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Very cool compilation of unreleased BeNe GeSSeRiT tracks. The husband & wife duo of Alain Neffe & Nadine Bal counted as one of the most frivolous & quite impressive live acts around during the eighties. On top of a catchy but minimal synth basis created by B GHoLa (Alain Neffe) runs the strange, & playfull voice by BeNeDiCT G (Nadine Ball). This is minimal synth pop for the crazy ones among us, but aren't we all a bit mad? Limited edition of 400 copies. Cover sleeve & insert by B GHoLa
Since the late 1980s, dieb13 is one of the european key figures in the harnessing of tape players, vinyls, CDs, hard dics and IP protocols as instruments. It's been a while since he has released his last Solo album. After extensive touring and releasing CDs among others with Phil Minton, Mats Gustafsson and John Butcher Group, his latest solo output "trick17" is an enjoyment for both the ear and the eye. Side A ("audible") is a 25 minute solo piece that he developed in an Ping Pong method…
Through more than 25 years of existence, the french composer Christian Renou, aka Brume, has developed a unique 'handwriting' style within the experimental underground, something one may call 'atmospheric musique concrète'. It is the marriage of many concrete sounds, hand-played acoustic instruments and electronic drones noises that are arranged in a manner somewhat akin to a 'narrative' - highly emotive and often evolving in a dramatic way. We are delighted to have received two tracks for the S…
probably the most anticipated record of the year for this household. the clip below has been on repeat for a couple months. Kye is proud to present 'French Antarctica', the debut LP by Good Area. Drawing from a palette of guitar, rhythm box, cornet, shortwave radio and room activity Good Area have crafted the ultimate stand-alone testament to instantaneous expression. Bypassing such obsolete concepts as dexterity and restraint 'French Antarctica' cuts loose with a raw unbridled rush of creative …
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
Next up on Deep Distance following a full sold out back catalogue thus far (Kosmonaut / JD Emmanuel / Kohn etc) is the long promised mighty new EXPO 70 full length. Released as a pressing of 500 only on mauve, red and black splatter wax with embossed DD insert.The LP features 3 extended jams from the latter days of the working relationship between mainman Justin Wright and Matt Hill (prior to his wonderful recordings under the ‘Umberto’ moniker). Recently unearthed by Justin specifically for thi…
The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples), creating beautiful jagged, sharp edged textures propelled by some of their tightest, strangest, most powerful rhythmic designs yet. The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples). Bark! again take their group virtuosity to new areas, creating beautiful jagged, sharp edged textures propelled by some of their …
Macronympha side project focusing on the heavy low end sound often the basis for Macronympha compositions. OVMN III removes the layers of sound to reveal the thick crumbling distorted base. Constantly moving forward while seemingly static, this piece is enveloped by and progresses in a wave of distortion. Recorded in 1995 by Joe Roemer and Rodger Stella with cover art by Sam McKinlay. Lp comes in a deluxe silver silkscreen on black cardboard sleeve. Edition of 99 copies w/insert.
