★Senufo Editions

Composed and recorded during tough times in 2025. Using compressed air, percussion instruments, piano and samples, Alessandro Brivio explores varied and extreme approaches to sound processing, diffusion, recording and re-composition, as a tribute to a lost friend.

**CD in gatefold carboard wallet, 300 copies. To be released in mid July 2020.** Works, 2020 includes two new compositions, Different Speeds for Decay Instruments (for electric piano; the score of this piece adorns the front cover) and Music for Glass, Plastic and Rubber. Japanese musician Reizen is based in Tokyo, he composes and performs using mainly drone and minimalist techniques. He plays electric guitar, the inside of pianos, and creates works of phonography. He formed the drone quartet Ne…

**CD in gatefold carboard wallet, 300 copies. To be released in mid July 2020.** Ocean Front Property represents a desired experience juxtaposed with a banal reality. The work investigates the idea of longing to be somewhere else, a mirage of aspired imagery and sound, made within the landlocked province of Alberta, where the nearest ocean is over 1000 kilometres away. The objects, spaces and sounds act as metaphors, part of a concrete existence they reside in, but contrasted with the imagined e…

Edition of 300. Miniatures was recorded between 2016 and 2018 in Oslo and Vienna. It is a collection of short electronic sound objects, situations, landscapes, or puzzles. With influences stemming from early minimalism and composers such as Eliane Radigue and Maryanne Amacher the influence of 80s home taper works such as those of Jeph Jerman’s Hands To and John Hudak can also be heard in Nelson’s work; eschewing the elements of pseudo-spirituality, passive listening and pastoral subject matt…

Edition of 300. Music for acoustic guitar and four cassette players. Emiliano Romanelli (b. 1979) is an Italian musician with a background in visual art. His work includes sound installation, live performance and composition; they are based on the generative systems and the perceptual relationships between sound, light and space.

6 electronic pieces recorded between May 2016 and February 2018 in Auckland, New Zealand. Mastered by Giuseppe Ielasi. Richard Francis (aka Eso Steel) has been active as an experimental music composer and improviser since 1996. His work over the years has explored different techniques of sound generation and processing, with a focus on the collection and digital processing of various natural and artificially produced sounds from the surrounding environment. He has released solo and collaborative…

9 short pieces, based on cassette recorders and small electronics. Recorded and edited between August 2017 and February 2018. Mastered by Giuseppe Ielasi. Luciano Maggiore (Palermo 1980) lives and works in London. Active musician in the field of electroacoustic music, in recent years he has developed a strong interest in the mechanisms of sound diffusion, using speakers and several analogue and digital devices (walkmans, CD players, tape recorders) as principal instruments. His interest is focus…

book, 44 pages, color photos, 100 copies. A photographic survey of Ohta's wonderfully minimal installations. Takamitsu Ohta is a contemporary artist, Born in Osaka, Japan. He is using material from the exact place and builds his own works. By a process of transformation, he makes things visible that everyone knows of, but doesn’t pay particular attention to in daily life. He features sound recordings and cassette loops.

transparent cassette, individually cracked norelco boxes. 60 copies.  SB is a rework of Amir Naderi's "sound barrier" soundtrack. recorded in summer 2016. mixed by g.i.

Electronic music realised between 2014 and 2016, to be played at low volume...

New Giuseppe Ielasi full lenght album. Music for whistling, microphone and digital degradation. Recorded in november 2016 and august 2017. to be played at low volume.

Mixed Occasions is what remains of a work that was initially conceived to include a spoken narrative, but was eventually abandoned. It serves also to acknowledge the many kind reviews I have received of previous works where field recordings are thought of as a potential sound source, despite not being the case. This does. Stryam is a formal arrangement of the same materials prepared and used for a performance at Hideous Porta 8, Dec 2013. Organised by Vasco Alves and Louie Rice (The othe…

26 minutes. recorded between april and august 2013. Enrico Malatesta (1985) is a percussionist active in the field of contemporary music; his personal activity and research is aimed to extend the sonic and multi­material possibilities of percussion instruments through simple gestural techniques, able to realize complex polyrhythms and multiple sounds between performer, instrument and vastness. His live performances and collaborations have been presented throughout Europe, North America, Ja…

Composed in 2012 as a closed archive of sounds and actions to be recombined in different forms and then presented on various occasions during the first half of 2013. The version for this cd is the almost exact replica of the one diffused during a concert in Nantes, Cable festival, May 2013. thanks to Anne-Laure Lejosne, Christophe Havard and Will Guthrie. Edition of 200 copies in letterpress sleeve.

