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"Connie Burg and I met Sumner Crane and Nancy Arlen in late 1975 and quickly decided to start a band. Sumner had been playing piano since he was a kid and I trumpet, guitar and more recently bass, but we were for the most part self taught. Connie decided to pick up a guitar and we started jamming in Nancy’s loft on Broadway and Duane St. where Sumner lived downstairs. For the first few months it was just piano, bass and acoustic guitar, with some paper bag percussion from Nancy. Our biggest rock…
"1st time ever that two of the most legendary figures from the Turkish jazz scene (Okay & Ertunc) play/rec. together, so really an historic event ! classic pn trio + some more ethnic/otherworldly moments. special front cover artwork by Huseyin, who's an acclaimed painter (he designed also the old Intex front covers...), especially in his own country."Label press
Calling someone "ahead of his/her time" is straight out of Music Marketing 101 and is a claim that rarely holds much merit. On occasion, though, it's a phrase that is entirely appropriate and accurate. Joel Brindefalk was as integral a part of Sweden's premiere off-kilter dance label, Börft, as anyone outside its founders, Jan Svensson (FRAK, etc), Birre Isgren (FRAK, etc), and, eventually, Joachim Nordwall (Skull Defekts, etc). While Brindefalk's work under monikers such as Contemporary …
Minimal Wave presents a full length album by cult French band In Aeternam Vale. Having made over 200 recordings, I.A.V. were one of the most prolific bands of the French underground scene. Headed by Laurent Prot, the band released many cassettes all featuring his wonderful collage work. Their sound is extremely original, overflowing with character, and crossing between genres: electro, minimal, noise, and even garage. “With the passing of time, In Aeternam Vale’s work remains astonishingly power…
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
Heavyweight, tip-on style gatefold jacket printed on uncoated Stoughton stock includes download code redeemable from the label. Vinyl mastered by Lupo at D&M** In swift succession to his excellent Vallens 12", Barn Owl Jon Porras presents his third solo side under his birth name. Inspired by a book on the San Francisco Tape Music Centre, Jon creates expansive atmospheres from slowed down tape manipulated with analogue FX to complement the hazy grain and shapes of his signature, plangent g…
"Rainbow Mask" is a 12" record which contains a long piece on each side. The sound was originally taken from our first session in Geneva in Autumn 2006.Hitoshi processed Carole's viola and voice thorough various effectors in realtime. And we kept playing until the studio space was totally filled with our harmony and noises.Although the sound was quite rough, the experience in the space was strong enough to impress ourselves.("Lunastus" in "Sporing Promenade" is also taken from a part of the sess…
Sensational reissue!!! In 1969, a French chanteuse, an Algerian multi-instrumentalist, and a Chicago jazz quartet undertook an experimental, exploratory, revolutionary musical voyage; a redrawing of musical parameters that, to this day, stands as a glittering beacon, glowing in the dark abyss of 'out' music. Featuring Areski Belkacem and Aart Ensemble of Chicago, Comme a la Radio is the sophomore album in Brigitte Fontaine's prolific career. Four decades on, and Comme à la Radio still sounds…
Attila Faravelli and Nicola Martini are two of the most innovative italian artists working in the field between sound art, electro-acoustic music and raw resonanting materials.
This recordings, edited by Giuseppe Ielasi, are the result of a couple of years of real experiments with a crazy amount of different materials, stones, chemical acids, vibrating obojects, modified electronic devices and acoustic spaces.
