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New World Records 50th Anniversary Sale🔥: special 20% discount on the label's entire catalog until Sunday at midnight!

New Arrivals

The Atco/Atlantic Singles 1968-1974
2025 stock Dr. John has proven to be one of music’s foremost generalists, a primary-care cat whose practice extends back some 60 years. His expertise encompasses rock ’n’ roll, swamp pop, New Orleans, R&B, funk, jazz, and the Great American Songbook—and he’s made worthy contributions to recordings by the Stones, B.B. King, Van Morrison, Frank Zappa, Buddy Guy & Junior Wells, Buffalo Springfield, Gregg Allman, and others. The awards (six Grammys and counting) and accolades long ago validated the …
Fanfares
The Northwoods Improvisers return with a new album, Fanfares the latest effort with a quintet/sextet lineup that includes veterans Mike Johnston (bass, bass recorder, wood flutes, percussion) and Nick Ashton (drums, percussion) and reunites them with a fierce front line of saxophones with Dominic Bierenga (tenor/alto/soprano saxophones, flute, percussion) and Donovan Boxey (alto/soprano saxophone, clarinet, melodica, wood flutes, percussion) and introduces the strings of Jack O'Brien (cello, bas…
Atlan-Tan Suite
After decades in the vault, Entropy Stereo has unearthed one of the most unique and obscure Faruq Z. Bey recordings for you. It was Faruq's dying wish that these recordings become available. We are pleased to present Faruq Z. Bey's Atlan-Tan Suite featuring Faruq Z. Bey on saxophone, Jaribu Shahid on bass, Tony Holland on saxophone, Marlene Rice and Gwen Laster on violins, and Robert Allison on vibes. Meticulously recorded by Ron Decorte and mastered by Warn Defever. We made this live document a…
One Year
CD reissue of the 1971 debut solo album from the former vocalist for the Zombies. One Year was co-produced by Blunstone's former Zombie colleagues Rod Argent and Chris White who also contributed three songs to the album. On the album, Blunstone is backed by Argent, led by Rod and featuring Russ Ballard, Jim Rodford and Robert Henrit.
1966
2025 stock This compilation documents part of an exciting, and somewhat neglected period in Australasian jazz. Recorded in Sydney (1966), we can hear Bernie McGann was already one of the great Australian jazz stylists. But at the time the only publicly available recording he made was two tracks on the JAZZ AUSTRALIA compilation (1967) (CBS BP 233450). All five tunes are also early recordings of two New Zealand greats - Kim Paterson and Andy Brown, who were living in Sydney at the time. Two years…
Four Guitars Live
As Bill Orcutt’s most mature and exhilarating LP to date, Music for Four Guitars was a slab of undeniable Apollonian beauty. Its approachability and obvious novelty landed it not only on the year- end lists of every key-pushing codger in the underground in 2022, but also on NPR in the form of the Bill Orcutt Guitar Quartet, an ensemble assembled to perform this music and featuring Wendy Eisenberg, Ava Mendoza, and Shane Parish. But while their Tiny Desk Concert gave a whiff of the quartet’s easy…
Ketchaoua
Recorded August 18, 1969 in Paris with Archie Shepp on soprano, Grachan Moncur III on trombone, Dave Burrell on piano, Sunny Murray on drums plus Arthur Jones, Beb Guerin and Earl Freeman. Restored & remastered from the original tapes Pressed on 180-gram black vinylInsert featuring insightful essay by author & music journalist Kevin Le GendreLP original gatefold sleeve & artwork faithfully reproduced
Ramblin'
Big Tip! An essential jazz masterpiece from celebrated Canadian pianist Paul Bley, presented in a deluxe edition. Originally released in 1969 as part of the iconic Actuel series, this definitive remastered edition of Ramblin' invites listeners to experience the artistry of Paul Bley’s 1966 Rome session in unprecedented clarity. Recorded at Studio RCA in the Eternal City on July 1, 1966, Ramblin’ captures Paul Bley alongside the formidable rhythm section of double bassist Mark Levinson and drumme…
A Banda Tropicalista Do Duprat
Dated 1968 this Rogerio Duprat album still sounds as a wild mix of pop-rock elements and various forms of Brazilian music. Infectious Latin rhythms, astonishing covers of US and UK hits of the era, easy listening atmospheres and a variety of odd arrangements. A must for all Tropicalists out there!
