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First collaborative album by Philipp Bückle and Martijn Pieck (Cinema Perdu), grown out of their shared track for the Moving Music compilation. The vocabulary fuses field recordings with heavily treated modular synthesis to construct what the artists…
Third release in the MFR Contemporary Series. The Vonnegut Collective combines a recording of Thomas Adès's Piano Quintet (2000) - a dense, time-warping work requiring forty-eight hours of rehearsal - with a new commissioned piece by Tullis Rennie bu…
Second solo album by Gagi Petrovic, mastered by Jos Smolders. The pieces are performed on GEST, an instrument Petrovic designed himself with STEIM: a light-sensor interface that translates hand gestures breaking light beams into commands for a granul…
Debut album by the young Belgian composer Ryan Van Haesendonck, mastered by Stephan Mathieu. The pieces grew from a week spent on the quiet beaches of Normandy, then continued in Brussels after his move from Antwerp. The vocabulary combines field rec…
First in a series of collaborations between artists already on the label. Bruno Duplant on church organ, Alfredo Costa Monteiro on synthesizer, composing remotely a single long-form piece. The vocabulary moves between mass, flow and slow combustion: …
Foliage is a long-form graphic music score by Elliott Sharp, consisting of eighty risograph prints offered as abstract instructions open to any number of realisations by any instrumentalist or ensemble. Sharp works in the lineage of post-1945 graphic…
Imanishi's first album for the label, presenting eleven miniatures built from small sounds drawn from his immediate environment: paper, objects, radio, field recording, microphone. The work is abstract in vocabulary but warm and slow in effect, a del…
Two compositions built on what van den Broek terms parameter canons of sine wave generators. The canon, classically a counterpoint device producing imitations of a line after a temporal offset, is here transposed onto pure electronic material: custom…
An exercise in musique concrète in the Luc Ferrari sense: not soundscape, not reportage, but the deliberate assemblage by montage and superposition of recorded sequences drawn from disparate origins, composed into a continuity that functions as sonic…
Final work in a trilogy (Sketches, Drawings, Paintings) marking Philipp Bückle's return to music after closing his Teamforest project. Recorded in 2014 across Copenhagen and Dortmund, the album combines a visually organic sensibility with experimenta…
Follow-up to There Was Hardly Anybody There (Spina!Rec, 2016). Belorukov moves once again away from improvised saxophone toward electroacoustic studio composition. A central role is taken by Boris Shershenkov's reconstruction of the Variophone, a 193…
Compilation that grew out of the label's December 2019 crowdfunding campaign. Twenty-four musicians contributed across sixteen tracks, mixing solo pieces with ten new collaborations (TVO & Jos Smolders, Radboud Mens & BJ Nilsen, Kouw & Petrovic, and …
Final volume of Haarvöl's trilogy. After the noisy beginning of Bombinate and the move toward the periphery of Peripherad Debris, the trio arrives at the frontier as a psychoanalytic empty signifier: an edge that holds both interior and exterior. The…
Polack returns to the park in south Haarlem made famous by Nicolaas Beets's Romantic 1839 novel Camera Obscura, and uses it as the field for an exercise in urban escapism. Local recordings (pigs from the petting zoo, birds migrating north from Africa…
Cinema Perdu's third album for the label, extending his investigation of human impact on landscape after Interventions in a Landscape and Amsterdam CS. The material here is drawn from trips through the Frisian polder, where the strict demarcations of…
Continuation of the same piano source material used on the Piano Music 7-inch, here developed into a long-form work. Orphax takes a postcard he bought in a Spanish village in 2001, while studying geology, as imaginative axis: the tranquillity of smal…
States grew from a live-electronics setup developed by Tijs Ham (Tapage) in 2016: analogue feedback routed through digital manipulation to form a self-balancing, self-generating chaotic system, capable of producing its own deep melodic and textured m…
Two compositions on the social and ritual function of music, drawn obliquely back into the experimental frame. The first piece, L'Anglard de St-Donat, takes a Central-French mazurka recorded from Alfred Mouret as its hidden source, building solid dro…
Follow-up to Atsusaku (2016) by Gareth Davis (bass clarinet) and Merzbow. The earlier theme of mechanical compression is here extended into a meditation on the fears of mechanisation in the natural environment: North Sea wind farms, Southern Californ…
The Winter Trilogy and The Big Fall trilogies were realized between 2015-2019 in the Netherlands and implemented into a sequence of live shows during the same period. Both inspired by cultural sonic imprints, the Winter Trilogy (computer & accordion)…