★Feeding Tube Records
Miscellaneous Ephemera and Other Bullshit
"First off, the cover. Let's make it clear -- this was totally Daniel's idea and is based on the original art for Tony Rice's California Album (Rebel SLP-1549, 1975). Why? We cannot say exactly. The album is considered to be in Rice's all-time top five. But so what? Who amongst us can claim to have fully plumbed the depths of Bachman's mind? The guy is a genius and those types just have 'their ways.' So shut up about the cover already. This album itself was released under the title Daniel Ba…
Fuck wit It High: A Mystical Gangsta's Reflection Vol. 1
"In a world with nothing to love, you can't love anything that's of this world. You need something holy. Better yet, you need something holy and spiritual. EVEN better would be something holy and spiritual that fights for righteousness instead of destruction. Well, your fuckin' troubles are over, dude -- the Holy Spiritual Gangsta Frank Hurricane is back! There are parts of this new Frank Hurricane record that sound like perhaps he actually built a shirt from one of those 'rap music' Casio…
Mars Archives Volume One: China to Mars
**shipping on Friday**"Following the success of the two live LPs bookending Mars's trajectory through the skies of NYC, Mark Cunningham was convinced to return to his legendary box of cassettes. Even he was surprised to discover the band's earliest shows (done under the name China) were there, amidst a tumble of other tapes. Thus, the idea was born for a trilogy of LPs tracing Mars's development from their first audition gig at CBGB through the shows following their 1980 Lust/Unlust EP. Chin…
Above the High Rays
**shipping on Friday**"Miaux is the operating handle of Belgium's Mia Prce. Most of her prior recordings have been issued by Dennis Tyfus' Ultra Eczema label, but after catching her set at 2014's Bruismelk festival, Feeding Tube had to 'have' her new record. Unlike other known works, whereon Miaux is a mistress of elaborate keyboard shenanigans that border on the gothic, Above the High Rays brims with music of a very soundtrack-y nature. It mixes Neo-Eastern percussion symbiography with fl…
Det Kritiske Punkt
Edition of 150 copies only "Spine-tingling free improv fire-blast from an international quartet with deep underground roots. Italian reeds player Genta and drummer Vanzan form the basis for all Jooklo aktion (Duo, Golden, Stellar, et al.). Norwegian reeds dude Stiberg and guitar/electronics manager Jon Wesseltoft also collaborate in Maranata. Together in Olso in 2012, the quartet laid down this very hard-blown and stylish session. There are let-ups in the attack, but there aren't many. Broken…
Lost At Sea (40th Anniversary Deluxe Edition)
"In collaboration with Nigel Cross's Shagrat label, and Glenn's own Snow Star concern, Feeding Tube is tickled to release the 40th Anniversary Deluxe edition of Glenn Phillips's first album released under his own name, Lost at Sea. Originally issued by Snow Star in '75, then licensed by Virgin in the UK, after Peel started playing it, LAS has long been a favorite of people of true refinement. Glenn had joined the legendary Hampton Grease Band while still in high school. He played with them their…
Gold Cosmos
"This is the third album recorded by Joshua Burkett. The first, Owl Leaves Rustling, was returned to life by Spirit of Orr. Its CDR follow-up, Life Less Lost, was recently retrieved by Golden Lab. Now it is time for Gold Cosmos to once again bask in the sun. Initially released in 2001, Gold Cosmos (a title I always thought sounded like a Robbie Basho bootleg) featured performances by people like Dredd Foole, Matt Valentine, Ben Chasny, Teri Morris, PG Six, Chris Corsano, and Noah Wall, which wa…
Drinkin My Own Sperm
*2022 stock* "Beautiful reissue of the 1977 debut solo LP by Alvaro -- the Chilean with the Singing Nose. Alvaro Peña-Rojas was an advertising exec who ended up living in a squat in London when he chucked his professional career to fulfill his dream of being a musician. Rooming with he-who-would-become Joe Strummer, Alvaro was a founding member of the squat's pub-rock band, The 101ers. After the Pistols opened for The 101ers at the Nashville Rooms, Strummer felt like he was destined to become a …
