New Arrivals

Sound Chapters: Voices of Sound Experimentation in Italy gathers a generation of Italian sound artists, curators, and researchers into a polyphonic reader, where essays, scores, poems, and songs are treated as vocal acts on the page, tracing an embodied, situated history of contemporary sonic experimentation.

A late and welcome arrival from the Matchless vaults. Phlegm captures AMM in their classic trio configuration, Eddie Prévost on percussion, Keith Rowe on tabletop electronics, John Tilbury on piano, recorded live at the Huddersfield Contemporary Music Festival, November 2015. One continuous hour-long piece, a setting closely aligned with the group's longstanding commitment to electroacoustic improvisation and one of the final documented performances of the trio. By this stage AMM's language had …

100 copies. Six volumes in a slipcase (I–VI) plus a multiple, signed & numbered. English/German. A singular act of archival reconstruction, mounted in faithful keeping with the wayward spirit of its subject. Edited by An Paenhuysen, Die Tödliche Doris - Dossier gathers six independently bound volumes inside a slipcase to assemble one of the most thoughtful and idiosyncratic portraits yet attempted of the legendary West Berlin group and conceptual constellation. Among the most enigmatic figures t…

Special discounted Bundle. Audiophile edition. Pure analogue mastering & cutting from the original master tapes. Representing three of the most essential and sought-after works within the canon of 20th Century avant-garde composition, this bundle brings together Luc Ferrari's Presque Rien No.1 / Société II, Mauricio Kagel's Acustica, and Tōru Takemitsu's Quatrain / A Flock Descends Into The Pentagonal Garden in a single offering. Originally issued by Deutsche Grammophon between 1970 and 1980, ou…

A raw, groove-driven selection of previously overlooked 1990s recordings by legendary Turkish jazz impresario Okay Temiz, compiled here for the first time.

An album of improvised music was recorded in Belgrade, in the courtyard of one of the musicians’ homes. There were no prior agreements, prepared compositions, or preplanned ideas. The album came into being in real time, right there on the spot. Ulya Volkova (pleurereme) - cellist/multi-instrumentalist, composer/sound designer, producer and music enthusiast with over a two decade of experience in cultural community. After studying for 15 years at the Gnessin School (Academy) of Music she began wr…

Discotchari unveils a full deadstock run of this rare 7 inch from 1970, found in original factory boxes and reissued as the first release of the label. It features previously unheard material from oud virtuoso John Bilezikjian and percussionist Raja Zahr, a Burbank via Beirut collaboration. Recorded under the name Something Different, the duo produced a single 45 RPM that was shelved as their solo careers took off. At just 21, Bilezikjian handles oud, bass and harpsichord, while Zahr delivers ri…

At the time of release in 2005 Avalon Sutra was reported to be California-born American minimalist composer and pianist Harold Budd’s last recorded work. Avalon Sutra (released as a 2 disc set) is a suite of short, heartbreaking ambient pieces, featuring Budd’s delicate piano improvisations, lush string arrangements and warm electronic drones. The second disc (As Long As I Can Hold My Breath) features a startling coda by LA based electronic composer Akira Rabelais, sending Budd’s arrangements in…

Darla Records is honored to offer Another Flower, a new record by two singularly and sonically recognizable masters of lush beauty and minimalism respectively, Robin Guthrie and Harold Budd. Another Flower was recorded at Robin's home studio in France in 2013 and was held unreleased, until now.Another flower follows Robin and Harold's previous work together Bordeaux (2011), matched set After the Night Falls and Before the Day Breaks (2007) and Mysterious Skin (2004) and of course The Moon and th…

Darla is pleased to offer A Song For Lost Blossoms, a record of ambient melody and transcendental mood portals from minimalist/modernist master Harold Budd and friend guitarist/composer/producer Clive Wright. A Song For Lost Blossoms nicely builds on both artists’ previous ambient work. A Song For Lost Blossoms was recorded live and in studio at different locations including the artists’ homes, at REDCAT (Roy E. Disney Concert and Theater), Los Angeles, and Clive Wright's Desert Sky Studio, Josh…

