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Two new tracks from LA based duo Pedestrian Deposit. Side A is a little more noisy than last works, starting from jon's harsh-noise origins and the use of multiple layers of sound, they created a piece of musique concrète, near of what they did in Austere.Side B is dominated by shannon's cello and behind it, the sound of manipulated electronics and minimal textures to build the perfect background.
Polyphtong was conceived as a live quadraphonic composition for voice and computer. It was premiered at Stanford University in March of 2012. In August of 2013, Blonk radically reworked the piece to create the stereo version presented on this album. All sounds heard in it are derived from Blonk's vocals. Spatial placement and movement are extended by electronic means. The phonetic concepts of diphtong and approximant are an important focus in the more meditative sectons of the work. It also uses…
Restocked, very last copies around: Doyle is another matter. This man is dangerous - he never plays anything you could recognize, just furious blasts of rage. His solo on "Domiabra" couldn't be written down, or even sorted out. It sounds more like raw energy than anything I've ever heard. He's nasty, man." These liner notes to the original issue of Noah Howard's 'The Black Ark' may define perfectly also this new, incredible album by Arthur Doyle, this time 'in solo' for sax, flutes and voi…
Debut album from Ron Morelli, founder of the influential L.I.E.S. label featuring 8 electronic variants; from House and industrial tape experiments to saturated metallic beat tracks... There’s so much that could be said about Ron Morelli, his L.I.E.S. label, or the fact that his debut album comes to you via Hospital Productions, but instead, here are some words from the man himself. “I’m a regular guy, enjoy a good steak, drinking beer, and occasionally a game of pro basketball, Republican talk …
Bolder is Martin Maischein, who used to record as Heinrich At Hart on Position Chrome, and Peter Votava, also known as Pure, who has recorded previously for Mego and was half of Ilsa Gold. With their combined background in electronic music of all kinds, Bolder introduces a significant proposition to the current experimental electronic boom. Blurring the lines between industrial, techno, dub, ambient, and narrative forms, the work on Bolder's debut presents a dance amongst the abyss, a world wher…
Ottaven new LP issued in a tiny run of 100 copies only, a strong and puzzling mixture of tapes, electronics, varispeeding, and multiple exposures, carefully executed, with much precision and clarity. Flipping between noisily bristling electronic frequencies and blustery washes of oscillating tones, Ottaven sounds carefully programmed even in its most frentic moments, and offers several blasts abrasive enough to unclog the dirtiest pore.
Remastered edition: John Fahey has made a habit of recording a new album of Christmas music every five or six years, but The New Possibility, which was originally released in 1968, is still his best. One of the best and most influential acoustic guitarists of his generation, John Fahey's music fused past and present, borrowing from the traditions of blues and folk music and filtering them through a modern musical viewpoint. Some of Fahey's most striking (and most popular) work appeared on a seri…
"Dark Entries is honored to present the highly limited second cassette by British duo Nagamatzu for the first time ever on vinyl. “Sacred Islands of the Mad” is a collection of eleven tracks recorded between December 1984 and March 1986 in London by Andrew Lagowski (SETI, Legion, Terror Against Terror) on synths, guitar, and drum machines and Stephen Jarvis (Pure Motorised Instinct, Terraform) on synths, bass and programming. Nagamatzu began in 1982 after messing around with old tape machines an…
Voices by David Grubbs, Magorzata Penkalla and Pete Simonelli, guitars by David Grubbs and Miron Grzegorkiewicz, organ and violin by David Maranha, Text excerpted from Vanishing Point: How to Disappear in America without a Trace Music by David Grubbs, Miron Grzegorkiewicz, David Maranha, Gosia Penkalla, Pete Simonelli
Three takes on America - three journeys and three documents. Written and recorded.Year 1939, John A. Lomax and Ruby T. Lomax in their Plymouth - going South. 6502 miles, tons of …
