New Arrivals
I am the Center: private issue new age music in America, 1950-90
One of the best things about Seattle label Light in the Attic’s new new age compilation I Am the Center is that it doesn’t try and pretend that new age music was something that it’s not. Look at the album’s cover illustration and you’ll see an angel-like creature carrying an orb of yellow light through the clouds; open the gatefold and you’ll see what appears to be a bird made of stars launching itself out of the ocean. Press play and be delivered into over two hours of mind-numbingly mellow mus…
Sunrise
The music of My Education, a five-piece group from Austin, Texas, tends towards the classical side of the spectrum. If you’ve read any recent think-piece about how the lines between rock bands and classical ensembles are blurring, you could pretty easily swap their name into the list of case studies provided without sacrificing accuracy. Besides recording their own compositions, they’ve also released their take on Arvo Pärt’s taut “Spiegel im Spiegel” and collaborated with the hip-hop group däle…
Another other places
"17 years after Other Places, a sophomore album from these innovative musicians. Dieter Moebius (Kluster, Cluster, Harmonia), Mani Neumeier (Guru Guru) and Jürgen Engler (Male, Die Krupps) got back together to carry on exactly where they left off in the 1990s. The long break has done no harm to their latest music, on the contrary -- as is clearly audible -- it has taken them to another level. The way they react to each other as they improvise, the powerful, subtle rhythms and the use of digital…
Mellow Out
Mainliner, were a Japanese trio consisting of Asahito Nanjo (High Rise), Makoto Kawabata (Acid Mothers Temple) and Hajime Koizumi and their debut album 'Mellow Out' is considered by many to be thee CLASSIC Japanese underground album. Since it was first released in 1996 it's legend has grown and grown, and it's still talked about by lovers of all things loud, noisy and Japanese as THEE definitive Japanese noise rock statement. Upon release it was instantly dubbed 'the pinnacle of achieveme…
New Ear
With this new album, Melmac reveals a new maturity gained in the course of three French and european tours that have enabled the group to initiate a major part of the ideas presented here through extensive improvisation sessions on stage in the spirit of the instant composing sessions ran by Kraut Rock bands during the psychedelics years. These new experiments have opened the artistic spectrum of the band to new horizons clearly rock, heavy, trippy or noise reminiscent of bands like Sleep or Sku…
I Love It When You Snore
Mats Gustafsson is perhaps the pre-eminent saxophonist of this post-free jazz/improv era. A perfect combination of Peter Brotzmann's fiery passion, Evan Parker's extended technique and Ken Vandermark's willingness to explode genre boundaries, Gustafsson's discography spans over two decades and sports numerous must-hear recordings with a long laundry list of collaborators, including such luminaries as Brotzmann, Vandermark, Joe McPhee, Jim O'Rourke, Derek Bailey, Sonic Youth and The Ex. Illustrio…
Eros
Amazing quadruple tape set comprising of 8 artists, 4 tapes for almoust 2 hours of unsustainable harsh noise. Tounge Knax, Mordant Karma from Japan, Blodvite and Arv & Miljo from Sweden, Elisha Morningstar, Endless Sea from Italy, Skingraft, Developer from USA. Each artist explains his idea of eros, the relationship between lovers, the power of physical and mental attraction.
Police Water
Under the wickedly cryptic title of 'Police Water', Gary War delivers his latest psych-pop dazzler on Sacred Bones - also including the two tracks from his 'Reality Protest' 7". Just as everyone begins to catch up with his brilliant body of work from the last two years, he goes and switches up his sound with reinvigorated song structures, a broader tonal palette and far, far tighter rhythm programming. Don't worry, though, he's not lost the inexplicable post-apocalyptic weirdness, it's ju…
Ecstasy & Refreshment
Further down the highway from last year's ace split with Roy Orb D.MT., Food Pyramid reach for lush neo Krautrock heights on 'Ecstasy & Refreshment'. They first break orbit with 'Dexedream''s stellar trajectory powered by twin-panned guitars and rocking rhythm machines to zones of swirling vocals, plateauing at the dreamy psych-house plains of 'Pacifier' and spinning dubwise with the corkscrewing, Ekoplekz-meets-Sun Araw-like scramble of Deep Fantasy'. Up there, the chiming African guitar chops …
Freedom or Death
First Shelter Press effort from our long time brother High Wolf. Featuring two sides of unleashed improvisations.