Darla is pleased to offer a new album from Harold Budd and Clive Wright. Little Windows completes the trilogy begun with A Song for Lost Blossoms and carried through their previous album Candylion.  Part of Little Windows was recorded especially for Echoes, the nightly music soundscape from Public Radio International heard on over 120 public radio stations and online at www.echoes.org.  These recordings were first heard on Echoes Radio in Fall 2009.  The other part of Little Windows was recorded…

Jane 12-21 is the companion to Jane 1-11. Minimal, modern classical piano and avant-garde electronics by the master.  "It's simple. I broke out and broke back to my earlier days: A triangle of risk, improvisation and joy -- as I say, very simple. My rules to myself were: No plan, no notes, no ideas, no microphones; except for Jane 1 I stuck to it. My other rule -- the most important one -- was: At least one piece per day, finished, mixed and not to be revisited again. Jane 7, 8, 9 were done in o…

Darla is pleased to offer a new record of string quartets by Harold Budd. Bandits of Stature is a first as it comprises 14 compact Budd composed string quartets played by the Formalist Quartet.

‘Traces of the ceiling’ is the new album by Takako Minekawa, an artistic collaboration between Minekawa who composed, performed and recorded the works contained within - and artist Ippei Matsui, who created and designed the accompanying elaborate five-panel fold out sleeve, risograph inserts, and vinyl. ‘traces of the ceiling’ is also the debut release from Portland, Oregon based shop, label, and event series tone poem. ‘traces of the ceiling’ was recorded in los angeles between 2018 and 2020, a…

This album is a masterpiece in which the three core pillars of Akira Ishikawa’s musical vision—jazz, rock, and African music—are fused in a sublime and thrilling balance. One arresting track follows another: the solemn and majestic “Prayer”, evoking the eternal land; the clear yet subtly psychedelic “Dawn”; the serene and beautiful “Love”; and the highly dynamic, explosive “Jumbo”. The brilliance of Hirmasa Suzuki’s arrangements deserves special mention—simple yet profoundly deep, they give vivi…

Tip! ИМА (Ima) is a work by KiMiMi, the solo project of musician Shin-ya Ohno, which captures the layers of time and the presence of people inhabiting ‘Arimasuton Building’—a self-built structure created over 20 years by architect Keisuke Oka, located in Mita, Tokyo, and reconstructs them into music. A multi-instrumentalist who masterfully handles a diverse range of instruments, with the gaida (an ancestor of the bagpipes) – which he studied in Bulgaria – at the core of his sound, KiMiMi has pre…

*100 copies limited edition* Maurizio Abate is an Italian guitarist who has been active since the early 2000s, known for his experimental and instinctive approach to music. His sonic exploration spans electroacoustic improvisation, ambient music, and psychedelic experimentation, with a particular fondness for stringed instruments. Since 2006, he has released numerous albums both as a solo artist and in collaborative projects, working with artists such as Kawabata Makoto (Acid Mother Temple), Joh…

A mild-mannered engineer by day, Michael Carlson is an experimental computer musician who focuses on drone ambient music and field recording; revolving around tracker programs since the early '90s, informed and inspired by the eclectic styles of music he listens to. The results sometimes hold the listener in stasis, other times guiding the listener through undefined vistas, always with the intent to reward patience. 'Coalescence' is the culmination of several years of exploration, experimentatio…

"A cavernous dive into a stark melancholia, ancient plaintive melodies summoned from transcendent chant, out-of-body guitar, rumbling canvas of wind, a stray dog barks either to warn or direct us to the eerie salvation beyond the wilds" - Raphi Gottesman, Buddha's Hand Written, recorded and re-composed during a two-week residency at fara hoprich in martínkovice, czech republic, between 14 and 25 october, 2024. performed live in the forest as an improvised dimensional audio collage at "když proml…

*50 copies limitede edition* "Selected Instrumental Works" gathers fourteen instrumental pieces composed and recorded by Mathew Sweet under the Boduf Songs name. Stripped of voice and overt song structure, the music turns specifically to atmosphere, tone, and grainy resonance to carry the emotional weight. Piano sits at the center of the record, along with sparse electronics and sustained textures, focusing on harmonic shifts that unfold with deliberate patience. These dark, reflective, and medi…