"NNA is honored to be releasing the latest full-length solo recording from Anthony Child, UK electronic music legend perhaps best known for his forward-thinking techno production as Surgeon. A native of Northamptonshire England, Child has been at the helm as a DJ, writer, and producer of electronic music for nearly 20 years, creating works for reputable labels such as Counterbalance, Tresor, and Downwards. Aside from dancefloor-commanding techno, Anthony has also been creating a private c…
Sweeping and rustically romantic neo-classical and drone flights seemingly dropped from the sky on the wonderful Students Of Decay label "From the very first seconds of “Within/Without,” listeners familiar with the output of Aquarelle, the nom-de-plume of Madison, WI-based sound artist Ryan Potts, will find themselves in territory that is at once familiar and new. This opening salvo explodes into being with the surging, analog fuzz blooms and preternatural sense of rhythm that endeared many to …
“Strings” documents the long awaited first encounter of David Maranha and Stephan Mathieu, taking place in the Tennis Court of the Parque de Serralves, in Porto, on a sun-drenched yet gusty late-afternoon in July 2011. Having discussed in advance which instruments, tuning and notes to use, the piece was accomplished as an improvisation on the violin, shruti-box and virginals, reflecting both players love for classic minimalism, but also their ability to transform this language and make it their …
Not Not Fun label-mate Xander Harris has released “Urban Gothic,” the most overtly Carpenter-influenced modern electronic album to date. While Harris cites a laundry list of influences, new and old, it is Carpenter’s distinctly chilly synth-based sound that is most evident here. Although just as Umberto and Ensemble Economique mixed an array of genres ranging from African tribal music to disco into their reimagining of the horror soundtrack, Harris also draws inspiration from 80s synth pop and d…
All tracks written and performed on the oniscus by Coti K. in Stockholm and Tinos island in 2012.Thank you: Stelios Goulas and The mess with Julia for letting me use their rehearsal space in Stockholm. Gunnarsons Conditori for energy and relief. Etten, for the patience. Dimitris Kariofilis, Nikos Veliotis, Babis Makridis, Hristos Lainas for everything else. Harry Patramanis and Eleni Asvesta for asking me to write music to their film “Fybnos”, tracks 1,2 and 8 first appeared in it.
Pioneering electronic minimalist Taylor Deupree and revered Japanese composer Ryuichi Sakamoto collaborate properly for the first time with the willowy ambient beauty of 'Disappearance'. They previously crossed paths when Deupree remixed a song from Sakamoto's 'Chasm' album in 2006, and since then they've reached a mutual appreciation for the themes of 'Isolation, solitude, contemplation' which perfuse the delicate structures of 'Disappearance'. Its initial ideas were sketched out during rehears…
Meirino has been crossing fabricated, gathered, altered, provoked or wrong sounds for nearly two decades. The second Noisendo release follows the first one (Gorgomilos) closely - chronologically speaking - and dives deeper into a DIY electronica where machines dictate as much law as Man. Mutual respect? The obvious punk drive of Noisendo001 is more subtle in 002 but it is present in the nervous breathing of the acoustic and synthetic sounds that excite our senses while listening to this r…
Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics. In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end, refusing to allow the behind-the-scenes mystery of rehearsals and preparations to lend an aura to the per…
Crossarc Chute was inspired by my interest in the compositional strategies adopted for the early analogue electronics of the 1950s and ’60s, yet using digital processes and my own adaptations. Starting with pulse sounds, predefined filtering techniques and rules became the springboard from which I was able to generate many new sounds. These parameters formed a kind of system from which I could at times deviate.For one piece, Detail II, I separated the frequencybands of a group of sounds and then…
Founded 40 years ago in 1972 The Pyramids released three albums before splitting up in 1977: Lalibela (1973), King Of Kings (1974) followed by the seminal Birth/Speed/Merging LP (1976). Three albums that made them one of the most mysterious and legendary of all the spiritual cosmic jazz collectives of the early 70s, like the Art Ensemble of Chicago and Sun Ra. Lalibela (1973) was the first album recorded by The Pyramids following their landmark journey throughout Africa as students from Antioch …