The "Antimonument" concept looms large in Merzbow lore - the original 1985-86 album is considered a landmark in noise history, a foundational text for the genre. *Antimonument Tapes* offers invaluable context, documenting the creative process that yielded one of the genre's defining statements. These session recordings reveal how Akita assembled the finished work from raw materials.

The "anti-monument" concept rejects permanence, solidity, commemorative function - Akita's sonic constructions exist only to collapse, their form defined by undoing. Where monuments celebrate stability and endurance, these recordings embrace entropy and dissolution. The tapes capture sound in perpetual decay, structures eroding even as they're built. For scholars of noise music, this release provides essential insight into the construction of a masterpiece.