**Restocked**In line with the prepared works of John Cage, Pekler has also tackled the piano with a modern twist that we could only imagine Cage would delight it. The A side of this long player contains participatory recordings wherein audience members of a performance in Berlin were invited to call mobile phones placed inside the performers piano (hence Pekler’s play on Cage’s original title) which would vibrate the strings and the signal would be passed along to a modular synthesizer via conta…

A new musique concrète piece by Renato Rinaldi. Entirely based on sounds recorded in the Planta quarry, located in Menàrguens, Spain. “Planta” is one of the sections of a larger installation realised by Renato Rinaldi, Armin Linke and Giuseppe Ielasi as part of the 14th International Architecture Exhibition in Venice. Total running time: 16’44″

Three studies on what surrounds us and which remains sometimes invisible.   

Performed by Cory O’Brien using snare drum, amplified plexiglass and analog synthesizer. Recorded in Spring/Summer 2013, Washington, DC.

mixing (guitar by katsuyoshi kou, composed by takahiro kawaguchi); skit2; tuning (tuning by yosuke yamagishi, guitar by shinjiro yamaguchi, composed by takahiro kawaguchi); skit1; watching (story by cal lyall, composed by takahiro kawaguchi); doing (improvised by giuseppe ielasi and takahiro kawaguchi). Recorded by Takahiro Kawaguchi, except 6 recorded by Attila Faravelli. Mastered by Giuseppe Ielasi, photography by Ujin Matsuo. Inspired by “Realm of the dead” by Hyakken Uchida.

Restocked! A set of unprocessed location recordings by italian sound artist Attila Faravelli: three different perspectives on a colony of woodworms, a self-built aerophone and a little surprise. More information on Attila’s projects can be found here - Edition of 200 copies in letterpress sleeve.Attila Faravelli is an Italian sound artist and electro-acoustic musician based in Milano. His solo music is released by Die Schachtel, with Andrea Belfi he is half of the duo Tumble (Die Schachtel), …

“Sex God Sex” is a self-built heavy beat machine, here presented in two versions: a long track recorded on the standard machine and a shorter variation with the portable folding version.Edition of 200 copies in letterpress sleeve. Born in 1963. in 1989, Minoru Sato started activities under the name “m/s”. he established a label called “WrK” for creative activities in 1994, and had been running the label until 2006. he has an interest in a relationship between a description of nature and an art r…

“White Metal” is a new piece by Michael Pisaro, realised by the composer and Miguel Prado. “When I first heard that Michael was thinking of working on a project with the name  “White Metal”, I contacted him, excited to know more about it. At first we talked about general aspects of the piece, without knowing the route it would take, beyond a couple of conceptual premises. At some point, Michael suggested that this project be included in his “Grey Series” a series of noise-oriented scores he was …

Inconsistent Images includes three works of musique concrète composed in 2012. The title is derived from an observation of inconsistencies in stereo image, but also describes the destabilisation of certain media, utilised for their musical properties, and at the same time suggesting a pseudo-visual response.” Adam Asnan is a London based composer-performer of musique concrète, acquiring an MA under the supervision of Denis Smalley in 2009.  Adam’s work promotes the aesthetic potential of f…

Probability A collects three pieces composed by William Hutson between 2009 and 2012. Over the past seven years Hutson’s project Rale has evolved to incorporate more negative space into the music. The three pieces herein contained were recorded as proofs-of-concept; they are tracks that Hutson made to loop indefinitely in his house as he built up the courage to use long silences in what is supposed to be a noise/drone act. William Hutson began recording and performing as Rale in 2006. He …

owen and allison met in brooklyn in 2009 with the intention to record 5 minute ‘songs’. deciding to work within this duration, they made several version’s of each improvisation based on a set of changing environments for new piece. allison’s instrument’s included field recordings (processed and un-processed), ring-modulated sinewaves + contact mic; owen’s instruments included a speaker + rose pedals, various oscillators, radio + fm transmitter and contact mic’ed surfaces + objects. the re…

LOVE is a harmonious partnership between two dissimilar characters.LOVE (for two percussionists) was composed in 2004 by Kunsu Shim and recorded in 2012 by Nick Hennies (drums) and Greg Stuart (sustained sounds). Kunsu Shim was born as the son of re-migrants from Japan on September 15, 1958 in Busan, South Korea. The ocean provided the adolescent Shim with the experience of spatial openness and expanse. This notion can be seen later as the basis of his production. He twice won the first pr…

Original materials produced for an untitled piece commissioned by Jérôme Noetinger for l’Audible Festival, Paris 2011. A few sounds taken from the ’15cds’ tape, released on Entr’acte. Recomposed, mixed and mastered in Dec. 2012.Letterpress sleeve printed by Ben Owen / Middle Press.

Recorded at home in Oreno di Vimercate (Italy), September 2012, using various kinds of sparkling liquids recorded through miniature holes on plastic bottles. No overdubs, postproduction or processing involved. Image courtesy of Archivio Alessandro Brivio.