Peter Jefferies's extraordinary debut solo album, The Last Great Challenge in a Dull World, first saw life as a cassette via the Xpressway label of Port Chalmers, New Zealand, in 1990. As a result of some international underground acclaim in fanzines and mailorder catalogs -- for both the album and a striking 7-inch, 'The Fate of the Human Carbine,' released around the same time -- it soon appeared on LP and CD as well, through the Ajax label of Chicago. Within a couple of years it slipped…
How does history - past lives and past events - leave sonic traces and how can we hear them? The Hebrides Suite is the result of an attempt to answer this question and the culmination of composer Cathy Lane's three decade long engagement with the Outer Hebrides.The Outer Hebrides form a 130-mile long archipelago about 40 miles off the north-west coast of Scotland. There are more than 200 islands but only a few are now inhabited. In the 2001 census the total population of the islands was 26,502.…
A collection of the earliest recordings of the French sound sculpture musicians and Cristalists known as Structures Sonores Lasry-Baschet. Featuring the first fruits of one of the greatest unisons in experimental French music combining the beguiling haunting sounds of Jacques and Yvonne Lasry and the development of the musical inventions of Bernard and Francois Baschet. Exploring a similar route to that of early Michel Magne recordings (and often likened to “a French Harry Partch”) the emotive m…
Originally released on the Iskra label in 1975, Improvisation Sep. 1975 is a mind-bending slice of drone improv from two of Japan's post-war heavyweights; former John Cage student, Juilliard graduate, and Yoko Ono's former husband, Toshi Ichiyanagi, Takehisa Kosugi, considered by many to be the father of what some called "Japanese Krautrock," and Stockhausen percussionist Michael Ranta. Heavy layers of reverbed ring modulators, threaded vocals, melodicas, pianos, violins, gongs and Japanese biwa…
COH is the moniker used by Ivan Pavlov from Russia for more than a decade. COH is also the Russian word for 'sleep'. Yet, do not be deceived - RETRO-2038 is much more of a deep space than a deep sleep. The second COH release on Editions Mego is a true delight to behold, inviting as it does its exploration of electronic sound in minimalism, futuristic pop and the uncharted territories inbetween. Ranging from digital updates of Giorgio Moroder's pulse experiments to menacing lingering LF to…
My Cat Is An Alien's most extreme work to date. The most advanced expression of their current creative method of composition through the brothers' brand new self-made strings and electronic instrumentation. A black swamp full of analog processing and whirling drones with Maurizio Opalio playing self-made double-bodied string instrument, handmade pocket harp, antique zither, drums, percussion, sticks, cymbals, bells, gong, space modulator, real-time loops. While his brother Roberto Opalio …
Initially published on CD by Smalltown Superjazzz in 2011. Mats Gustafsson, tenor and baritone saxophones. Ingebrigt Haker Flaten, bass. Paal Nilssen-Love, drums. The Thing music + two Sonny Rollins tracks and one Norwegian trad. Recorded and mixed 2011 in mono in Melbourne, Australia. Limited release of 500. Heavyweigt double-vinyl, first time on vinyl. Manufactured by Trost Records." (label info)
This Zine was developed from a collaborative exhibition and performance organized by the writer, Brandon Stosuy, and the artist, Kai Althoff in the Summer of 2009 at Dispatch Bureau in NYC. It was displayed during the White Columns Annual 2009, during which pages were added by the original exhibition's various participants. The Zine features new materials by artists, writers and musicians such as Adam Helms, Brandon Stosuy, Hunter Hunt-Hendrix, Kai Althoff, Karlynn Holland, Lionel Maunz, Matt Za…
The extremely influential 1994 classic album from Oval is finally re-issued on vinyl. Freshly cut to vinyl by Roger Seibel at SAE Mastering the two LPs are pressed on clear vinyl and housed in black paper inner sleeves, packaged in a jacket replicating the original. Included for the first time is a free download coupon. Limited to 1,500 units worldwide. Systemisch was the debut Oval album released on Thrill Jockey. On this recording Oval was Markus Popp, Sebastian Oschatz and Frank Metzge…
Brian Pyle is becoming a big name in disquieting ambient and haunted audio, and two new releases (this and Light that Comes, Light that Goes) from him this week aptly explain why. Interval Signals is an enticingly evocative story, a single-take journey through a series of interiors and exteriors spaces layered with memories and geographies. Melancholy like an old crime scene, its mixture of ancient broadcasts, echoes trapped in the dusty twentieth-century telephone network, spiritualistic tuned …