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After five years and 20-plus albums-- most released on their own Child of Microtones label-- MV & EE's 2006 move to Ecstatic Peace began on a high note. "East Mountain Joint", the opening track on Green Blues, is a hypnotic hymn to unscheduled freedom, and it's catchy without losing the duo's loose, do-what-we-feel-like vibe. In fact, it's so entrancing that it's made subsequent work by Matt Valentine, Erika Elder, and their various colleagues seem like insufficient attempts to recapture…
Shipping by the next week: MIE Records are unbelievably honoured to be releasing Effigy by Pelt this October 29, the first album recorded since 2007 by the acoustic-only droners. Recorded live in June 2011 in an old yoga studio in Mount Horeb, Wisconsin and a decommissioned synagogue called the Gates of Heaven in nearby Madison, the band have laid down their most accomplished and fully realised work to date. Epic in every sense of the word, Effigy is a sprawling journey through their singular pl…
Do You Love Me? is an extension of Lutz Bacher's videos of the same name, in which Bacher interviews curators, artists, friends, and family about Bacher the person and Bacher the artist. Though Lutz Bacher is the starting point, the interviews often reveal more about the people being interviewed than Bacher herself. The publication takes the form of transcripts interwoven with images of Bacher's artwork from the 70s to the present as well as photos, letters, and ephemera.
Some will find it hard to believe that a glamrock band with a gritty urban veneer came from Texas and stuck together long enough to release this milestone record. Indeed, I was startled to learn that they're from Texas and not NYC or London. Clearly the underground music scene throughout Texas is fertile with talent and enough socio-cultural diversity to support any genre, including mid-70s glamrock. Metz take on glam includes some of the associated clichés like heavy chunks of chord strokes and…
Limited LP pressing for The Cremator, as ongoing commitment to the lost music of the Czech New Wave cinema movement from the late 1960s and 1970s, Finders Keepers Records follow up our series of previously unreleased music to Valerie And Her Week Of Wonders, Daisies, Saxana and The Little Mermaid with a short series of soundtracks for films by the country’s master of the macabre and the nation’s first point of call for freakish fairytales and hallucinogenic horror, Mr. Juraj Herz. As another lat…
After the dark conceptual ambience of Beyond the 4th Door, the members of Eternal Tapestry decided the time was right to do an album embracing their live show - blistering psych rock filled with lyrical guitar soloing and a caveman approach to rhythm, an oddly euphoric state where melancholia is blasted by ecstatic noise. Compiled from a variety of sessions at Tapestry Space throughout the spring of 2011 (some of this material first found a home on the two fall tour tapes), this set of so…
Mind Over Mirrors is the solitary reeling of Chicago-based Jaime Fennelly (Peeesseye, Acid Birds), who began developing the project when he moved from Bushwick/Brooklyn, NY to a remote island in the Salish Sea of Washington State in 2007.Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly- building, repetitive melodies into massive sonic mountains, that fits somewhere between a droned-out American Primitive, and early…
Paul Nagle is an electronic artist and synthesist from UK who started to produce wonderful fascinating electronic sounds since the late 70's when his parents moved to a remote farmhouse, triggering creative outbursts in many fields - music, painting and writing to name but three. His music which combines elements of electronica, ambient, trance, minimalsynth and new age would have perfectly fit to a label like Martin Reed's Mirage who also released early works of Colin Potter, Ian Boddy, Mark S…
Homicidal Texture was released by Slaughter Productions in early 1995 in a bizarre packaging consists of a metal mesh that completely envelops the cover. The four tracks on the tape are based on obsessive synth drones. The smell of death is soaked in every sound produced by the brilliant and twisted mind of Marco Corbelli. Anxiety, alienation and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power…