Andrew Pekler selected 300 different covers from second-hand records and, using colorful geometric elements to cover over all titles, performer’s names, and label logos, removed traces of the covers’ original contexts. The sunsets, couples in silhouette, alpine panoramas, roses on pianos, female faces in close-up, and seascapes no longer serve as the packaging for easy listening and exotica. Instead, the romantic, bizarre and intriguingly bland images of the original covers are free to lend thei…

A meeting between Japanese sound artist Takahiro Kawaguchi and two american improvisors, Nick Hoffman (head of the Pilgrim Talk label) and Aaron Zarzutzki. Recorded by Brian Sulpizio at The Chateau, Chicago, in September 2011 and then edited and mixed by Giuseppe Ielasi in Oreno.Numbered edition of 250 copies. Black vinyl (cut at SST), screenprinted cover on heavy grey stock.

“intersezioni di vortici, studi ritmici e false chimere” is a suite of ten short compositions for modular analog synthesizer (except for one track that incorporates a few sounds recorded with a microphone). Initially conceived as series of studies on panning and phasing, the work ended to incorporate parts of two other series, all realised in Bologna between November 2011 and March 2012. The cover includes some of Maggiore’s drawings from the same period. Luciano Maggiore lives and w…

‘Streengs’ is Nicola Ratti’s fifth solo cd, and it showcases a completely new direction in his work. Using a minimal setup composed of a small analog synthesizer and a delay/looping device, amplified with two audio transducers placed on the strings of a grand piano, Ratti managed to create a very complex and dense soundworld. Every piece was recorded in realtime, during a residency at Hotel Pupik, Schrattenberg, in July 2011, allowing the sounds from the surroundings to interfere wi…

Fancy: a 17th century term generally describing a composition in which form is of secondary importance. Fancies were usually contra-puntal and in several sections. (The Oxford Dictionary of Music)Fancies (2009) served to reconcile previously unsettled material, based upon a scheme that condones disparity between its constituent parts. In the period since its completion, and subsequent issue on cassette, Fancies has come to represent an antithesis to what I originally termed ‘a work in parenthesi…

Third Volume of the ‘Time Machine’ series (volumes I and II have been released on two separate cassettes on Entr’acte). “The Time Machine project was conceived in order to find a simple and immediate way to work with rhythm. I built two cheap and imprecise, almost-square wave oscillators with a wide range of frequencies. These oscillators can sweep and cross-modulate from sparse pulses to high frequency audio signals. I use a mixer to create feedback between the filters, CV and audio signals and…

In 2011, a processing facility in Kansas, the last to process Kodachrome, discontinued the K14 developing process. The historical stock became obsolete. In 2010, I photographed 14 rolls of Kodachrome 16mm, which had been stored since 1986. The stock was developed, in the last batch of footage processed. The resulting film is American Colour. The film was photographed over a week while traveling to Kansas from the birthplace of Kodachrome in upstate New York. In the wake of the obsolescence of Ko…

Nathan McLaughlin lives and works in an intentional community in rural Minnesota, via years spent living in Maryland & Pennsylvania. For some time the focus has been on creating music with the reel to reel tape machine….the primary goal being to create beautiful sound heavily revolving around and directly influenced by the intensity of domestic situations. This goal exists as a way of explaining a complex and fragile life while protecting privacy, anonymity and individual free will. The Refriger…

RESTOCKED!! An unreleased 30-minute piece by composer and sound artist Joe Colley. Composed from concrete materials and premiered at Field Effects, San Francisco, in 2002. Rehersal version discovered and slightly re-edited in late 2011. Joe Colley (b.1972 Ft. Lauderdale) is a self taught artist concerned primarily with the phenomena of sound and it’s unique ability to activate a consciousness set apart from rational understanding in a way very different from visual or verbal means. This co…

Coppice (Noé Cuéllar & Joseph Kramer) is a Chicago-based duet of bellows and electronics.  Since its formation in 2009 they have produced original compositions for stage, fixed media, and performed installation settings, with a focus on adhering textural attenuation, processed gradation, the contours of instrumentation, and their multiple aspect highlights.Their variable instrumentation departs from bellows and reed instruments (accordion, pump organ, shruti box, harmonica), custom electronics (…

Binatone Galaxy is an installation for numerous portable cassette recorders which, rather than being used as intendedare loaded with self-amplifying cassettes that make audible the rattling mechanics of this dead medium. Superseded as dictaphones, the machines become instruments in their own right. Replacing the contents of each tape with a microphone allows us to hear the rhythmic and resonant properties of these once ubiquitous plastic shells, revealing the acoustics of the cassette and the vo…

dakim (also known as ‘dak’) is a bay area producer and beat maker. he has released music on leaving records, poo-bah and on his own. ddust.netA-M:cassette tape recorded while lost on BayAreaRapidTransit.  post-recording, resonant portions highlighted and repeated, as heard in the listener’s mind at time of recording.extensions 1-6:further study of audible displacementtrack/channel set:mis-edited cassette tapediscardedremains in rubbish for 1 weekretrieved from rubbishtape pulled from casingtape…