New Arrivals
On air
Studio session recorded for BBC Radio 3 'Jazz on 3', May 2012. Gino Robair, energised surfaces & synth. John Edwards, bass. John Butcher, saxophones. "Built around extrasensory sonic perception their strategy advanced amoeba-like, continuously melding and breaking apart timbres in different configurations and with varied possibilities. Edwards' super-speedy wood and string smacking was sometimes appropriately violent; Butcher's output jumped from sonorous glissandi to staccato reed bites an…
Echokrank
Ear drum piercer brezel göring (of stereo total) and thrash lout "hotleg" have committed themselves to a reckless and impulsive mix of dub-psycho-speed-new wave, action film soundtracks and 50's musique concrète. For several years, these two desperados have hacked their way through the unpredictable weeping fistulas of post-industrial easy listening. In doing so they combine genre-spanning arranged marriages and acceleration of track playback speed. The music is played on children's toys and fle…
1979 - 1981 Recuerdo espectral de un viejo decorado electrico
A selected compilation from Javier Hernando’s cassette archives which were recorded in the band’s practice space during their two years of existence between ’79 and ’81. We consider this material of vital interest as a document of Barcelona’s underground scene in the late 70′s, which coexisted with the newly born punk and industrial cultures which youth groups were avidly importing from the UK. The sounds featured on this album deconstruct genres, blending elements such as tape collage, raw guit…
Seitz versus Gendreau
Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies. These pieces were composed with created and found sound captured in San Francisco. 'Chorus After Rains': A strategy where we each use the same raw sound clips with different results. The two pieces are then melded to create one piece of music, the different modules becoming inseparable from each other. 'Things Lost That Will Never Be Found': A composition with live instruments, moving fro…
Abisso
Close your eyes. You may think Satan is singing. Open them: you’ll see a small masked woman, with dreadlocks down the her ankles, and without vocal effects. Close your eyes again: you’ll think of a heavy metal double kick drum set. Open them again: a gigantic, wrestling masked man is torturino a floor tom, a snare and a cymbal, standing up, no kick. Two people, half gear, enough to bring Hell.This is OvO. What they do is not easy to file. Not noise, not metal, not doom, not punk, not rock and ro…
A Rebours
Depuis que Minizza existe (le groupe se forme en 2000), ses membres ont toujours eu dans l'idée, un jour, d'adapter un roman en musique. Lorsque France Culture leur commande un Atelier de Création Radiophonique, l'occasion est saisie, et le choix se porte rapidement sur A Rebours (1884) de Joris-Karl Huysmans, chef-d'œuvre séminal, manifeste du décadentisme, dévoré par les membres du groupe dès l'adolescence.Ce travail pour France Culture donne naissance au troisième album du groupe qui, bien qu…
Made in China
special artist multiple signed edition, limited to 150 copies, this is a collaborative record by swiss artists Marc Zeier (G*Park), Luigi Archetti, and Ian Anull. Released for their Exhibition 'Made in China' at Hans-Trudel-Haus, Baden, Switzerland, April-May 2009. The music consists of (manupulations of) recordings the three artist made during their travel to China in 2008. Traditional instruments and field-recordings with electro-acoustic treatment.
