New Arrivals
Viva Negativa! The New Blockaders: The Noise of Art and Nothing
Few gestures in the history of recorded sound have been as absolute as the one Richard and Philip Rupenus made in a garden shed in rural Newcastle in 1982, when – as The New Blockaders – they committed Changez Les Blockeurs to tape and, with it, drew the founding line of noise as an art of pure negation. From the outset TNB armed the music with a manifesto: blockade as resistance, an anti-music and anti-art set against every convention of composition, performance, and even personality, the sound…
Sunrise - Live In Ypsilanti 1977
Wewantsounds presents the first official release of a legendary 1977 concert, capturing Don Cherry, Collin Walcott and Leon Thomas in their only documented performance together, joined for part of the night by the rest of Oregon. Long circulating among a few Cherry fans, Sunrise is a hypnotic forerunner to Codona, newly remastered, with Moki Cherry artwork and new liner notes by Jason Weiss.
No Becoming
Fifteen years on, Lee Noble's cult bedroom classic No Becoming returns to vinyl in a 2026 remaster on Primordial Void: eight ghostly lo-fi hymns of analog synth, harmonium and tape, poised between hauntology and New Weird America. Remastered by A.F. Jones, limited to 200 copies.
Öd
After nearly a decade away, Black Forest collective Institut für Feinmotorik return on Faitiche with Öd: eight prepared turntables, no records, coaxing music from rubber bands, foil and junk. Dubby loops and howling static drift into a scrap-metal Dixieland haze, with word-molecule track titles by poet Dagmara Kraus.
Baquet Wheel
Kyoto trio Kukangendai return on Marionette with Baquet Wheel, five tracks of purely acoustic minimalism recorded live through Taku Unami’s binaural microphone. Through collage-like repetition the band fold jazz, krautrock, blues and Tuareg into one unified, timeless rhythm – primitive, precise, and impossible to place in time.
Testing the Waters
On Testing the Waters, crys cole follows water through five electroacoustic chapters of drift, friction and slow transformation. Field recordings, instruments and electronics seep into one another, forming a 2023 WDR 3 commission where trickles, resonances and submerged textures continually retune the ear, making movement feel tactile, uncertain and quietly alive.
Gold Is The Metal With The Broadest Shoulders
The "Gold Is The Metal With The Broadest Shoulders" LP by Coil is released on Mute. Originally issued in 1987, the album is not a conventional studio album but a collection of outtakes, demos, and interim versions from the sessions for "Scatology," "Horse Rotorvator," and the Hellraiser contributions, functioning as a documentary in-between space within the band’s body of work.
Musically, the record operates in the tension between experimental electronics, dark ambient aesthetics, and industrial…
Mystical Obscurant
Across four decades, Andrew Chalk has built one of experimental music's most singular bodies of work. Mystical Obscurant gathers new recordings into a survey in miniature — drifting guitars, blurred keys, and loop-based vignettes sharing one unmistakable atmosphere: a subjunctive music of suggestion, where memory unfolds at its own pace.
