The companion volume to Por#1&2 Vol.1 completes the documentation of this historic May 1980 session, revealing the full scope of that day's creative outpouring. An intriguing production detail emerges from Akita's notes: "Por#1" actually continues from the final track of "Por#2," meaning it was recorded later despite appearing on the cassette's A-side. Such archival mysteries add layers of fascination to these foundational recordings.
The early tracks feature Akita on microphone feedback and drums with Mizutani on guitar—a role reversal from their usual configuration that demonstrates the duo's fluid approach to instrumentation. This flexibility would become a hallmark of Merzbow's practice, with Akita perpetually expanding his sonic toolkit. Together, these two volumes preserve an entire day's work from Merzbow's prehistory—essential listening for understanding the DNA of noise music.