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Kieh! Kieh’s! Traumático Desmame, “Pseudonosologia da Psicopatologia” (2xK7 release, limited to 50 hand-numbered copies. Includes the 2nd issue of the “Berzerk” fanzine.)
From the catacombs of sludge comes an unprecedented monstrosity that will have you dunking your face in sulphuric acid while vomiting your guts out.
Raw sounds from spontaneous playing, singing, and shouting by children aged 5 to 7, recorded on various occasions at home and in public spaces. They use (sometimes brutalising) pianos and synths, electric and acoustic guitars, percussion instruments of all kinds, analogue gear such as radios, vacuum cleaners, and old TVs, as well as anything else they can lay their hands on.
“From the moment he played one note you knew that was Freddie Hubbard. He had a sound that was as distinctive as Miles Davis, as Louis Armstrong, as Clifford Brown. I mean, he’s one of those trumpet players.” – Stanley Crouch
“Sonny Clark’s music, in one of jazz’s truly magical periods, provides as good an example as any of both the music’s most lasting qualities and its transcendent nature.”
Don Byas Takes His Place Among the Greats
A historical document of jazz at a time when the musicians, steeped in the swing tradition, were creating and setting the mold for the modern sounds of bebop.
One of the Most Distinctive Voices in Jazz
Finally Gets His Due. When you get your copy of Mosaic’s new five-CD collector’s set, “The Complete Joe Henderson Blue Note Studio Sessions,” you’ll be holding a master key to unlocking 1960s jazz.
This month's Electronic Sound cover star is the supremely talented Suzanne Ciani, and we have an awesome red vinyl seven-inch by the American modular virtuoso to supplement the issue. Suzanne Ciani's long and intense connection with modular synthesis started after meeting Don Buchla in the late 1960s. She soon became obsessed with the Buchla 100 and 200 systems, taking a particular interest in how the voltage-controlled quadrophonic capabilities enabled her to move sounds around a room. More tha…
*50 copies limited edition* Moody cacophonies, sonic dispatches from Japan, crystalline breakbeats that are more environment than rhythm: Jake Muir’s enmixed, described by Muir as a “(re)mixtape,” is a mind-bending deep dive into the enmossed archive. Besides reflecting the history of the label, Muir’s mix is a production in its own right. A Los Angeles native based in Berlin, Muir is a DJ and field recordist who “sees mixes as a vehicle to explore narratives outside of the album format.”
In Bat…
*200 copies limited edition* Build Buildings is Brooklyn, New York, based Ben Tweel. He makes music with computers, instruments and household sounds. The sounds on “Ecotone” are sourced from acoustic guitars, lap harp, ukulele, mbira, and clarinet, and played through the gestural iPad program Samplr. He has released numerous albums since 2004, most recently 2022’s “Bring in the Lampstand and Light Its Lamps” on Audiobulb Records.
*200 copies limited edition* Roughly three years after the release of Balts, Schreel Van De Velde’s debut album on Blickwinkel, the guitar and drums improv-centered duo is happy to present their sophomore album A One And A Two. The Brussels-based musicians sound more decisive than ever: the loud became louder, the quiet became quieter, the weird became weirder and the nostalgic became more nostalgic. The fruit peeled off one of its own shells, getting closer to its heart.
The album came about as…
Sam Gendel is known for his work with saxophones and wind controllers. Benny Bock is a keyboardist, composer, producer and sound designer from Oakland, California. Hans Kjorstad is a musician and composer in the field of contemporary microtonal music, informed by Norwegian traditional music and experimental improvised music.
Debut standalone VHF LP by the Elkhorn duo of Drew Gardner and Jesse Sheppard, a tight set of six studio recordings in a variety of moods and featuring a lot of new sound textures. Elkhorn’s prolific stream of releases since 2016 has highlighted their mastery of sprawling long-form, acoustic-driven hypno-jams, with an emphasis on live performance (including on their collaboration with Pelt’s Mike Gangloff on the Shackamaxon Concert LP). The Red Valley is a more layered and composed-sounding set,…
Third LP from Finnish group Mahti, a collaboration between three members of stalwart avant-rock legends Circle and Hannu Saha. Saha plays the Kantele, a traditional Finnish acoustic instrument which can have 5, 10, 15, or 36 strings, and which is plucked like a zither or harp, producing a delicate string sound. Following their two very limited studio LPs on UK label Riot Season, Konsertti I is an excellent recording of the group in live performance, capturing their understated and beautiful mix …
Fourth volume of Library Music miniatures by Daniel O’Sullivan (Ulver, Æthenor, This is Not This Heat, etc) for VHF, this time commissioned by the legendary German Music Library, Sonoton. Another sampling of Dan’s versatility and brilliance as a composer, performer, and sound designer, the focus on The Pastoral Machine is more “electronic” compared to the three previous albums Dan recorded for KPM (also issued on LP by VHF), with simpler arrangements and a focus on gentle and emotive synthesised…
Delicate and beautiful music from the combined forces of the recently ubiquitous East-Coast psychedelic combo Elkhorn and Pelt’s Mike Gangloff, laying down two epic raga-like performances captured on a 2022 collaborative tour. Gangloff - fresh from the triumph of his VHF solo fiddle LP “Evening Measures” - has found a distinct instrumental voice, blending drone music and trad influences in a way that really advances the tradition into new areas.
“East Dauphin Suite” builds patiently on the inter…
Anthony Moore's post-Slapp Happy output, for years an underrated-to-outright unknown quantity, achieves another dimensional plane with this third archival release from his personal tape library. Home of the Demo triangulates upon the art-pop qualities found in his previously unreleased OUT (1976, officially issued 2020) and the new wave-adjacent Flying Doesn't Help (1979, reissued 2022), finding Anthony's early/mid-'80s compositions drifting into the actual mainstream, just moments before it beg…
"We are very proud of adding to our artists log such a great musician, immense composer, poet: Michael Mantler. I always admired his work since I was a kid and I think all of his records are in my collection. In a way it was quite natural for two other great artists to be involved in this brilliant project: long time Mantler collaborator John Greaves and the amazing Annie Barbazza. I hope you enjoy this live recording as much as I do and appreciate the care we all put in making this stunning alb…
Boxhead Ensemble is a musical collective founded by composer Michael Krassner, formed Los Angeles in 1991. The project began in 1991 to record music for the independent film The Original Pantry Café. The group features an ever rotating line-up, which as included Edith Frost, David Grubbs, Glenn Kotche, Fred Lonberg-Holm, Jim O’Rourke, Doug McCombs, Scott Tuma, Mick Turner, Ken Vandermark, Jim White. Krassner is the only consistent member and Lonberg-Holm has contributed the most frequently to th…