Mondo Vision: A Pictorial Survey of Mondo 2000
"Mondo imagined a future more far-out than any of its time. In its pages, readers glimpsed a hyper-accelerationist consumer dream of cyberspace made all more frighteningly real – then and now – by its prophetic synthesis of capitalism, psychedelic culture, and the computer age." - Dr. J. Christian Greer Mondo Vision is an exploration of the visual culture of Mondo 2000, the iconic cyberculture magazine published 1984-1998, edited by R.U. Sirius and Queen Mu. Under the art direction of Bart Nagel…
Vol. 4 Jo Maka
Music-lovers of all lands, rejoice! Here you have the re-release of the fourth album of the Intercommunal Free Dance Music Orchestra recorded with the Guinean saxophonist Jo Maka. The title says it all: Vol.4: Jo Maka. But before that, a bit of history: The Intercommunal Free Dance Music Orchestra was created in 1971 by an "old hand" of French free jazz, François Tusques. "Free Jazz" was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François J…
Après la Marée Noire
If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself… In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a…
Tales of Fear Will Forgive Me
This tape is an edit of Emiliano Maggi's live performance at Villa Lontana on 22 November 2022. It includes selected tapes from the artist's personal archive, vocals and acoustic instruments played live by Emiliano Maggi. The title comes from an essay by Clarice Lispector published in the Jornal do Brasil in 1967.
¡Debemos Apoyar Lo Que Es Nuestro! (Punk Sudamericano 1981-1990)
Another mixtape in our series in partnership with Philadelphia's World Gone Mad, this time surveying South American punk and post-punk between '81 & '90 - featuring bands from Colombia, Peru, Ecuador, Chile, Paraguay, Uruguay and Argentina.
Punk From Medellín, Columbia 1987-1992
Our third mixtape in partnership with Philadelphia punk archivists World Gone Mad, this time specifically focused on the late 1980s/early 90s punk & hardcore scene in Medellín, Colombia. "There are moments in which art perfectly reflects the surroundings in which it was born. This is the case of the entire hc/punk/metal scene in late 80s/early 90s Medellín. It was, at the time, the most violent city in the world because of drug cartels, corruption, oppression & poverty. This violence was the rea…
Dark Wave From Poland 1982 - 1989
Another mixtape reissued by Death Is Not The Enc in partnership with Philadelphia's punk archivists World Gone Mad, a 90 minute overview of rare material from the annals of Poland's dark wave scene, 1982 to 1989.
Miles In France 1963 & 1964 (The Bootleg Series, Vol. 8)
Miles in France is the eighth installment in the celebrated Miles Davis Bootleg Series and this edition focuses on the birth of the Second Great Quintet in 1963 and 1964. The music heard here represents the sound of an end and a beginning coming through at once. The set contains 5 separate performances of the Miles Davis Quintet spread over 8 LPs or 6 CDs and the energy and depth of feeling in the transcendent playing hint at the special relationship Miles and the group had with the French natio…
A Tribute To Jack Johnson
A Tribute to Jack Johnson was originally conceived as the soundtrack for a documentary on the life of the first african american heavyweight boxing champion, but the album stands on its own as one of the most brilliant, compelling fusion recordings ever made. This is due in large part to the increasing influence of rock and funk on miles's aesthetic, to the superb musicians (including Davis himself - who turns in some stunningly vigorous solos), and in part to the production skills of Teo Macero…
'Round About Midnight
Widely acknowledged by jazz critics and aficionados as a landmark in 'hard bop' and one of the greatest jazz albums ever, Miles Davis' 1956 Columbia Records debut showcased his first legendary quintet featuring John Coltrane.
Music From A Room Full Of Synths
We are very happy to present the second installment in our collaboration with SMEM. Dorian Concept spent 10 days at the Swiss Museum for Electronic Music Instruments to record Music From A Room Full of Synths. Even though he doesn't consider himself a "gear-guy," his unique approach led to a record defined by its playful curiosity and free-form arrangements. The entire album was recorded live, with no sequencing or programming involved. Thus, capturing the rawness of the moment, while celebratin…