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The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples), creating beautiful jagged, sharp edged textures propelled by some of their tightest, strangest, most powerful rhythmic designs yet. The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples). Bark! again take their group virtuosity to new areas, creating beautiful jagged, sharp edged textures propelled by some of their …
The HBE family are in full effect on this 6-track mini-album. Forming like a brass-plated Voltron, they spin from swaggering Hip-Hop funk on 'Starfighter' to sparky, feel-good breakbeat funk on 'Touch The Sky' and more sultry, jazzed up styles for the Sun-Ra sampling 'Pluto' on the A-side. Flip it for the more brooding, cinematic themes of 'Kyptonite' feat Crow, and the record's highlight 'Black Boy' easing off the punchy percussion for a more spiritual vibe with spoken words by their pat…
Initial copies on Blue wax, all purchases come with an instant MP3 download. The Noise Musician's Noise Musician, Scott Reber of Rhode Island presents a jaw-dropping slab of two noise symphonies for Type. In operation for over a decade now, Reber has amassed a plethora of CDrs, tapes and the odd vinyl under myriad names and in scant quantity, many known only to the Rhode Island fraternity, like this one originally released on his Three Songs Of Lenin label in 2012. As the title infers, 'The Phon…
Faitiche is delighted to present Jan Jelinek's Music for Fragments / Music & Birds (faitiche08). This Mini-LP is the first of four vinyl compilations that bring together a highly diverse range of Jelinek's works - including commissioned pieces, live recordings, collaborations with other musicians, as well as unreleased material from the past five years.Side A / Music for Fragments: Music for Fragments developed from a collaboration with Canadian choreographer Sylvain Émard. Two excerpts of music…
The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early genius – his own work on organ and keyboards, never overdone and mixed perfectly with a righteous array of acoustic sounds from Rene McLean on alto and tenor and Olu Dara on trumpet – both players who soar to the s…
Making Real, an exercise in creating reality. Created by Gerritt Wittmer in 2012-2013. Mastered by Giuseppe Ielasi. Featuring the artwork of painter Nicola Samori. Gerritt Wittmer is a sound and performance artist based in Oakland, California. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He has performed and recorded as Gerritt, Ginnungagap (with Stephen O'Malley and Tim Wyskida), Deathroes (with Sixes), and has perfo…
One of two new releases from Brian Pyle (the other being 'Interval Signals'), Light that comes is a rich exploration of Ensemble Economique's range and power. With a palpable sense of the sublime throughout, the listener is guided through drones like the pillars and buttresses of a cathedral for a sombre new religion, into the sounds of the ocean (somehow elegiac), flute tones springing up in the fog like gravestones, and fallen kosmische. These are followed by the wonderfully odd 'As the Train …
Ununhexium is the sixth release in Raster-Noton's Unun series. Emptyset is a Bristol-based project formed by James Ginzburg, director of the Multiverse Studios and the curator and electronic artist Paul Purgas. Collapsed is Emptyset's first release on Raster-Noton and investigates the threshold where sonic structure is destabilized to the point where a chaotic order emerges. Across the four tracks a structural grammar is defined and then pushed to excess to the point where it reforms from re…
Stunning release from Cristian Vogel and SØS Gunver Ryberg as SGR^CAV for The Tapeworm. The label informs us that "Their compositions encourage the listener to observe and explore the resonances of a powerful musical awareness" and 'Moved By Magnets' exhibits a keen sense of spatial perception, tone and presence which entirely justifies that claim. Over four pieces they explore diffuse, free-formed spaces charged with a slow-moving, chaotic sort of energy ranging from the shuddering metallic res…
Recorded live at Cafe OTO in March 2009 during Otomo Yoshihide's first residency here. This was one of only a handful of solo piano performances Otomo has given where he uses the instrument as a control matrix for harmonically rich feedback tones and devastating clusters of complex noise. Beautifully rendered with maximum dynamic range by Lupo's 45rpm cut!
