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Thrill Jockey seem to be snapping up lots of underground faves, Barn Owl, Eternal Tapestry, Wooden Shjips, Sun Araw, and now Tunnels. For several years, Tunnels has been the moniker for the solo output of Nicholas Bindeman. Over time Bindeman's sound has evolved from the slow, breathing landscapes of his earlier ambient/drone releases (Colour Seance, Vexations) to completely fried-out bedroom psych explorations (Astral Collage, In Between Dreams). The Blackout delves into a world of sound un…
Alpen Ocean is the final recording of Carole Kojo (Swiss) and Hitoshi Kojo (Japanese) that they left behind as Jüppala Kääpiö, whilst resident in Switzerland. The sound sources are rather familiar instruments and materials for us such as voices, handmade instruments, viola, organic materials and field recordings. However, the style has evolved to a hybrid of our early style: an intense harmonic drone music that has appeared in RAINBOW MASK, and another phase which might be termed as a cosmopolit…
"Which side of the picture should be hung uppermost? 2003, London: the first time I visited Tate Britain, Tate Gallery, and the first time I saw and really experienced the paintings of JMW Turner (1775-1851). Overwhelmed, especially by his late and unfinished works I was stunned by the power of the stillness of his work. 25 years before that something similar; me, as a young man in Madrid; Prado, Goya paintings and etchings - for me an initiation which opened up the door to earlier art an…
"The Venom P. Stinger retrospective is on. One of the roughest groups of the '80s is back in print on vinyl and for the first time ever on CD, and still nice and hard and rough and wild on either format. File under: punk rock/noise rock/free-of-constraints rock. If you think of Venom P. Stinger simply as the proving ground for 2/3rds of the Dirty Three first, then you're seriously missing it, and fuck you. It was the mid-'80s and everything was going fine. The music underground was its ow…
This documentary by Oscar-winner Allan Miller and Emmy-winner Paul Smaczny pays tribute to the most fascinating American avant-garde composer John Cage. Shot in America, Germany and Japan, the program premieres rare archival footage; presenting concert excerpts and a set of short episodes, featuring associates of Cage and contemporary artists, playfully delineating different aspects of John Cage. The documentary features interviews with Yoko Ono, David Tudor, Christian Wolff, Steffen Schleiermac…
Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies. These pieces were composed with created and found sound captured in San Francisco. 'Chorus After Rains': A strategy where we each use the same raw sound clips with different results. The two pieces are then melded to create one piece of music, the different modules becoming inseparable from each other. 'Things Lost That Will Never Be Found': A composition with live instruments, moving fro…
Paranoid Cat is Philadelphia guitarist Chris Forsyth's third solo album and first for Family Vineyard -- a sprawling, harmonically-charged side-long suite backed by a clutch of compositions merging raw and delicate American roots traditions. After more than a decade trotting the globe and recording with a mess of today's avant garde greats, plus co-leading the brazenly absurd Peeesseye, Forsyth has arranged a full-band to accompany his electric six-string vision of interlocking arpeggios and max…
Finally, after 15 years, Big Mick Turner has turned in the big rock record we always knew he had in him. Yeah, Don't Tell the Driver is a different kind of record from all the Mick Turner records -- not just his own, but the ones he's done with Dirty Three, Bonny Billy, Cat Power, Fungus Brains, and Venom P. Stinger put together. So, what's so different about Don't Tell the Driver anyway? Well, Mick grew a mustache for this one. That must mean it's his Sgt. Pepper; a consolidation and developmen…
To this day, Nicholas Bullen is best-known as a founding member of arguably grindcore's most important act: Napalm Death. Although he decided to call it a day before the band slipped into the mainstream circuit, his sonic fingerprints were all over their influential debut Scum, and he's been breaking boundaries ever since. A key figure in Birmingham's experimental scene, Bullen was also a founding member of Scorn and has been involved in a variety of projects since. Over 30 years later we …
...Vol. 1. Limited edition full-color gatefold LP version of the Sublime Frequencies CD release from 2004. Original description from 2004: How do they do it? Are they smarter? Are they better? How can it be ignored or denied? How is it possible that one of the most unique, perfectly composed and performed, intense and awe-inspiring musical legacies the world has ever known is looming north of the equator physically tucked between world cultural giants India, China, and Thailand, without more tha…
It's been a busy couple of years for the producer behind the Shifted project. On top of an extremely well-received album for the Mote Evolver label, the producer has edged further out into the fringes of electronic music under a number of aliases, taking in noise/ambient variants as Covered In Sand, as well as more distorted, technofied productions under the Alexander Lewis moniker, a sound described by the Blackest Ever Black label as "S-M techno." His new album as Shifted, Under a Single Ba…
Homicidal Texture was released by Slaughter Productions in early 1995 in a bizarre packaging consists of a metal mesh that completely envelops the cover. The four tracks on the tape are based on obsessive synth drones. The smell of death is soaked in every sound produced by the brilliant and twisted mind of Marco Corbelli. Anxiety, alienation and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power…
Historical recordings made by Harold Norse when he was living with William Burroughs, Brion Gysin and Gregory Corso at the notorious Beat Hotel in Paris during the early sixties. By the time Norse arrived in Paris he had traveled extensively in Morocco and Europe and his poetry was already championed by people like W. H. Auden, William Carlos Williams and Tennessee Williams.
