iconic band at their absolute creative peak and caught in action during the epic Tago Mago sessions. A full catalogue of atmospheric minimal grooves that would influence generations to come.
Complete Communion was Don Cherry's first Blue Note release. One of the groundbreaking pieces of work from the mid-sixties Jazz scene, and here is the same great line up caught live in Hilversum (Holland) in May 1966, just five months after the studio recording session. Don Cherry - cornet, Gato Barbieri - tenor sax, Henry Grimes - bass and Ed Blackwell - drums, a marvelous quartet based on four of the most distinctive Free Jazz voices of the time. This highly energetic performance consists of a…
Exclusive french live recordings of Terry Riley's psychedelic organ work, hot on the heels of the 1972 masterpiece Persian Surgery Dervishes. Riley is in stunning form playing the kind of endlessly rippling dosed organ drones with a sense of stasis in expansion that is uniquely brain-razzing. These two untitled performance are lush and dreamlike, inducing a state of trance. Another stunning document of the 'minimalism' golden era.
Miles Davis and his electric group of the early 70s is some of the most innovative and important jazz music ever set to tape. While the studio recordings are amazing, they often pale in comparison to the loose, improvisational and fiery heights that the group could reach in front of a live audience (as was captured on Live-Evil, In Concert, and Miles Davis At Fillmore, among others). This set from September of 1972 is no exception. Recorded just prior to the release of On The Corner, this stella…
Featuring two tracks from the previous year’s Autobahn including an epic sidelong rendition of the title cut this 1975 live set from Koeln is one of the finest of the legendary Kraftwerk group’s career. Rounded out by “Ruckzuck”, the first track from the very first Kraftwerk record from 1970, this beautiful set of brilliant motorik jams is crucial for any fan of krautrock and the work of Ralf and Florian.
Terry Riley's Descending Moonshine Dervishes is a long-form piece from a concert in Paris (on November 19) 10 days later the legendary performance held at the Metamusik Festival in Berlin. Essential for all fans of 20th Century Minimalism and electronics. Riley's Descending Moonshine Dervishes renders the West Coast minimalist deity in pursuit of a flighty solo spirit via modified Yamaha organ fitted with variable resistors to enable his favoured just intonation tuning - a method allowing him to…