Ys
Joanna Newsom's 2006 masterpiece returns on double LP: five sprawling songs where harp and voice meet Van Dyke Parks' orchestral grandeur, recorded by Steve Albini, mixed by Jim O'Rourke. Named for a drowned Breton city, Ys remains overwhelming
Main Lines / 1967
In September, 1967, three of the primary ensembles of free music in Northern Europe gathered for a mini-festival on Radio Bremen: the Manfred Schoof Quintet, the Peter Brötzmann Quartet, and the Irène Schweizer Trio. Pianist Alexander von Schlippenbach appeared as part of the Manfred Schoof Quintet, but in these sets, which mixed the dozen members of the ensembles, as well as presenting them on their own, Schlippenbach in fact either led or was at the center of several groupings, presenting two …
Four Louies Live
Bill Orcutt built The Four Louies by dropping Steve Reich's Four Organs onto "Louie Louie" - two of the most stubborn riffs in American music, high minimalism and dumb garage, forced into the same frame. This is what happened when he took it off the record and into a room. At Roulette last March the four organs became six, the rock trio swelled into a small army, and the plunderphonic stiffness of the studio version simply burned off. Six organists, twin drummers, William Winant on maracas, Chri…
Basilikum
Holy Tongue are a trio composed of Valentina Magaletti, Susumu Mukai, and Al Wootton. Accomplished musicians in their own right, they create expansive rhythmic music that moves freely through dub, trance, post-punk, free improvisation and cinematic psychedelia. Such a dynamic energy and force is mapped across a trilogy of critically acclaimed EPs, their debut album Deliverance and Spiritual Warfare and their collaborative album with dub-pioneer Shackleton. The trio recorded a series of improvisa…
Never Say When
Broken Flag was never only a noise label. Never Say When, the compilation Gary Mundy assembled in 1987 as the imprint neared its end, is the evidence: ten tracks mapping a network that ran from Croydon to Udine, almost none of them behaving the way the label's reputation would predict.
Mundy founded Broken Flag in 1982, out of a bedroom in South London, alongside his own project Ramleh. Across the decade it issued early work by The New Blockaders, Consumer Electronics, Skullflower, Maurizio Bian…
Sinkronia
“Iker Munduate is an artist and musician who brings a delicate sense of composition and design... Inspired in part by new age music, Its rippling melodies and frictionless glide recall the futuristic utopias of Detroit Escalator Company and the interior reverie of Nobukazu Takemura" - Derek Walmsley Continuing from where he left it 2 years ago after a sold out debut LP released on Hegoa, Iker is back with his follow up “Sinkronia”. A gripping take on Eastern and Western minimalist traditions inf…
Drum'n' Modular Progress
A live album featuring the best tracks from the tour undertaken in April 2026 by the improvisational duo Tatsuya Yoshida and Ichiraku Yoshimitsu is set to be released. Tatsuya Yoshida, known for his overwhelming performance style that makes heavy use of odd time signatures and is powerful, polyrhythmic, and brimming with speed, teams up with Ichiraku Yoshimitsu－who deploys everything from his custom modular system to LEDs, lasers, and even drones to counter with ruthless, rule-breaking technique…
Habit of reference
*24 copies limited edition* Lofi Experimental Cassette label focusing on reuse. Breathing new life into unwanted ephemera.
The Electron
*28 copies limited edition* Lofi Experimental Cassette label focusing on reuse. Breathing new life into unwanted ephemera.
Jabe Ledoux: Percussionnd dentico: electric bass, magnetic tape, field recordings
Explorations + Further Explorations Bundle
Bundled together, Gentle Fire’s Explorations (1970–1973) 3‑CD box and Further Explorations CD form the most complete portrait yet of this seminal British experimental ensemble. Studio and festival recordings of Cage, Stockhausen, Wolff, Brown and Ichiyanagi sit alongside radical “Group Compositions” and newly unearthed German radio sessions, revealing a maverick collective equally at home interpreting graphic scores, building their own instruments and inventing new forms of electroacoustic group…
Issue 88 (Magazine)
New issue of Audion, the magazine edited by Alan Freeman for Ultima Thule, printed in 60 copies. The cover article covers Magma from 1996 to 2026, thirty years since the band came back to activity, and runs alongside the second part of the beginner's guide to space-rock, this time on Europe: Belgium, Czechoslovakia, Denmark, Finland, France and Germany.
The label sections look at Bacillus / Bellaphon, Soleil Zeuhl, Whitelabrecs, The Avant-Garde Sector and Rescued Relics, plus the final archive e…
Weak Fission
*300 copies limited edition* Recorded, corroded, degraded, butchered, mixed and edited in Paris between February - June 2023. Hand-made covers, all different, with photos by Antoine Rigaux, Clara Muel, Jean-Charles Delarue, Jim Stickel, Leandro Barzabal, Lucia Bartl and Natasha Nedelkova, degraded with a cocktail of fluids and heat sources.