*80 copies limited edition* Tired is Thomas DeAngelo's first full length solo effort since the 2023 Voiceprints & Aircuts CD on adhuman, and his second for More Mars following Standing Water released in 2021. Much has changed, both domestically (DeAngelo resides in Philadelphia, USA) and geopolitically in the interim, but, as the title suggests, maybe not really. Employing a sort of seasick, off kilter symmetry and befouled mirror logic, Tired accentuates the form/content dialectic, with motifs …

*80 copies limited edition* Guilty Paradise is an almost 30-minute, fascinating glimpse into Michał Fundowicz’s journey to Japan. There, in the city of Kobe, he met Tim Olive, and over the course of three days they recorded the material that eventually took shape as Guilty Paradise. Both artists engage in improvisation: Tim Olive works with magnetic pickups, oscillator and tuning forks, while Michał Fundowicz manipulates cassette tapes. What can one expect from this collaboration? The two exte…

A bold analysis that exposes the racist policing of Black music. The emergence of UK drill music made headline news, portraying it as a criminal enterprise instead of recognising it as an art form. This new rap subgenre, however, is neither the first nor the only Black music to be targeted this way. Policing the beats rewinds the tape to demonstrate how music has been used as an instrument for policing Black people, from the era of colonial slavery to the present day, revealing the racist legal …

Washing Machine is the ninth studio album by the American experimental rock band Sonic Youth, released on September 26, 1995 by DGC Records. It was recorded at Easley Studios in Memphis, Tennessee and produced by the band and John Siket, who also engineered the band's previous two albums. The album features more open-ended pieces than it's predecessors and contains some of the band's longest songs, including the 20-minute ballad "The Diamond Sea", which is the lengthiest track to feature on any …

Sonic Youth's eighth album, Goo, was their first for DGC / Geffen. The album marked their major label debut, featuring arena rock staples like "Kool Thing" and "Dirty Boots" deep in its grooves. This allowed Sonic Youth to enter the mainstream world, destroy everything in their path, and emerge victorious. They rode the Top 10 charts to sonic stardom and glory, or at least secured the opening spot on the 1991 Crazy Horse tour.

A Thousand Leaves was Sonic Youth's 10th studio album and the group's first major effort to be recorded at their own Echo Canyon studio in NYC. Free from the constraints of paying for costly studio time, the band was able to work at their desired pace and experiment at will. The result was an album born out of improvisation, chiefly characterized by the guitar interplay between guitarists Thurston Moore and Lee Ranaldo. The album title was inspired by Walt Whitman as Moore explained, "The same w…

** 2026 stock ** One of the lost gems of the 90s, Talk Talk's final album 'Laughing Stock' has gathered momentum in the hushed tones of music fans' conversations since it's release. At long last it has secured a reissue. The record took a year to make yet has required decades to fully appreciate. following up on the abstract 'Spirit of Eden', which sufficiently alienated pop fans of the band's earlier material, 'Laughing Stock' took spaces in recorded music to new extremes, with layers of silenc…

One Size Fits All’s 50th Anniversary 2LP “black glitter” anniversary edition boasts a brand-new analog cut of the album, a bonus LP of highlights from the box set, and the 50th anniversary edition booklet.  The booklet has newly revealed photos by Sam Emerson accompanying the bespoke liner notes by Ruth Underwood, David Fricke, and Joe Travers.

