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Hospital Productions present a heavy 30-minute session of layered drone and tormented, bass-heavy bombast from Max Gudmunson's Virile Games project, now available on vinyl for the first time after a sold-out micro edition of cassettes in 2013. Operating somewhere between his label-mate Lussuria's gothic ambience, the ear-bleaching concrète of Helm, and the more blown-out cinematic visions of Leyland Kirby, Wounded Laurel oscillates between sublime and wretched with a gripping night-time narrat…
Finally, after 15 years, Big Mick Turner has turned in the big rock record we always knew he had in him. Yeah, Don't Tell the Driver is a different kind of record from all the Mick Turner records -- not just his own, but the ones he's done with Dirty Three, Bonny Billy, Cat Power, Fungus Brains, and Venom P. Stinger put together. So, what's so different about Don't Tell the Driver anyway? Well, Mick grew a mustache for this one. That must mean it's his Sgt. Pepper; a consolidation and developmen…
First release on Sham Palace, a new label from key Sublime Frequencies conspirator Mark Gergis. "Leh Jani" -- the legendary Omar Souleyman track -- was originally released in Syria as a sprawling 30-minute epic groove, alongside two additional tracks. The entire 60-minute cassette album was recorded live to tape in 1998 at the home studio of producer Zuhir Maksi in the village of Ras Al Ain in northeastern Syria. Many of Omar's early tapes were recorded in this fashion to replicate the feeling o…
Reinhold Friedl, inside piano. Franck Vigroux, electronics. 'An encounter between two worlds. Reinhold Friedl and Franck Vigroux are two musicians, both addicted to a real contemporary approach, getting to the core of sound but by very different means. Reinhold Friedl with his purely acoustic instrument and his highly developed and refined inside-piano techniques meets Franck Vigroux with his electronics including all kind of devices from tape recorders to analog synthesizers. Their sole purpos…
The HBE family are in full effect on this 6-track mini-album. Forming like a brass-plated Voltron, they spin from swaggering Hip-Hop funk on 'Starfighter' to sparky, feel-good breakbeat funk on 'Touch The Sky' and more sultry, jazzed up styles for the Sun-Ra sampling 'Pluto' on the A-side. Flip it for the more brooding, cinematic themes of 'Kyptonite' feat Crow, and the record's highlight 'Black Boy' easing off the punchy percussion for a more spiritual vibe with spoken words by their pat…
2010 release. Beautifully presented three-track 12" from Jamal Moss in his enigmatic Hieroglyphic Being guise, presented in a run of 500 copies on London's excellent Alter label - who're responsible for that OPN/Tomuttontu split 7" some months back. Jamal's unique and impregnable style is in full flow on the 12-minute A-side 'Sphere Of Madness', divining wandering, astral synthlines and frothing machine rhythms, all equally informed by vintage Chi-House, Industrial and New Age memes but entirely…
Gatefold double LP version. Tujiko Noriko returns to Editions Mego after a period of relative silence, this time in collaboration with Tyme. (aka Tatsuya Yamada, member of MAS). This album was developed from songs that the duo made once a year at the end and beginning of the new year, for a period of six years. These were sent to friends and people who asked. After six years, there were six tracks and they added five more tracks based on the illustrations of Kimura Toshiko to complete the a…
Founded in 1970 in Dusseldorf, Kraftwerk was the only German band to rise from the so-called 'krautrock' scene to true international stardom. Of course, it was partially their distinct look that set them apart. At a time when long hair and scruffy clothing was the norm for musicians, Kraftwerk cut their hair short and wore handmade suits. And at a time when guitar rock reigned supreme, Kraftwerk did not even have a guitar player. In fact they soon did away with instruments altogether, beco…
"The singularly strange storytelling power of Jun Konagayas unit GRIM had been largely overlooked until haang niap records "Folk Songs For An Obscure Race" compilation of the groups early 80s material. Konagaya restarted the group in 2009 and these are their first new recordings - and a full album to boot. Split release between Art Into Life and Eskimo Records! A story in 8 volumes, ripe with deviant madness and gathered salvic capacity. Handmade clock artwork by Konagaya - each one is di…
