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*Edition of 100* K/S/R (Ben Kujawski, Abigail Smith & Justin Rhody) have been performing and recording together since 2022. Recorded by the band themselves during a full week of day-long sessions - violin, percussion, lap steel, accordion, flute, guitar, harmonica, and rhodes piano were each stretched, damaged & made to sing through various extended techniques. The trio's non-concentric approach to collective improvisation mirrors the dark harmonic density and symbiotic formal structures of the …
Sobbing Honey & Anna Homler brings together Sobbing Honey—an emergent force in LA’s experimental underground—and the legendary vocal sound artist Anna Homler. Through a sequence of improvisational, ritual-inflected tracks, the collaboration dissolves conventional boundaries, weaving extended voice, electronics, and found instruments into rarefied, playful atmospheres that embrace both textural mystery and tactile joy.
Folklore & Concepts, the latest release by Smegma—now five decades into their outsider avant-garde career—extends the band’s legacy of ritualistic collage, spontaneous improvisation, and anti-academic noise. Infused with tape, synths, prepared piano, horns, and voice, the album melds shamanistic energy with surreal group interplay, creating an unpredictable and stubbornly original sonic tapestry.
*2025 stock* "Hanging by a Fan Over Wet Cement is the music of listening after listening, when water runs relative to the sound of your own footsteps, and you lean over the resonating chamber of a trashcan like it’s a campfire, then fill it with wheezy laughter. Only, the steel mesh of Hair Clinic/Max Nordile’s field microphone is all mangled and bludgeoned, and the field extends into his home garage. The same contact-foraging quality of attention goes into the beginner’s brain improvisations, w…
A timeless collection of heartfelt and abstract pop, as obscured through the lenses of Robert Wyatt, Legendary Pink Dots and an amalgamation of aspects from the Flying Nun catalog. As summarized from the label, previously: “Although he has lived in Berlin for most of the past decade, Paul Arambula has always been close-by on the localized level of Gilgongo Records. Living in Arizona, it would have been impossible to not find Paul: From his “legendary if you caught them as the opener for your ban…
Intimations marks the first official release of Group Material, the sound work of Eric Sanchez and Avalon Kalin. Released as a limited edition cassette on Slug Spitter and LP on Gilgongo Records. Blending guitar, piano, synthesizer and field recordings, Group Material craft an ambient sound that simultaneously captures both intentional and incidental settings, an ambient informed musique concrete. On Intimations, Eric Sanchez and Avalon Kalin offer a series of 4 pieces which would feel as at hom…
'Strega Beata’ is the 3rd full-length album from Sam An’s dark electronic, genre-bridging solo project under the semi-notorious moniker Lana Del Rabies. After a brief hiatus, this record is her first full-length release since the gothic, industrial noise of 2018's Shadow World, ‘Strega Beata’, which loosely translates to "Blessed Witch," is an apocalyptic myth told through dense, textural compositions pulling from the vast corners of dark genre music. The title's meaning is appropriate for the e…
Cheryl E. Leonard builds and plays electroacoustic instruments made out of natural materials such as bones, driftwood, shells, seaweed, feathers, and stones. Jon Leidecker (aka 'Wobbly') responds to the sounds of her creations with synthesized animal voices driven by machine listening. The inaugural collaboration of these two veterans of the San Francisco Bay Area electronic music scene can be heard on the album Multiple Park, a collection of works assembled from both studio and outdoor performa…
Tip! The third installment in an ongoing series of albums produced by John Wiese using an expanded ensemble of recorded sound contributions. Audio collage and experimental sonics featuring input from Mitchell Brown, James Fella, Nathan Howdeshell, Tim Kinsella, John Collins McCormick, Sigtryggur Berg Sigmarsson, Howard Stelzer, Dennis Tyfus, Katie Vonderheide, and C. Spencer Yeh.
Tip! "Instead of building towards a crescendo, Smyth and Wiese delight in sustained textures, then continue their patient growth … Scraped and plucked strings, caressed keys and percussive body knocks stand unwavering against waves of static, clusters of tinkling bells and spectral effects ... Throughout, the music’s flow remains profoundly atmospheric, almost oneiric, whether circling down a spiral of whisper-like low frequencies or being thrown around by violent stabs of noise. To finally brea…
Tip! The first installment in a series of albums produced by John Wiese using an expanded ensemble of recorded sound contributions. Musique concrète and collaged aural expanse featuring input from a collection of international collaborators, including Aaron Dilloway, James Fella, Hair Stylistics, Aaron Hemphill, C. Lavender, Charmaine Lee, Lasse Marhaug, Katsura Mouri, and C. Spencer Yeh.