Cosmic Driftwood
"Second Crystalline Roses LP by local Renaissance man, Tony Pasquarosa, is a goddamn monster of readymade acid folk transcendentalism. Since Feeding Tube released the One Man Cult LP back in 2010, Tony has done a wonderful solo guitar album for VDSQ, the insane space-sludge of World Domination (FTR 123LP), the raunch zonk of Gluebag, and various other projects far too numerous to name. On this album, Tony creates a classic late night smoker soundtrack. A brilliant journey into and beyond ego,…
Cold/Burn
Superstar live drone fiesta time here. Recorded in Oslo, during an Aurora Borealic night of January, 2010, this beauty thrums with a majesty-vibe arising deep from within the earth. Each of the participants has been horn-blown around the globe for mastery of individual string/machine attack. C. Spencer Yeh's violin arcs have powered a million strange improv scenes. Jon Wesseltoft is clearly the king of Norwegian harmonium dudes. Okkyung Lee is a Korean polymath re: formal cello innovations, …
Music For Piano
"Although it might sound perverse to say so, Music for Piano may well be my favorite Gary Wilson record. Most people who dig Wilson are very into his lyrics, but I actually find them to be a bit taxing after a while. Those early records all sound and feel amazing, but what I really wanted was to hear the music without the words. I had high hopes when I found a copy of Another Galaxy, the 1974 Gary Wilson Trio LP, but it had a very different heft than that which Gary displayed on You Think You…
Jack Ruby
"Back when Thurston and I were working on our book about the New York No Wave scene, a key mystery we hoped to unravel was the one surrounding the band Jack Ruby. I knew George Scott had been in the band, along with Chris Gray, but we were never able to nail down any hard info. Lydia Lunch and Rudolph Grey both had blazing memories of their weirdness, originality and power, but no one could turn up anything solid. Time passed, the book came out and -- chuffed by the fact we'd name-checked th…
Ernest Thrasher
Back when I was about six months older than I am now, I used to see these bumper stickers around town that said, "There is Nothing Like a Grateful Dead Concert." My first reaction was to say, "Thank fuck," since the last Dead show I saw (Jersey City 8/6/74) pretty much blew. Then I remembered that last goddamn Dead show anyone saw was almost 20 years ago (Chicago 7/9/95) and it makes me wonder what kinda stupid pills the cars' occupants have been snorting. 'Cause Jesus, there're all sorts of thi…
Ivan
Feeding Tube is chuffed to present the first vinyl offering from Moscow's berserk Asian Women On The Telephone. Formed as a duo in 2007, they have since expanded (in all directions) to assume sextet form, with stage names worthy of Smegma -- Oriental Yid (drums, guitar), Good Enough Freundin (guitar, vocal, drums), Brown Polizei (keyboards, voice, bass), Divine Gift (percussion, voice), Mutter Land (drums, percussion, bass), and Lewd Primat (bass, voice). Many of their insane, extremely theatric…
Glare Luring Yo
In the spring of 2011, Michael "Powderfinger" Morley was in the U.S. for a short visit. There had been some talk of doing a Gate show or two, but when he visited Western Mass., Feeding Tube Records decided to put use to his collaborative talents. He played one night at the Yod space in Florence with Kim Gordon and Bill Nace, then at Feeding Tube with Spencer Yeh and Meg Clixby. Both sets provided jumbo pleasure, and Michael managed to record the Yod set for our presentation to you. Kim and …
Live at Irving Plaza
The second volume of live Mars recordings from Feeding Tube. This one was recorded at the band's penultimate show, August 4, 1978, with spectral help from Rudolph Grey on the side-long take of "NN End." The quartet is at the full height of their power here, manipulating the language of tongue explosions both instrumentally and vocally. Recorded by Brian Eno, the sound is an advance from the galacto-fidelity of the Artists Space LP, and the performance is a staggering example of Mars in their…