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*75 copies limited edition* Operating since the late 2010s, Vienna-based sound artist the concept horse has quietly amassed a distinctive and diverse discography, drawing inspiration from the rich traditions of musique concrète, noise, plunderphonics, microsound, and free improvisation. “Public Detail” follows releases on labels such as Falt and czaszka [rec.], as well as the artist’s own eë editions, and neatly encapsulates the polyglottic breadth of the project. Patinaed piano loops and wistfu…
*300 copies limited edition* John Davis is a sound artist and filmmaker based in the Bay Area. Active since the mid-aughts, he has published recordings on labels such as Root Strata and Digitalis, as well as on his own Bimodal Press imprint. “Landlines” sees a return to the SOD catalog for Davis, following a full-length release in 2013, and may be seen as somewhat of a spiritual successor to that album. In all of Davis’ work, there is a specific pastoral sensibility that feels firmly rooted in t…
*75 copies limited edition* Campo Amaro is the fourth album by Rosso Polare, the Milan-based duo of Cesare Lopopolo and Anna Vezzosi. These compositions were inspired by observing the waterways that surround the fields of various Italian regions, the so-called ditches (fossi), bodies of water that are often polluted, but may also be full of flora and wildlife, lined with bitter and edible herbs. Throughout this land, small and distant chants emerge, twisted traditional songs of resistance or mad…
*300 copies limited edition* Since the early 2010s, Josh Mason has slowly amassed an enchanting discography, publishing recordings on labels such as Florabelle, Dauw, Longform Editions, and his retired Sunshine Ltd. imprint. Whether focusing on electric guitar or modular synthesizer, Mason approaches his music with intentionality, tenderness, and a keen ear for detail, resulting in an exceptional and enduring oeuvre.
His workmanlike approach to craft and monomaniacal interest in circuit design …
*300 copies limited edition* Students of Decay presents "Kaivajaiset" by Finnish composer Niko-Matti Ahti. Best known for his work alongside his partner Marja as Ahti & Ahti, Niko-Matti has been an active participant in the Finnish underground since the late 1990s. "Kaivajaiset" is his first solo recording and was originally conceived of as an installation. Part horspiel, part musique concrete, it is a piece of music that draws comparisons to the work of pioneering avant-garde composers such as …
*300 copies limited edition* Students of Decay presents "Kaivajaiset" by Finnish composer Niko-Matti Ahti. Best known for his work alongside his partner Marja as Ahti & Ahti, Niko-Matti has been an active participant in the Finnish underground since the late 1990s. "Kaivajaiset" is his first solo recording and was originally conceived of as an installation. Part horspiel, part musique concrete, it is a piece of music that draws comparisons to the work of pioneering avant-garde composers such as …
*300 copies limited edition *Since the late aughts, Helsinki-based multi-instrumentalist, linguist, and skateboarder Olli Aarni has released a steady stream of diverse and remarkably consistent recordings via labels such as Mappa, Longform Editions, Cotton Goods, Laaps and Superpang. “Koko Maailma” constitutes a major new work in his discography, finding a fertile middle ground between what might be understood as his two primary compositional modes: organic/chaotic/aleatoric music and rule-based…
*300 copies limited edition. In process of stocking* "Singe" is the new record by Angelo Harmsworth, a musician who hails from the American Southwest and is operating now out of Berlin. Harmsworth’s work deals resolutely in extremes, but this music is not concerned with presenting binary or dichotomous relationships so much as it is with reconciling disparate sensibilities and sounds. Layers of meticulously edited and sculpted tones swirl around one another, creating kaleidoscopic patterns and h…
300 copies * “Still Lives” is the third solo full length by the Finnish composer Marja Ahti, following a pair of releases on the Hallow Ground imprint. As a collection, it may be seen as a series of studies on the liminality of the listening act and an investigation into the physicality of sound. Ahti forges vivid electroacoustic environments from field recordings, analog synthesizers, acoustic feedback, magnetic tape and digital processing, resulting in a set of articulate, prickly, and surpris…
*300 copies limited edition* 'After the Bend is the second album from Louisville based Flanger Magazine, and the follow up to FM’s 2018 debut, Breslin. Whereas Breslin was the solo creation of Christopher Bush, an album noted for “an astute synthesis of ‘library music’ and solo acoustic guitar,” and “a seamless blend into the uncluttered and airier side of classic 1970’s giallo,” After the Bend is an ensemble affair. An ecosystem, a perfect mutualism bodies forth—of strings, outdoor recordings, …