James Hoff’s “How Wheeling Feels when the Ground Walks Away” presents an audio landscape comprised of various historic riots, from the concert hall and music venue to the sounds of modern warfare. Presented in surround sound, the work relentlessly envelops the audience as the tumultuous panorama of over-layered riots travel around the gallery. Part of Riot Radio Ballad, which explores the performative and futurist aspects of spoken word, audio, and radio material. Curated by Mark Beasley.…
A contemporary survey of the tribal music of Ethiopia. Recorded in 2009 by Olivia Wyatt, this double LP showcases an array of mind-blowing sounds from the "land of eternal sunshine." Presented in this visually stunning gatefold are audio examples ranging from remote tribes -- of the Ethiopian highlands, the lower Omo and the Great Rift Valley -- to their electric analogues in the sweaty beerhalls of Addis Ababa. This collection features songs from the Azmari, poet-musicians who play the k…
As with their previous 'proper' full-length Gettin' Gone, new album Drone Trailer finds Matt Valentine and Erika Elder Still hooked up with The Golden Road, and ready to spurt forth blistering passages of galvanized psych-rock at a moment's notice: after a scorching pile-up of vintage guitar muck, opener 'Anyway' draws to an ill-behaved conclusion with some improv guitar and free-noise skronk, all completely undermined by a jazzy line in tremolo rhodes piano tinkering. Despite such flight…
LP+CD SPECIAL LIMITED EDITION hosted in a very original fold-out cover, by composer Giuseppe Chiari (of Fluxus) and pianist Daniele Lombardi (futurist musik). Each LP is hand numbered, and contains two art prints by Giuseppe Chiari. The CD is hand-numbered and signed by Daniele Lombardi. The total selling copies of the bundle edition are limited to 130.Giuseppe Chiari was one of the leading names associated first with Fluxus (being the only Italian member of the interdisciplinary art grou…
Dragon Turtle Almanac is a heavy trip; a document of transformation, entropy, and causality. Dragon Turtle evokes Morricone landscapes as if painted by Glenn Branca, where dream atmospheres meet brutal realities of nature and relationships. These forces are both beautiful ("Causality", "Belt of Venus") and destructive ("Moon Fallout", "Burn the Leaves"). The textures and layers move with a sense of urgency and purpose ("Hometime", "Hourglass"). The duality of Tom Asselin and Brian Lightbody's mu…
In 2010, against all odds, Angola Soundtrack Vol. 1 (AACD 069CD/AALP 069LP) was awarded the German Record Critics' Prize in the category "Black Music." This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi-platinum record, Good Things. Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa, who believed such an award should have come much earlier. Since discovering th…
In December 2011, I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It's actually the same setup that I still use nowadays, consisting of an old Phillips analogue tone generator and a selection of effects pedals. The Stroomtoon album still feels like an accomplishment. It's layered, subtle and considered, but I wanted to see …
An outstanding recording, and an unjustly neglected contribution to prepared piano performance by Area member Patrizio Fariselli issued on Cramps in 1977 (in the legendary "DIVerso" series), a record with energy that's somewhere between John Cage and Cecil Taylor! At times, Patrizio Fariselli plays with a great sensitivity to silence – letting it emerge with as much force as his well-placed work on the keys of the piano. But at other times, he comes off with a full, frenzied sound that's really …
Church was always a drag when I was a child. Dressed in Sunday best, I struggled to enact respect and silence throughout the entire mass. However, if church had sounded more like GA’AN, I would have been there any day of the week. Nothing in Peoria sounded like this. This is music to sacrifice virgins to. This is the soundtrack to Everyman’s epic Norse BDSM fantasy of destruction and rebirth. The scenarios conjured by these jams make the death of Sardanopolus look like kid stuff. Captcha Records…
The past two years have found Austin’s Lone State dark lord Xander Harris (aka Justin Sweatt) on a heavy transfigurative trip, overhauling his live rig, detouring through an expansive soundtrack project celebrating the 20th anniversary of Neal Stephenson’s Snow Crash, touring outside Texas (from New Orleans to the Netherlands), plus a host of other inner life turmoils and metamorphoses. All of which seems to have seeped into the synthesizer soil of his stunning second full-length, The New Dark A…
Double LP pressed on 180 gm vinyl, Includes download code redeemable from the label** Tommy Four Seven and his buddy Alain present striking gothic techno architecture as These Hidden Hands on their excellent debut album. Converging a brutalist aesthetic with studio dynamism, their eponymous debut cycles eleven crushing blends of wrecking ball bass hits and pulverised noise rent with super wide and spacious production. It's a sound that's steadily attracted a lot of listeners and producers alike …
2012 Reissue. Ektro Records proudly presents the pioneer of Finnish electronic and experimental music - Mr. Erkki Kurenniemi. The tracks released here - produced during 1963-1975 - include Kurenniemi's focal works and previously unreleased raw material composed as solo works - as well as works in collaboration with Kari Hakala, Jukka Ruohomäki, Otto Donner and Eino Ruutsalo. Kurenniemi's impulsive attitude towards his art - including electronic music, films, media art, instrument design - is per…