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This is the extraordinary sequence of composers selected by Marino Formenti for his solo piano cycle Kurtág’s Ghosts, which examines how major composers from the fourteenth to the twentieth century have influenced the Hungarian composer György Kurtág. Formenti has performed the seamless cycle of seventy compositions live to considerable acclaim, and it is now available as a 2 CD set from the Vienna-based label Kairos.A typical Kurtág’s Ghosts sequence is 46 seconds of Kurtág's Hommage à Stockhau…
Fantastic box with 5 cds "Imagine the sonic center of a maelstrom and you'll have some idea of the relentless swirling mass of thrum López generates a masterful exercise in controlled sound manipulation [www.textura.org] Perfectly formed sonic power, done in a rampaging style, combining ear-splitting volume with almost seismic catharsis [Giag, Latvia] Powerful and ominous. Could be anything from tectonic movements to amplified bloodflow [www.chaindlk.com]The most intense and elementary ambient …
Giacinto Scelsi’s relationship with the piano is interesting and contradictory. For no other instrument has the Italian composer and poet composed so many pieces; to no other instrument does he seem so closely attached, both personally and biographically; and no other instrument disappeared so abruptly and finally from his scores as the piano, the European showcase instrument. With the piano, we can follow the break lines and develop-ments in the musical thinking and works of Giacinto Scelsi, wh…
Giacinto Scelsi (1905-88) has featured prominently in my music writing life for a decade and a half, ever since I wrote Discovering Scelsi on my first computer for Piano Journal (Oct. 1986), one of the first UK articles about this fascinating and elusive composer.There are particular reasons why the Scelsi CD in the latest, indispensable batch from Kairos prompted a trawl of my files. Scelsi applauded my analysis of his piano music and we had a cordial correspondence, after which I met him tw…