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*Rare original arist' book - Music scores and instruction for performance* Sonata for Prepared Piano (1982) is a short work which, again, uses photoderivations as parts of the notation—this time nature with incomplete figure photographs, mostly obscured by the natural objects around them. (Dick Higgins, "The Strategy of Each of My Books" from Horizons, 1984)
"Four movements make up this thirteen minute work. Each uses a very different method of interpreting its materials, a set of four phot…
* Rare original artist' book - Music scores and instructions for performance * Variations on a Natural Theme (1982), as in Dick Higgins words, is a large orchestral work, in some ways a companion to the Ten Ways, since this time it uses gamuts (in this case selected by the individual musicians) and photo derivations made from a female model; she was insistent that she not be recognizable, since she was a teacher and was afraid that it would be damaging to her professionally if it were known that…
* Rare original artist' book - Music scores and instructions for performance * After folding Something Else Press in 1974 due to financial difficulties, founder Dick Higgins would move on to other publishing projects for the remainder of his life and career, mostly under the imprint of Unpublished Editions and later Printed Editions. From 1980-1983, Higgins produced a remarkable series of publications using the format of common sheet music books. Within are experimental musical scores and instru…
Rare original artist' book - Music scores and instructions for performance Ten Ways of Looking at a Bird (1981)...is a playful variation on the name of a poem by Wallace Stevens whose work I have always admired, though, goodness knows, there is no modern poet more different from myself. This is a piece for violin and harpsichord; the harpsichord part is developed in “live time” (that is, during the performance) from what the violinist is doing, according to a set of rules. The violinist uses mu…
* Rare original artist' book - Music scores and instructions for performance * This score by Dick Higgins consists of letters and arrows arrayed across one sheet of musical notation paper. A cover sheet provides the instructions for the four-minute, fifty-two second performance, stating that any number of people may interpret the score simultaneously if they do so independently of one another. Guidelines for interpretation are fairly specific, but the piece is different every time it is perform…
Rare original artist' book - Music scores and instructions for performance ** Twenty-Six Mountains for Viewing the Sunset From (1981) is for a small ensemble, including three dancers. It is a different kind of notation, not using photographs but using an indication of what kinds of tex- tures and patterns are desired. The title comes from a trip I took late one night with a teenager from Vermont, who brought me to some of his favorite places to view the sunset from; it was magical evening…
* Rare original artist' book - Music scores and instructions for performance * Although Dick Higgins is best known as a performance poet and artist, his creative life began with music, he studied with composers Henry Cowell and John Cage, and he has even made a phonograph record of compositions by himself and by Erik Satie. In fact, some of his Happenings and Fluxus works are essentially musical, such as the 1965 “Opera a Gogo” Hrusalk. For him music sometimes seems to be a matter of behavior ( …
*In process of stocking. 2022 stock* "This is pure intuitive music, full of improvisation and spontaneity. here we have amazing musicians that interact between them in an amazing way creating pasages that despite using heavily experimentation and improvisation are really coherent and also they explore without falling into chaotic musical pieces. I am really amazed by this musicians that are constantly exploring new sounds with their instruments yet retaining a "group spirit" that allows them to …
**Original 1989 copies of this obscure classic, few copies back in stock** Organized around LAFMS associate James Grigsby, also founding member of the California Outside Music Association (abbreviated COMA) Motor Totemist Guild was formed in Los Angeles in 1980 together with poet/singer Christine Clements. Throughout the 1970’s Grigsby had been involved with the study and performance of electronic music, Renaissance polyphony, progressive rock, post-Webern serialism, Balinese gamelan and punk-j…
**Original 1988 copies of this obscure classic, few copies in stock** First LP album by these Italian post industrial legend (of Broken Flag fame), published by the Milanese label ADN, this is their praise of Marquis de Sade, entitled Boudoir Philosophy and inspired by the book of the same name: this is ritual dark electronica at their best. Formed in Milan, Italy on 23 December 1985 by Paolo Bandera (Sshe Retina Stimulants), Eraldo Bernocchi, and Luca Di Giorgio. Their unique sound is derived f…
Releasing electroacoustic music in this country has historically, always been a dedicated persuit. With no national record labels and very few electronic music studios to support this music, the UK has always lagged behind its counterparts in both the United States and throughout east and west Europe. Trevor Wishart started releasing his own music in 1973 and continues to do so to this day. Much of this LP was originally privately released in 1979. Whilst other maverick British composers (Nyman,…
Last copies available ** Individually hand-painted, hand-numbered gatefold sleeve. Original copies, unplayed ** Roberto Donnini is an architect, visual artist, and musician who has realized several remarkable avantgarde LPs from the 1980s and 1990s, pure droning soundscapes with a sophisticated blending of a rich instrumentation performed by an incredible cast of guest players. Long coveted and hunted by collectors, Fluxmar falls among the strange and definition resistant artifacts of Italy’s re…
** original copy ** "...Of course, they are all just 'grains of sand' in the universe of world music - and yet, a grain of sand, a drop of water, can be a symbol of the entire universe. In this way, the title given to his composition by German composer and saxophone player Berndt Konrad - 'To Listen To The World In A Grain Of Sand' - so beautifully expresses what this concert stands for." (from the CD liner notes by Joachim-Ernst Berendt). Live Recorded at the Donaueschingen Musiktage (Contemp…
Super Tip ** original copies, last ones ** 'Trumpeter Baikida Carroll was once again in the company of alto saxophonist Julius Hemphill for a January 1982 recording with pianist Anthony Davis, bassist Dave Holland, and drummer Pheeroan Ak Laff for Soul Note called Shadows & Reflections. The material here sounded like it could have been a late Blue Note recording; in fact, there were times when the horns brought back flashbacks of the Jackie McLean-Charles Tolliver front line of the '60s. And for…
"There is only one Cyrille solo on this album - the last solo on the last tune - but he is there at every moment of this date. His timekeeping, his fills, his extraordinary cymbal work, his sense of space, are present in every nook and cranny of this date"
This one is a bit unique - we have sourced ~700 original sealed copies of a rare 1984 release by Myles Davis and Ray Herrmann, entitled Hybrid Vigor. It's an amazing LP - dubby, groove centered, and sometimes ambient tracks recorded in a basement studio in Connecticut between 1981 and 1984. Highly tipped for fans of Talking Heads, Savant, Sly & Robbie, Laurie Anderson, Bill Laswell / Material, or King Sunny Adé.' - RVNG
**Original 1983 pressing, sealed copies. Few available** In the late 1970s, Steve Piccolo was a founding member of the seminal No Wave jazz band Lounge Lizards along with John Lurie, his brother Evan Lurie and Arto Lindsay. He’d studied music at Bard and NYU and was doing performances, art and sound installations at night while during the day maintaining a job as a Wall Street computer analyst. This is his second solo LP, again a minimalist and radical rethinking of song, mixing a post-punk/DIY…
German/English. First edition. Softcover. 36 pages. Exhibition catalog for a show that ran March 11 through April 22, 2007. From the exhibition press release Rolf Julius is one of the most important representatives of contemporary sound art. His nuanced, mostly small-format sound installations explore the visibility of sounds, the audibility of images and the aesthetic and ontological potential of silence in the most subtle way. Since the 1960s, Julius, a constant border crosser between music a…