Opal Tapes' visionary bossman Stephen Bishop synthesises spellbinding post-techno ecologies on his debut slab of wax as Basic House. 'Caim In Bird Form' is an engrossing refinement of the arcane, buckled structures and textures best heard on his 'I'm Not A Heaven Man' album and an excellent split with Prostitutes for Blowing Up The Workshop. It's a sound that was conceived in relative isolation, yet feels intrinsically plugged into the zeitgeist and highly aware of fringe actions in the wake of …
Double LP reissue of the long out-of-print classic CD first released in 2004 -- the first modern electrified Molam recordings from the 1970s ever presented outside Thailand. Molam is a multi-faceted folk music native to Laos and the predominantly rural Northeastern region of Thailand known as Isan, home to myriad ethnic groups and provinces, and once a part of present-day Laos. Mo meaning "master" and lam meaning "song," "molam" literally translates into "master singer," but it remains mor…
Important collection of recordings documenting and preserving "fringe" or under-represented folk cultures and voices from a unique region at the crossroads of Europe and Asia. It spans a diverse cross-section of music by Armenians, Azerbaijanis, Georgians, Chechens and many other ethnicities which fall outside their country's definition of national folk music - Azeris from Georgia, Kurds from Tbilisi, Avars and Lezgis from Azerbaijan, or Molokans in the South Caucasus - giving room for al…
Steven Warwick aka Heatsick cocks a unique and compelling perspective on contemporary dance music with his bold follow-up to 'Intersex', a gorgeous, layered work that those of you into DJ Sprinkles should check out without delay. Now woven with leaner dancefloor muscle, the deeply funked views of 'Re-Engineering' are characterised by the artist as a "cybernetic poem". We can take this quite literally in his use of spoken word in pieces such as 'Re-Engineering' with its Chris Morris-esque wordpla…
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
""Vinyl of the Month must surely go to the epic "Gamma" by Italian quartet VipCancro, whose startlingly out there performance pitches the ensemble against such Krautrock epics as German Oak, Yatha Sidra and early Guru Guru. Indeed, for anyone requiring brain tissue abandonment Gamma will entirely do you justice. Their peculiar line-up of two synthesists, bass player and samples places VipCancro into a pure avant-garde territory, allowing splendid outbursts of canon-like percussion, and cin…
Marvellous Boy Calypso From West Africa HONEST JON'S RECORDS **** endlessly satisfying' (Boston Phoenix); 'Blending cheeky calypso with rocking highlife — and by turns breezy, wistful and downright uproarious' (Daily Telegraph); 'gems at every turn... weaving highlife, swing, military brass bands, Afro-Cuban jazz, into a hell of a compilation... Honest Jon's have added to the highest order of this simple music of heartbreaking celebration' (Brainwashed). The inter-war dance bands of British West…
LP version. Comes on milky clear vinyl with grey splatter, housed in a gatefold sleeve. The long-awaited, groundbreaking, pop album by acclaimed composer Michael Pisaro. Featuring Julia Holter, Tashi Wada, Cassia Streb and Rob Esler. "Voice: soft, pure (no vibrato), more like folk or pop singing than lieder singing." -- from the book of scores. "I began writing these pieces with a question in mind: what happens to old political songs?" -- Michael Pisaro, 2011. Tombstones reconstitutes the …
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
Ensemble Economique has emerged as an unusually globe-trotting creative valve for Arcata, CA, beachcomber Brian Pyle. The last year alone has seen him backpacking through Scandinavia, Europe and Russia—twice. Maybe his spirit’s too absorbent, ’cause he’s brought back some deeply heavier moods and ancient world weariness since his last outing on Not Not Fun, 2010’s demonic tribal monsoon Psychical. Recent splits with similarly instinctual psychedelic unclassifiables like Lee Noble and Her…
Tape-warped phantom band Rangers finally unleash the lush, soaring, expansive prog-pop opus we always knew was floating inside the fretboard (and imagination) of multi-instrumentalist mystery maestro Joe Knight. The north Dallas-raised, San Fran-residing head Ranger grew up taking classical guitar lessons from a dude who claimed to have 'toured with the Dead,' and some of that brain-wonked jam agenda obviously seeped into the young Knight, who began recording his own loose, lo-fi jangle s…