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First solo from Yann Gourdon playing hurdy gurdy with the trio France. A huge sound continuum. A great moment of sound ! Highly recommended ! 300 copies in a silkscreen cover.
Buy a box of tissues! It has been a while since Miaux has released anything, as everyone around Antwerp, where she is based, still had tears in their eyes from hearing her last 7" on ue, or her self released cassettes which were hardly playable as they layed in puddles of salty tears for way too long! Miaux, the moniker of Mia Prce, was born in 1982 in Sarajevo, where she lived until she was 7 years old, both her parents were painters and visited Antwerp, Belgium with her, where they've e…
Orphan Fairytale emerged mid 2000s from the Belgian underground which seems to be a consistently solid ground for fantastic music emerging. This brand new LP from Eva Van Deuren's Orphan Fairytale project follows on from her fantastic 'Ladybird Labyrinth' LP on Ultra Eczema as well as releases on Rampart, Foxglove, Release The Bats and many other great labels. 'Comets Come Alive' is a beautiful dreamy album of keyboard, layered with various unknown objects, toys and other non-instruments creatin…
Raised by Clear Acid is the first recording of Von Tesla to be published on vinyl. It has been played using only a Korg MS-20 synthetizer and samples from a Roland TR-909 drum machine. The record have been mastered by Giuseppe Ielasi and housed in a double-face folded sleeve screenprinted by the mighty CORPOC. The vinyl version contains a download link pointing to a 46 minutes worth of music by Von Tesla, exclusively given to phisical buyers.
“It's flashback time at Shock! Everybody loves the '80s now innit, and everybody positively adores old tapes of bedroom noodling... So, always keen to exploit the latest trends, Shock has rummaged through the archives to come up with EATEN AWAY BY SHADOWS, over 79 minutes ('value' for money!) of SJ archive stuff recorded between '82 - '83, before editing Shock Xpress, playing in Whitehouse, Skullflower etc…This was recorded mostly in Bristol, some in London while living in a squat up the road fr…
Styles Upon Styles follow that ace BAT single with three stealthy, motorik techno mutations from Mexico City's White Visitation. 'Permanent Swing' synchs swirling machine patter and rolling square bass as a tentative opener for the tight, latinate shuffle groove and subtly ascendent chord and guitar slivers of the Moritz Von Oswald-esque 'Home', and 'Blood Revision' cruises out on a gauzy autobahn/highway tip coming off like a technoid cousin of Willie Burnett's Black Deer gear.
*Strictly limited vinyl-only album* Geoff Mullen is a hugely respected member of the New England experimental/improv scene, often found in the same circles as Keith Fullerton Whitman aka Hrvatski. He makes his Type debut with an utterly bewitching, secretive set of sounds which were originally heard on a cassette released by the 'Razors And Medicine' label earlier this year, containing six tracks of personal, heavy and undeniably magical drone music. He uses a modest setup of treated guita…
LP version with CD; first pressing limited to 500 copies, 180 gram pressing. Please allow us the pleasure of introducing Axel Willner's Loops Of Your Heart. Hailing from Sweden, the man behind this record alone needs no introduction, as he is already well-known in the electronic music scene for his project The Field. Loops Of Your Heart reflects Axel's experience in Germany, where during his lengthy stays, his mantra-like arpeggiators contributed to the first manifestation of the sound of …
Examples on record of sunny murray's enduring originality and influence as a drummer are many (refer to eremite 14, 45 & 46, among others), but very few recordings demonstrate his strikingly unusual voice as a band leader and composer. none do so more spectacularly than his 1969 album big chief. unfortunately it's been a sick collector's item since long before ebay. so it is with great pride and satisfaction that eremite returns to our friends in the human clan this long unavailable masterpiece.…
Recorded live at the Donaueschingen Music Festival in Germany on October 17, 1971, this rare concert has not been available on vinyl since the seventies! This recording, while still firmly rooted in the American free jazz tradition of Ornette Coleman and Albert Ayler (with whom Don Cherry frequently recorded), brings in elements of traditional Indian, African, Chinese, Mayan and Balinese music. Of the three pieces found here, the first two are composed by Cherry and feature an internationa…
For the past fifty years, Mike Cooper has been constantly experimenting with live composition, field recordings and free improvisation; in the late 90s he developed a particular kind of contemporary exotica inspired by his trips in the Pacific area; the result is, in his own words, an “imaginary, exotic, ambient soundscape of places that didn't exist”.“New Globe Notes” collects material previously released on Mike Cooper's own imprint Hipshot Records, and is accompanied by a 32 paged bookl…
In 2001, Peter Rehberg (then of Mego) asked Parl Kristian Bjørn Vester aka Goodiepal if he would be interested in doing something for the label. Despite meeting on numerous occasions at various events and happenings around Europe, nothing was delivered. One hot August day in 2013, a large package arrived containing lacquers for a double vinyl LP. Here it was: the Goodiepal Mego album delivered as lacquers and not a WeTransfer link. The lacquers were sent to plant and made into test-p…
Kassel Jaeger is a Swiss-French artist based in Paris, France, and is a member of the GRM (Groupe de Recherches Musicales). Toxic Cosmopolitanism is his second full-length release for Editions Mego -- a release which explores and questions the very nature of the material experiments contained within. Each side consists of two clearly-defined sections based on the same material. Side A comprises of "Toxic Cosmopolitanism," a large-scale work based on distinct sounds of different cultures, …
An oblique response to various antecedents of pulse-based electronic music without recourse to drum machines or sequencing (or — in the case of the Four Investigations — synthesizers). Tools include oboe, English horn, analogue synthesis and malfunctioning electric organs and piano. Mastered by Giuseppe Ielasi. Gratitude also to Niko Wenner and Monica Scott. Dedicated to Michael Randers-Pehrson, Jeff Bollaro, and HK Kahng — stalwart comrades in my very earliest electronic music misadventures.
"The noise rock parade that defies definition, set out on a mission of pure volume worship that is the post-decade pilgrimage of NY-based Sightings. After eight instinctive albums, the Sightings guys show no mercy with endless annihilation of their newest material on Terribly Well. All parts destruction measured against their abrasive songwriting. Jagged, collapsing rhythm based mayhem, guitars that can be mistaken for a freight train being ripped for scrap metal, only to be held together …
"Roman Polanski’s 1967 film ‘Dance Of The Vampires’ (as it was originally called, but more widely known by its re-named title ‘The Fearless Vampire Killers’, or ‘Pardon Me, But Your Teeth Are In My Neck’) is a camp horror cult classic. At the time the film was marketed as a ‘farce’, which overlooked the fact that this film is fantastically eerie. The major part played by the soundtrack in giving the film this effect cannot be understated, and the cold-as-snow production did much to enhance the b…
Originally released on the Iskra label in 1975, Improvisation Sep. 1975 is a mind-bending slice of drone improv from two of Japan's post-war heavyweights; former John Cage student, Juilliard graduate, and Yoko Ono's former husband, Toshi Ichiyanagi, Takehisa Kosugi, considered by many to be the father of what some called "Japanese Krautrock," and Stockhausen percussionist Michael Ranta. Heavy layers of reverbed ring modulators, threaded vocals, melodicas, pianos, violins, gongs and Japanese biwa…
Outstanding tape from Angelica Castello (Mexico, 1972) one of the best electroacoustic composers of her generation "I see my music basically as a complex construction of associations, quotations, dreams, nightmares, real and unreal people, stories and reflections. 'erche">Silvertone e il sentimento oceanico' is about a big ship leaving' Angélica CastellóAbout Castelló's music: 'Music that is both visual and abstract, that calls forth memories and chases them away, that ofte…