2026 stock Temporarily Eternal is an emotional-visual summing up of a creative friendship between Swedish author Carl Abrahamsson and British artist Genesis P-Orridge (1950-2020) that lasted for more than three decades, and which was filled with musical projects, films, books, writings, conversations, travel, and a great deal of magic. This book both is and is not a companion to Genesis Breyer P-Orridge: Sacred Intent – Conversations with Carl Abrahamsson 1986-2019. It is, in the sense that the …

Recorded in 1963, The Composer of Desafinado Plays documents the beginning of what would become a long-term creative relationship between Jobim and arranger Claus Ogerman. Although there was initial resistance by producers, Jobim not only plays guitar but piano as well in his debut for Verve. Jobim is joined by George Duvivier (bass), Edison Machado (drums), Leo Wright (flute), Jimmy Cleveland (trombone) and full strings on the 12-song instrumental set that features such bossa nova classics as “…

Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums—Takin’ Off, My Point Of View, and Inventions & Dimensions—before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock’s artistry into a sweeping 35-minute musical journey. Joining Hancock on the voyage were three of his closest collaborators: …

The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey’s Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.

*300 copies limited edition* "Originally released on Ezekiel Honig's Anticipate label in 2007, Standing on a Hummingbird is the debut album by Canadian sound artist Mark Templeton, now appearing for the first time on vinyl, newly remastered by Giuseppe Ielasi and cut by Lupo. Working at the intersection of post-glitch, electroacoustic ambient, and textural minimalism, Templeton composes through restraint and erosion, building patient and richly tactile pieces primarily from acoustic sources - fi…

*300 copies limited edition* After releasing an album in 2017 on the late lyon-based label s.k. records, and a tape on Lost Dogs Entertainment, the duo OD Bongo — aka Édouard Ribouillault and Amédée De Murcia — have teamed up with Carton Records, Zamzamrec, Prix Libre Record, and Basalte to present Bongoville, the latest episode in their musical saga. For nearly ten years, OD Bongo has been performing across Europe, often late into the night, carrying drum machines, samplers, and synths. The duo…

10" featuring this explosive encounter between two of the wildest and most irrepressible musicians on the current international adventurous scene: the American electronics artist Container (real name Ren Schofield) and the Australian drummer/percussionist Will Guthrie.

*300 copies limited edition* 577 Records proudly announces Universal Butterfly, a new project shaped over years of shared musical paths, bringing together a striking trio: pianist Milton Michaeli, double bassist Asaf Shchori, and legendary drummer Hamid Drake. At its core, the album presents three distinctive and deeply creative musicians, each with a strong individual voice, coming together in a spirit of openness and mutual respect. Michaeli’s playing is rooted in jazz and Latin traditions whi…

Exuma returns with Exuma II, the hypnotic follow-up that deepens the spellbinding fusion of Bahamian folk traditions, mystical storytelling, and raw, soulful performance. First released in 1970 on Mercury Records, Exuma II expands the singular vision that introduced the world to Exuma’s otherworldly sound earlier that year. On Exuma II, the artist refines the eccentric, ritualistic atmosphere of his debut while offering moments of greater restraint and melodic clarity. Where the first album dazz…

Bruno Silva, operating here under his restless Serpente alias, returns with Visita do Fogo — a sharp, stripped-back and incendiary counterpoint to the drifting, dream-jazz abstractions of Dias da Aranha. If that record floated like smoke, this one crackles and snaps like dry wood. Visita do Fogo finds Silva stepping back into the heat of his beat-driven origins, embracing a raw, forward-leaning approach that feels closer to his live detonation than a studio construction. The record is built on s…

London experimental spoken word and electronics duo BAG land on Phantom Limb with mesmerising new album This House is a Body, marrying visceral poetry with exploratory production to achieve beguiling, occasionally screwy and occasionally dreamy sonics. “This album functions as a floor plan, a house in itself, collecting and containing the ecosystems of multiple rooms,” write BAG - Canadian artist and poet Jody DeSchutter and London producer Daniel Allison. “The roles we play can be defined by th…

Carol Maia & Jeremy Gustin’s haunting collaborative album is the result of a long distance partnership during which tracks were traded back and forth across thousands of miles, Jeremy working from his home studio in Brooklyn and Carol from hers in Rio De Janeiro. Later they enlisted support from a number of key players in the Rio scene, Frederico Heliodoro, Paulo Emmery, Ricardo Dias Gomes, and from Brooklyn’s musical community, Will Graefe and Ryan Dugre, to shape this understated masterpiece o…