RESTOCKED things were different in thailand a few years back, since it's inhabited by the sleazy christophersons or lou de preycks of our time, you can not just enter cocktail bars anymore without showing your ID! the idea is simple and plain though: watching the sunset with purple sunglasses and a fresh strawberry diahreah with ice in your hands while listening to classic german kraut or early kraftmenship from the same country! sliding over the autobahn while dreaming away on the analog…
Tired of quarreling endlessly with his imperious brother Klaus, Thomas Dinger quit the production of Viva, the second La Düsseldorf album, and promptly set off for the south of France. Frustrated and far away from home, his mind turned to the possibility of a solo album. An album devoted to his own musical ideas, free from domineering voices telling him what to do. Presenting his own vision in the context of a La Düsseldorf LP would have been difficult at the best of times. "I wanted to cre…
'Edition of 300. Daniel Menche: Waterfall recordings and electronics. All waterfall field recordings were captured around the Pacific Northwest of USA. Mixed and recorded throughout 2007-2009. Mastered in the analog domain at Stereophonic Mastering, Portland Oregon. Artwork and illustrations by Emily Hyde. Photo art reproduction by Circle 23. Design by Johnny Pinkhouse. Another sizzling power blockfrom MENCHE. This time capturing the intense force of various Pacific Northgwest waterfalls to crea…
"Second chapter on the Bröselmaschine saga after a four-year hiatus. The band's second incarnation came to life in 1975, when Peter Bursch reformed the group together with old member Willi Kissmer and new recruit, Klaus Dapper (flute, sax, tuba). Helped by such honorable guests as Mani Neumeier and Roland Schaeffer (from Guru Guru) or Jan Fride from Kraan, their 1976 album was a solid session of progressive folk, very different than its predecessor but also with an atypically hypnotic and…
On P.A./Hard Love, New York-based composer and conceptual sound artist Marina Rosenfeld generates an esoteric universe of radical sonic collisions. Developed initially in 2009, the album draws its roots following a series of idiosyncratic quasi-sculptural sound-system installations Rosenfeld installed in various disused and monumental sites including New York's Park Avenue Armory and Liverpool's Renshaw Hall car park. The music she composed for these installations was heterogeneous, reposit…
Faitiche is delighted to present Jan Jelinek's Music for Fragments / Music & Birds (faitiche08). This Mini-LP is the first of four vinyl compilations that bring together a highly diverse range of Jelinek's works - including commissioned pieces, live recordings, collaborations with other musicians, as well as unreleased material from the past five years.Side A / Music for Fragments: Music for Fragments developed from a collaboration with Canadian choreographer Sylvain Émard. Two excerpts of music…
The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early genius – his own work on organ and keyboards, never overdone and mixed perfectly with a righteous array of acoustic sounds from Rene McLean on alto and tenor and Olu Dara on trumpet – both players who soar to the s…
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…
From 1982 to 1992 Frank Scheffer worked with John Cage on many different occasions, which resulted in a unique archive of historical audio-visual material. Based on this unique archive, including interviews, musical performances and images of different locations related to his life and work—filmed on 16mm—the filmmaker Scheffer created How to Get Out of the Cage—A Year with John Cage. Frank Scheffer wrote: "The famous artist Marina Abramovic introduced me to John Cage. She thought it woul…
Over two years in the making, Cold Pin is the new full length record by Eli Keszler. Both a composition and stand alone installation, 14 strings ranging in length from 25 to 3 feet are strung across a 15 x 40 curved wall, with motors attacking the strings, connected by micro-controllers, pick-ups and rca cables. Recorded in Boston's historic Cyclorama, a massive dome built to house the Cyclorama of the Battle of Gettysburg painting in 1884. The b side features in addition, a 'dry' version …