Together with Sinclair Beiles, Burroughs and Gysin, Norse was one of the first to apply the cut-up method. He made the tec…
After ten years from the date of its recording (2003), this surreal jam between kaleidoscopic Stuttgart's collective Metabolismus and evergreen American improviser Eugene Chadbourne, is finally turning into a wax. You'll have the cheerful feeling of listening to Sun Ra jamming with Stockhausen while together on a trip to Stonedland! What's on this record is basically high lysergic psychedelia meeting crazy free jazz, with some spared funky grooves and fragmented tapes manipulations. You'll be…
Operating out of Istanbul, Ekin Fil is the solo project of Turkish musician Ekin Üzeltüzenci. Her music first came to the ears of many by way of “Language,” a 2011 cassette release on the Root Strata label. “Language” presented listeners with a fractured, hazy soundworld in which half-remembered melodies and wraith-like vocals cohered into dark and hypnotic masses. On this self-titled album, Ekin opens the curtains a bit, letting in some light and offering up an even more refined album. This is …
This box set collects remastered versions of Scott Walker's first five solo albums. The Scott albums are the fulcrum of Walker's career: You can hear where he'd been, and in retrospect, where he was going. His third act was emerging after 20 years of almost total silence with Tilt, The Drift, and Bish Bosch, released between 1997 and 2012. Walker's latter-day albums are fearless and violent, featuring wailing donkeys, moans, scrapes, and famously, the sound of someone punching meat. They seem to…
The past two years have found Austin’s Lone State dark lord Xander Harris (aka Justin Sweatt) on a heavy transfigurative trip, overhauling his live rig, detouring through an expansive soundtrack project celebrating the 20th anniversary of Neal Stephenson’s Snow Crash, touring outside Texas (from New Orleans to the Netherlands), plus a host of other inner life turmoils and metamorphoses. All of which seems to have seeped into the synthesizer soil of his stunning second full-length, The New Dark A…
CD reissue of 2001 recording, originally released on cassette by American Tapes. Kevin and I traded raw material at some point in 2001. After discussing a collaboration I found a cassette of unreleased material of myself messing with Renaissance (the band) and junk noise 8-track loops on the floor of my car as I was getting ready to leave for home from a Chicago trip. A couple days later Kevin sent me a mini-disc of his own unreleased material.. His disc was caked in spilled coffee or something …
Inspired in equal measure by the throbbing urbanity of coastal cities, continental European art-rock experimentation, left-ï¬Ã‚Âeld techno, and the freewheeling punk aesthetic of contemporary home studio recording, Jonas Reinhardt’s music transcends its inï¬Ã‚‚uences to bring into being a work that’s wholly new while referencing a celebrated aesthetic of the past. Jonas Reinhardt's 'Ganymede' is an experimental science ï¬Ã‚Âction ï¬Ã‚Âlm set on the solar system's largest moon. On Ganymede, i…
Now also on vinyl.Mika Vainio, Electric Guitar, Processing, Metallic Percussion. Joachim Nordwall, Electronics, Electric Bass Guitar, Metal Objects, Hammond Organ, Vibraphone.Recorded in Berlin at Studio Schwedenstrasse one day in June 2010. Recording Engineer: Marco Paschke. Mixed and Mastered by Daniel Karlsson in Stockholm at Elektronmusikstudion. Mika Vainio was a member of the legendary minimal electronic duo Pan Sonic. Emerging from the Finnish industrial and rave music scene in the early …