In its history throughout millennia it is fair to say the Gamelan has never had an encounter quite like this. Marriage of Metals is a devastating extension of the harmonic properties found in the instruments of Indonesia. Daniel Menche was granted access to a remarkable Gamelan studio where he was given full privilege to record any and all of these rare and ancient gongs -- most notably, the gigantic "Gong Ageng," that contains the deepest of deep acoustic bass. Menche took the raw source mat…
'Temple' is the final installment in Jan Jelinek's series of four vinyl compilations that bring together the wide variety of his music: commissioned works, live recordings, collaborations with other musicians as well as unreleased material from the last five years. Temple stems from a collaboration with French-Canadian choreographer Sylvain Émard. Temple is a re-worked excerpt of the music for the dance piece Fragments – Volume I and is a 10 minute drone work that builds from nothing more than a…
"The singularly strange storytelling power of Jun Konagayas unit GRIM had been largely overlooked until haang niap records "Folk Songs For An Obscure Race" compilation of the groups early 80s material. Konagaya restarted the group in 2009 and these are their first new recordings - and a full album to boot. Split release between Art Into Life and Eskimo Records! A story in 8 volumes, ripe with deviant madness and gathered salvic capacity. Handmade clock artwork by Konagaya - each one is di…
The extremely influential 1994 classic album from Oval is finally re-issued on vinyl. Freshly cut to vinyl by Roger Seibel at SAE Mastering the two LPs are pressed on clear vinyl and housed in black paper inner sleeves, packaged in a jacket replicating the original. Included for the first time is a free download coupon. Limited to 1,500 units worldwide. Systemisch was the debut Oval album released on Thrill Jockey. On this recording Oval was Markus Popp, Sebastian Oschatz and Frank Metzge…
“Steve Noble [‘s] armoury of textures and tones is an acoustic mirror of [Ikue] Mori’s electronica, and just as spellbinding. He attacks his orthodox, loose-skinned drum kit from all angles, lays upturned gongs on the drumheads and is a master of orthodoxy as well as the avant-garde. His duet with Mori was the evening’s highlight, a pulsating welter of scrapes, thumps and press rolls interrupted by silences made sinister by the tick of an off-kilter metronome.” – Mike Hobart, Financial TimesIkue…
"The Venom P. Stinger retrospective is on. One of the roughest groups of the '80s is back in print on vinyl and for the first time ever on CD, and still nice and hard and rough and wild on either format. File under: punk rock/noise rock/free-of-constraints rock. If you think of Venom P. Stinger simply as the proving ground for 2/3rds of the Dirty Three first, then you're seriously missing it, and fuck you. It was the mid-'80s and everything was going fine. The music underground was its ow…
A special 26 only copies box, with an extra LP: SAS #40 with different front cover theen regular ed (paste-on; the carpet motifs are divided in 26 parts, so if you put together all 26 ltd ed, you'll see the full design as on the regular ed) + postcard- SAS #41 with different front cover theen regular ed (paste-on; artwork by Huseyin Ertunc) + color postcard + another insert on high quality photo paper with 12 pic from the concert- SAS #42 with different front cover theen regular ed (paste-on; em…
I have never been to Mars, but sometimes i drop by... pictures and films we have access to give us a false impression that we already know something. My Mars is still populated with images from our childhood linked with hundreds of films and science fiction novels. i sympathize with misinterpretation of the illusion caused by old telescopes, as if the surface of Mars was covered with a network of irrigation canals being a proof of high civilization. combination of curiosity and fear stemm…
Further down the highway from last year's ace split with Roy Orb D.MT., Food Pyramid reach for lush neo Krautrock heights on 'Ecstasy & Refreshment'. They first break orbit with 'Dexedream''s stellar trajectory powered by twin-panned guitars and rocking rhythm machines to zones of swirling vocals, plateauing at the dreamy psych-house plains of 'Pacifier' and spinning dubwise with the corkscrewing, Ekoplekz-meets-Sun Araw-like scramble of Deep Fantasy'. Up there, the chiming African guitar chops …
"Group ONGAKU, founded mainly by students at Tokyo National University of Fine Art & Music, was the 1st collective musical improvisation group. The group began their activities in 1958, & from the naming of the group in 1960 onward continued until somewhere around 1962. They attempted to create acoustics corresponding to actual time & space by means of collective improvisation. Although methodically different, the music that they pursued incidentally shared common directions with contemporaries …