“hi leaves” is the new full-length record from soft tissue, the duo of Glasgow-based artists Feronia Wennborg and Simon Weins. Following their self-titled debut for Penultimate Press in 2019, this collection examines microsound by way of extended amplification technique, bone conduction, domestic recordings, and digital feedback. Tracks like “plant pot” and “kettle” appear to disclose their source material, presenting wonderfully tactile environments of highly articulate sound. Wennborg and Wein…
All My Circles Run is the fourth full length release by Montreal-based electro-acoustic composer Sarah Davachi and her second outing for Students of Decay. In a move which may surprise followers of her previous output, the five compositions on this record eschew synthesizer entirely, each focusing on a different instrument, including strings, voice, organ and piano. What remains consistent however is the striking attention to detail and commitment to investigating tonal possibility that c…
Blue Chemise documents the hermetic sound world of Australia's Mark Gomes. Daughters Of Time follows 2017's brilliant full-length Influence On Dusk, released in micro-edition on Gomes's own Greedy Ventilator imprint. It is an elegiac set of vignettes recorded straight to dictaphone with minimal post-production. These pieces function in a manner akin to Loren Connor's evocative "airs", conjuring poignant, intangible senses of longing and nostalgia then disappearing well before overstaying their w…
“Gyropedie,” Anne Guthrie’s third record for Students of Decay, takes us further into her hermetic practice, wherein expertly captured field recordings, French horn, and electronics are woven into potent and richly imagined electroacoustic environments. In Guthrie’s own words, “Quite literally a record of pilgrimage from East to West. Remnants of Midwest and East Coast soundmarks, instruments sold to lighten the travel load, sketched out and then buried under the new. Winter birds and crunching …
“Mine is the Heron” is the new Tom James Scott record, the first document of his solo work since 2017. Over the past decade, the UK-based composer has released a diverse body of recordings via labels such as Bo’Weavil, Carnivals, Where To Now?, and his own impeccably curated Skire imprint.
**300 copies** Continental is the new full-length solo record by Milan-based multi-instrumentalist Nicola Ratti, following recent releases on Where to Now? and Room40. Conceived of by Ratti as a "series of big rooms or places to get lost in, full of small details and characterized each by a single flavor or perfume", it is a surprising and vibrant collection of music. Working with a palette of spare, expertly deployed percussive synthesis techniques, Ratti's work here is both labyrinthine and co…
2015 release. "Barons Court" is the debut full length album by Canadian electroacoustic composer Sarah Davachi, following short run releases on Important Records’ Cassauna imprint and Full Spectrum. Trained at Mills College, Davachi’s work marries an academic approach to synthesis and live instrumentation with a preternatural attunement to timbre, pacing, and atmosphere. While the record employs a number of vintage and legendary synthesizers, including Buchla’s 200 and Music Easel, an EMS …
City of Brides is the third full-length album by En, the Bay Area-based duo of multi-instrumentalists Maxwell August Croy and James Devane. It was recorded over the last few years in a variety of contexts and follows upon 2012's well-received Already Gone, further developing the diverse palette of that record. Across four sides, the pair presents exotic, transportive and richly detailed pieces that toe the line between ecstatic, long-form ambience and elegant, structured electronic compos…
"The trajectory of Alex Cobb's music over the course of the last decade could be viewed as a distillation of tone and atmosphere to arrive at Chantepleure, his most optimistic and sanguine musical statement to date. The album, however, was created at a time of heartache, isolation, and emotional upheaval and acts as a balm of tender tones where abstract guitar lines circle and suspend in a kind of refined elegance. Noise, once a hallmark of Cobb's music, has not been entirely removed, but manife…
Marble Sky was the moniker under which chameleonic nomad Jeff Witscher, best known for his work as Rene Hell, recorded his most intimate and contemplative music. The material that comprises this eponymous 2xLP was originally released in the late aughts as short-run cassettes - highly coveted and personal releases that imparted mystery and a strange sense of hermetic romanticism. Although Witscher’s musical sensibilities are remarkably diverse, what remains consistent in all his projects i…