A follow-up to the duo's LP, CCTK Music (2021, Gilgongo Records), Performances features three sets from James Fella and Gabriella Isaac, from Gilgongo Records' 15th Year Anniversary celebration in Phoenix, AZ -- December 2019. Like the event, the record starts with a recreation of the second side of CCTK Music, using six reference lacquers of CCTK's A-side as source material to make a live collage. Following this are solo sets from Isaac (using her laptop as a feedback loop/sound source/physical…
The history of the Blorp Esette, which chronicles the output of the Los Angeles Free Music Society and other entities in its orbit, dates back to 1977, with the release of Blorp Esette Volume One LP (soon to be reissued by Superior Viaduct) and Volume 2 2LP in 1980. Volumes 3 and 4 emerged in 1999, packaged in a boxset with the previous volumes. The Blorp Esette Gazette first appeared with Volume 1 & 2 in 2013. Intended to be an on-going series, it was paused after the passing of Transparency la…
Tip! Wasteland Jazz Unit is a staple in the world of destroyed music. With countless releases cataloged by a literal who's who in the field, (cassettes, CDrs and records on American Tapes, Troniks, New Forces, Oxen, Torn Light, Nashazphone and of course - there was a split 7" w/ Tiger Hatchery on Gilgongo), the duo of Jon Lorenz and John Rich occasionally expand their scathing, feedback-saturated reed work into a full ensemble. Here, as a 7 piece group including Dylan Posa (guitar), Edward Ricar…
Tip! An entropic vortex of full-room tear-up texture. Duo lineup of Charlie Mumma and John Wiese. Originally released in 2018 on LP/CS, this crucial CD reissue brings back into a print a pinnacle of modern, harsh musique concrète – with nearly 15 minutes of bonus material!
Tip! A screeching smash of searing grit and demolished shock from the trio of Blankenship / Mumma / Wiese, which can be identified as a distinct subgroup within the Sissy Spacek discography, responsible for such carnage as Wreck (2013), Basement (2014), and Slow Move (2017). BMW stands as a sharp-edged monument in the trio’s advancing decay, culled from a session at Blankenship's high-security Bronson studio and utilizing the equipment and environment that fueled sessions by LHD, White Gold, and…
CCTK Music combines Gabriella Isaac's exploitative use of laptop as feedback loop / sound source / physical device and James Fella's electro-acoustic / tape as instrument approach. The duo incorporates each other's material in real time (on Side A), cutting the content onto 6 singles-sided reference lacquers. The lacquers were used to assemble a collage in a performance setting in late 2019, and again in a studio setting for Side B. The result is a record that is both scathing but at times harmo…
Ace Farren Ford, Dennis Duck, and Ju Suk Reet Meate (three original members) are joined by Rock ’N’ Roll Jackie (35 years in the band), John Wiese (approximately 10 years), and a cast of others form the current third phase Smegma. Personnel of this album, “Ballast”, consists of this line-up plus Charlie Mumma, a member of Sissy Spacek since 2008.The source material of “Ballast” was recorded at home and on the Los Angeles radio station Dublab, but what we hear is not exactly Smegma and Sissy Spac…
John Wiese's long awaited Deviate From Balance is the artist's first album since 2011's Seven Of Wands (PAN). Recorded throughout Europe/UK, Australia, and the US, the album includes scored ensemble pieces including over 20 musicians on each, recorded in Melbourne and Portland, as well as audio documentation of installation pieces Wind Changed Direction, a four-channel sound piece presented in the garden of the Getty Center (curated by Liars), and Battery Instruments, an eight-channel piece…
**100 copies** No guitars and fuck two-second gaps. A collection of six 7-inches (Gutter Splint, Fortune b/w The Eyes of Men, Epistasis, Vacuum, Vanishing Point, and the split with Agathocles). Performed by Mumma / Ronnau / Wiese. The only band to make a Milton and a Mentors reference on the same album. Silk screened cover.