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Two new long tracks on a 33rpm 7". Maginot features gorgeous vocals & acoustic guitar. Alaskan Lashes is a smear of found sounds & ambient tones. Housed in a heavy card sleeve, a mini lp style sleeve, complete with title on the spine. Pressed on very pretty, pale YELLOW vinyl. Limited to 500 copies!
Instability between sound and silence, between stagnation and air pressure; or else digital phantoms, remanences of what has not occurred - and the live electronics that sculpt this matter. Instruments increased to excess or, to the contrary, reduced to the flimsiest breath, distorted and exploited by themselves as much as by the teeming immobility of the dancer, body to hear. A slowness always in imbalance with abrupt accelerations, a stasis filled with electricity, a wall of sound.
Spectrum Spools give flight to a right zinger from Palm Highway Chase. 'Escape From New York' has already achieved cult status in the synth interzones, notching up over 5000 downloads from the artist's myspace and bandcamp pages since 2009, before John Elliott and Peter Rehberg colluded to present the tangible artefact on wax. Flashback to 2009, maybe late winter or something like that. The Road Chief comes back from his extended stay in Belgium all laced up with new jams from the undergro…
"The singularly strange storytelling power of Jun Konagayas unit GRIM had been largely overlooked until haang niap records "Folk Songs For An Obscure Race" compilation of the groups early 80s material. Konagaya restarted the group in 2009 and these are their first new recordings - and a full album to boot. Split release between Art Into Life and Eskimo Records! A story in 8 volumes, ripe with deviant madness and gathered salvic capacity. Handmade clock artwork by Konagaya - each one is di…
Empty holes, empty homes, the sixth book from GX Jupitter-Larsen, is an amathopaedia of nonfiction, fiction, poetry, & cryptograms. Printed and perfect bound in the United States using traditional offset methods with recycled inks and fine recycled papers. Housed with tear out double sided flexi-disc. Edition of 400 copies with black flexi or numbered edition of 100 copies with clear flexi.
Human Flesh is a long lived project of Alain Neffe. The tracks presented here are all unreleased songs recorded in the mid 80s. With a wide range of unconventional instruments Neffe & his compadres create their own dark & twisted world. WIth a lot of improvisation & cracked up minimal synth going on this makes up a great album. Besides synths & rythm boxes we hear zither, bells, strings, tarang, ocarina, Yugoslavian voice, reel to reel tape scratch & more. Limited edition of 400 copies. …
Spectacular edition! A silk-screened wooden box containing 24 tapes and a book (of art, texts and private photos collection from the artist), issued in a micro edition of 30 copies only. This composition of 24 hours recorded in one month, is a reflection on time. Ambient sounds, carpets of keyboard, pulsating electronic, moments of life gathered and where necessary assembled. All closely and soundly tied to what took place between January 4, 2012 and February 4, 2012. Sound reflections '…
Their 7th album! Record & produced by the band in their hometown of Liverpool & mixed w/ assistance from Daniel Lopatin (ONEOHTRIX POINT NEVER, FORD & LOPATIN). The title is apt for this particularly bold & assured new transmission from planet Clinic, it neither turns its back on the sond of their previous albums, nor seeks to recreate them.
