Sub Rosa presents an LP-only collaborative release between New York visual artist, photographer, and film artist Peter Downsbrough and Xavier Garcia-Bardon and Benjamin Franklin, two members of Buffle -- a Brussels-based improv collective.  
The work of visual artist, photographer and film artist Peter  Downsbrough has had a major impact on the perception of art. In the  early-'60s, Downsbrough interrupted his studies in architecture at the  University of Cincinnati and Cooper Union in New York in order to work  as a sculptor. A decade after his first exhibition in New York (1962),  the artist gained international recognition, and has been exhibiting  regularly in the United States and Europe since 1972. The varied work of  the artist -- ranging from sculpture and books to photography, video,  and film -- maintains a complex relationship with architecture and  typography, while also drawing on the achievements of the early  avant-garde (Bauhaus, De Stijl) and minimal art. In terms of form, the  work of Downsbrough is highly rigorous and exhibits a powerful geometric  sense, restricting itself primarily to the use of line, plane, negative  space (cutting away), and delimitation. In addition to his spatial  manipulations, the artist also has a keen interest in place, as is  evidenced in his cartographical works and city photographs. The music  that Downsbrough commissioned for the final edit of this recording, a  mix of ambient electric guitar, sweet electro, street field recordings,  treatments and voices, was composed and recorded in 2007 by Xavier  Garcia-Bardon and Benjamin Franklin (a modus operandi they first experimented with in the Brussels improv collective Buffle).  As is often the case with Downsbrough, the final piece seems to be  emerging from a world put between parentheses -- music that could last  forever, where fragments seem to be missing (just like in his  typographical work). It's those missing bits we ceaselessly try to find  in this music without beginning or end. This work is only available on  vinyl and is housed in a gatefold sleeve. 
An audio work from 2007 by Peter Downsbrough.
Produced by City Works, 2007. 
Published By Sub Rosa, Brussels, 2009. 
Vinyl mastering at Le Laboratoire Central.
Avec l'aide de la communauté française Wallonie-Bruxelles.
© 2009 Peter Downsbrough, Benjamin Francart & Xavier Garcia Bardon.
Limited to 500 copies, vinyl only.