The Skipper at Home
Jazz-man Henry Franklin, widely respected for his service to the finest jazz players, brought that ineffable quality called soulfulness into play when he made his first record for producer George Porter at Black Jazz, The Skipper. Not unexpectedly, his follow-up affair titled The Skipper at Home teems with the same jaunty uplift. In sync with Franklin's musical spirit on the second recording are returnees Charles Owens on saxophone, Oscar Brashear on trumpet and Kenny Climax on guitar along wi…
Late
New York's "...premiere improvisatory, vocal-and-electronics cosmic beat-box band..." return to Woodsist with a brilliant side of loopy hypnotics, including an insert code for free digital download of the 2007 cassette-only release for Tank Tapes redeemable directly from the label. All four tracks are previously unreleased, arms-out eyes-shut wanders through darkly tinted terrain. 'Oboh' opens up with what sounds like reversed field recordings made inside a washing machine at a Native Am…
Antworten
180 gram LP version with free download code. "Antworten (meaning: answer) is the third installment in a trilogy of Qluster music, following on from the Fragen (BB 076CD/LP) (meaning: question) and Rufen (BB 075CD/LP) (meaning: call) studio albums. The fact that the music on Antworten was created before Rufen and Fragen were recorded is less of a paradox than it might at first appear. For the expansive piano fantasies of their 2007 recordings had already provided a clear answer to the two musicia…
United States of America Triptych (I)
Voice by Pete Simonelli, guitar by Miron Grzegorkiewicz, bass Guitar by Michael‚ Biela, turntable by DJ Lenar. Text excerpted from 1939 Southern Recording Trip Fieldnotes by John Lomax and Ruby LomaxAudio quotes excerpted from their recordings.
Menses
Originally released in a private edition of 300 copies in 1982. This vinyl re-issue comes in a beautiful picture disc and includes a replica of the original and hard to find insert. The copies I have here include a page of a medical book handsigned by Maurizio Bianchi himself.
The Blackout
Thrill Jockey seem to be snapping up lots of underground faves, Barn Owl, Eternal Tapestry, Wooden Shjips, Sun Araw, and now Tunnels. For several years, Tunnels has been the moniker for the solo output of Nicholas Bindeman. Over time Bindeman's sound has evolved from the slow, breathing landscapes of his earlier ambient/drone releases (Colour Seance, Vexations) to completely fried-out bedroom psych explorations (Astral Collage, In Between Dreams). The Blackout delves into a world of sound un…
The Trio
"1st time ever that two of the most legendary figures from the Turkish jazz scene (Okay & Ertunc) play/rec. together, so really an historic event ! classic pn trio + some more ethnic/otherworldly moments. special front cover artwork by Huseyin, who's an acclaimed painter (he designed also the old Intex front covers...), especially in his own country."Label press
The last house on the left O.S.T.
Born in 1936 in New York City, David Hess began his career when he recorded the original version of the Otis Blackwell composition "All Shook Up" under the stage name Dave Hill in 1956. The song became a Number 1 hit for Elvis Presley a year later and Hess became a songwriter at Shalimar Music. David went on to compose "Start Movin'" for Sal Mineo and "Rockin' Shoes" for the Ames Brothers. He continued to write songs for Elvis throughout the '50s and '60s, (including the Presley hit "I Got Stung…
Gate
A new 7" from Sissy Spacek on Wendy. If you have asked yourself this you know how this new vinyl sounds.Short crazy blast of terror, insane fast drums, screaming vocals, feedback and shards of noise. Play it loud. Play it at 45rpm. Flip side. Do it again. This time SS are John and Charlie. Essential lineup.