Maurizio Bianchi, Sostrah Tinnitus
Concredrones
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We at Korm Plastics safely assume that M.B., also known as Maurizio Bianchi doesn't need much introduction. In the early 80s he was responsible for a string of compelling electronic music albums in the first wave of Ôindustrial music'. After a hiatus of many years he returned in the late 90s and since then has been very active with many new solo releases, but also on the side with collaborations. Here he works with Mario Costa, also known as Sostrah Tinnitus, from Italy, who has had a number of releases on labels as Umbra, Beyond, Mystery Sea and Silentes. The music is not as dark as it was in the early years, but has grown into a more complex affair with room for electronic textures and acoustic sounds Ð hence the title of this album. This release is designed by Meeuw and comes in a plastic bag 15 x 15 cm, like some of earlier releases (Z'EV, RLW and Epitaph For John). 200 copies.
Release notes
Edition of 200 copies. CD is sandwiched between two 6x6 inch pieces of cardboard inside a plastic sleeve.
| 1 | Sustained Tonality | 3:18 | |
| 2 | The Ongoing Sounds | 8:07 | |
| 3 | Drone Establishment | 8:32 | |
| 4 | Solenoidi | 9:30 | |
| 5 | Monophonic Effects | 10:32 | |
| 6 | Tempered Resonances | 12:09 | |
| 7 | Objects In Mirror Are Closer Than They Appear | 10:15 |
- Meeuw
- Design
- Maurizio Bianchi
- Drone [Elecdrones], Electronics [Concretelectronics], Artwork [Pictures]
- Sostrah Tinnitus
- Electronics, Tape [Lo-Fidelity Magnetic Tapes], Performer [Metal Objects, Bronze Rattles, Tin Toys]



















