Sung In Broken Symmetry
Describing the music of Aquarelle's Ryan Potts is a difficult task indeed. It's related to the hazy, heavily treated output of musicians such as Fennesz and Tim Hecker, but one would be remiss to locate it solely within the realm of electronic ambient or drone, as there are often strong organic, rhythmic and composerly elements to Potts' work. In fact, the title of his last record, Slow Circles, might offer the best point of access into the Aquarelle aesthetic, in which compositional trop…
Dance Classics Vol. III
Kouhei Matsunaga's 'Dance Classics Vol.III' is the continuation of his ongoing development of his more dance oriented material, as seen from his sets with Sensational and also his other minimal techno project NHK. Not feeling tied down to one genre, Matsunaga nestles in the PAN roster, and however that isn't to say that he is dance per se as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or alt…
Dance of the vampires
"Roman Polanski’s 1967 film ‘Dance Of The Vampires’ (as it was originally called, but more widely known by its re-named title ‘The Fearless Vampire Killers’, or ‘Pardon Me, But Your Teeth Are In My Neck’) is a camp horror cult classic. At the time the film was marketed as a ‘farce’, which overlooked the fact that this film is fantastically eerie. The major part played by the soundtrack in giving the film this effect cannot be understated, and the cold-as-snow production did much to enhance the b…
Opiate Sun
The EP might be the ideal format for Justin Broadrick's music, regardless of his alias. Whether he's trying to erase your head via concrete-slab guitars in Napalm Death, reduce techno to a series of clockwork hammerblows with Final, or massage your pleasure centers with neo-shoegaze in Godflesh, Broadrick's music has a laudable singularity. The three-or-four-song dose mainlines his all-consuming mood of the moment without the potential dilution of trying to fill up a CD. Broadrick claims to be …
Quintet / Sextet
Otomo Yoshihide, guitar. Sachiko M, sine waves. Evan Parker, saxophones. John Edwards, double bass. Tony Marsh, drums. John Butcher, saxophones. The final night of Otomo and Sachiko's first residency in 2009 saw the pair joined by the long running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko (available as download only bonus tracks) and joined the quintet for a rousing sextet: stunning twin saxophone interplay, …
Elegy for Bangalore
The sound/video installation-project 'Eye Contact with the City' (recipient of an Honorary Mention at PRIX Ars Electronica 2011) was the outcome of an artists' residency in Bangalore in the autumn of 2010. The primary materials used in the installation were the field recordings made and video footage shot at various locations in Bangalore. Materials also included retrieved audio from old reel-to-reel tapes found at the city's flea markets. The extensive repository of field recordings and other a…
The Operetta
"The psychedelic find of the decade-their long-lost final magnum opus. Rumored to exist for years-often put down as just rumor though. Here it is, unearthed from tapes thought lost forever but now found after nearly 30 years. The first thing to be released from Ya Ho Wha 13 since 1975. In the spring of 1975 the Family was homeless and was travelling on the West Coast after having been driven out of Hawaii by local laws (they would return later that year for what would be the final time wi…
Indonesia Pop Nostalgia - Pan-Indonesian Pop, Folk, Instrumental
It is an eclectic collection of inspired Indonesian folk and pop music culled from cassettes and vinyl recorded and released during the 1970s and 1980s. The music on this collection spans several contemporary popular genres - each inherently unique and born from very different cultural and geographical origins within the archipelago. All, however, are also vitally informed by Islamic, Arabic and South Asian popular and traditional music, alongside various Western musical fads -- a distinctly Ind…
Frequencies
Nicolas Bernier’s Frequencies (Synthetic Variations) is his first piece made entirely of synthetic sounds. Having evolved within the musique concrète and field recording traditions, Bernier wanted to break with habit — the result being 15 short movements of warped and crackling textures, vividly articulated sine waves and rhythmic bursts of pattern. The piece is designed to be listened to at random (the sound sample above is such a sequence), offering a new duration and dynamics with every heari…
Lieu
FaravelliRatti is a duo comprised of Nicola Ratti (guitar) and Attila Faravelli (computer) who play with a tower of different prepared speakers and a taper recorder in between them. The idea is to fed speakers with different languages in the same space and have them resonate with the phisical space. Every speaker is prepared and positioned so the resonance can be controlled by the players, moving their bodies around the sound totem in between them. Their live set represent this idea, of building…
Fete galante et pastorale
There were several ‘firsts’ involved in my initial encounter with Zygmunt Krauze’s music: my first visit to Poland (1970), my first ‘Warsaw Autumn’ festival and its first concert (19 September), and the Warsaw premiere of Krauze’s first Piece for Orchestra (1969). The memory has stayed with me ever since, not least because here was a work that was distinctly different from the other new Polish music that had so far filtered westwards. I was familiar with some Lutosławski, Penderecki …
Occlusions
… Occlusion is a loose framework for a multi-channel, freely improvised piece of LIVE ELECTRONIC MUSIC, performed without the aid or consent of pre-recorded or even pre-arranged materials of any kind. A given realization will last between 10 and 30 minutes ; time is elastic. Every effort has been made to avoid divisible rhythms (although mistakes are occasionally made) ... Still, I consider it a "kind" of Dance Music. These two realizations, recorded a week apart at festivals in France and…
Ovenschotels
Both DT and JC have been sending eachother garbage and leftovers since a few years, sometimes almost nothing, probably out of pity, often to make eachother smile or as an act of friendship.Sharing the last spoon of cold soup on a cold winter night, when the heater does not want to be touched. these 36 pages are filth, with found imagery or buggles that the cleaning lady forgot to sniff out, images that have been dominating our seperate rooms for years and that remain unnoticed because of the dai…