Paranoid Cat is Philadelphia guitarist Chris Forsyth's third solo album and first for Family Vineyard -- a sprawling, harmonically-charged side-long suite backed by a clutch of compositions merging raw and delicate American roots traditions. After more than a decade trotting the globe and recording with a mess of today's avant garde greats, plus co-leading the brazenly absurd Peeesseye, Forsyth has arranged a full-band to accompany his electric six-string vision of interlocking arpeggios and max…
Kassidat: Raw 45s from Morocco is a full-length LP that features six extended tracks from the golden age of the Moroccan record industry. After Morocco gained its independence in 1956, Moroccan-owned record labels sprouted and flourished in Casablanca. The inexpensive 45 rpm format allowed the record companies to release thousands of songs during the 1960s, creating a snapshot of the raw and hypnotic Berber music that thrived throughout Morocco. Powerful traditional styles were still aliv…
Limited edition vinyl LP in super deluxe, full-colour printed jacket, featuring cover artwork by Roberto Opalio. The idea of a recording collaboration by Nels Cline and My Cat Is An Alien was born one day in Torino, Italy, while Cline was touring with Wilco in 2007. After two other intersections of their respective orbits (first at Victoriaville, then at a UK All Tomorrow’s Parties festival in 2006), Cline eventually mailed them a CDR of prepared and heavily effected electric guita…
Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton. The first track from 1993 brings all musicians together for a 29 minute work of great dynamic and dialog. The following track present a quartet with Oxley, Bailey, Thomas and Wand from the same session, and the final 1993 track is the duo of Oxley and Rutherford. The first '77 tra…
The three piece group from Portugal explore in ten tracks the possibilities of the church organ. The members play in various combinations on different organs. The outcome is very varied. The opening piece is barely audible, but the second piece is a loud, repitive, all register open one. Of course it's hard to see this music without any religious overtones, but Osso Exotico don't give a clue in that direction: all their pieces are untitled. Meditative pieces in most cases, but less minimal then …
Minimal Wave presents a full length album by cult French band In Aeternam Vale. Having made over 200 recordings, I.A.V. were one of the most prolific bands of the French underground scene. Headed by Laurent Prot, the band released many cassettes all featuring his wonderful collage work. Their sound is extremely original, overflowing with character, and crossing between genres: electro, minimal, noise, and even garage. “With the passing of time, In Aeternam Vale’s work remains astonishingly power…
"Marissa Nadler's Kickstarter funded self-titled self-release. Brian McTear produced the album, which Nadler says is the 'most honest, natural record' of her career." "You'll want this music to never end...best severe and complex emotions that we've possibly never recognized in this or previous lives." -- LA Weekly
Damballah 58 is the monstrous sequel to 2012's deadly Black Mamba 12". The title-track's diabolically addictive vaudou rhythms insinuate deeply before uncoiling convulsively into an irrevocable reclamation of the consciousness. The B-side features "Mamba Muntu" (sister track to the previous "River Mumma" and "Witness the Spread of the Dream"), the treacherously beautiful "Belladonna Theme," and the marauding, burning rush of "Immersion." Written and produced by William Bennett. Original vév…
A meeting between Japanese sound artist Takahiro Kawaguchi and two american improvisors, Nick Hoffman (head of the Pilgrim Talk label) and Aaron Zarzutzki. Recorded by Brian Sulpizio at The Chateau, Chicago, in September 2011 and then edited and mixed by Giuseppe Ielasi in Oreno.Numbered edition of 250 copies. Black vinyl (cut at SST), screenprinted cover on heavy grey stock.
"JAMES JACKSON TOTH, aka WOODEN WAND, is your fearless friend, the stumbling guy who gets himself into incredibly fucked up situations but comes out shining and lives to tell about it, entertaining you safely and immensely. You should be grateful. In my view, he's a great American songwriter in full bloom. Most likely you'll think that's a preposterous claim, and I won't blame you, but you'll be totally, completely, and unforgivably wrong not to agree. To me, it's obvious Toth is animated with t…
After the 1960 independence, the Orchestre Regional de Kayes was founded in order to reinvigorate the local cultures from the Mand and the Kasso regions and turn some traditional themes into modern songs. Under the guidance of bandleader Harouna Barry, they evolve as one of Mali's finest orchestras. In the early 1970s, like most modern bands of Mali, the orchestra evolved into the Sidi Yassa de Kayes, named after Sidi Yassa, a late great singer. In 1977, they release one eponymous LP in 1977 on …
Alpen Ocean is the final recording of Carole Kojo (Swiss) and Hitoshi Kojo (Japanese) that they left behind as Jüppala Kääpiö, whilst resident in Switzerland. The sound sources are rather familiar instruments and materials for us such as voices, handmade instruments, viola, organic materials and field recordings. However, the style has evolved to a hybrid of our early style: an intense harmonic drone music that has appeared in RAINBOW MASK, and another phase which might be termed as a cosmopolit…