Merzbow, Balázs Pándi, Mats Gustafsson
Cuts
FormatCDLabelRareNoise RecordsGenreJazz & Improvisation
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If jazz, as the eminent critic Whitney Balliet once wrote, is the “sound of surprise,†Cuts, an intensely cathartic, fiercely turbulent collaboration between Japanese noise purveyor Masami Akita (aka Merzbow), Hungarian drummer Balazs Pandi and Swedish saxophonist Mats Gustasfsson, is the “sound of shock and awe.†A sonic assault of epic proportions, it blends the bombast of Merzbow’s grinding white noise barrages with Pandi’s thunderous pulse on the kit and Gustafsson’s ferocious abandon on baritone sax and clarinet mixed with live electronics, bringing to mind a marriage of Lou Reed’s Metal Machine Music and Coltrane’s Interstellar Space, with touches of Sonic Youth’s sonic mayhem thrown in for good measure.
Release notes
Titles inspired by Leif Elggren's "Something like seeing in the dark". (Firework Edition No. 118). Recorded April 14th 2012 at Metropolis Studio, Budapest. Mixed @ Munemihouse Studio, Tokyo. © & ℗ RareNoiseRecords 2013. ___ Packaged in a Digipak. Tracks are numbered A to E on sleeve. Artwork is taken from a concert flyer.
| 1 | Evil Knives. Lines. | 17:55 | |
| 2 | Deep Lines. Cuts. | 19:07 | |
| 3 | The Fear Too. Invisible. | 7:35 | |
| 4 | Like Razor Blades In The Dark. | 20:55 | |
| 5 | Like Me. Like You. | 6:16 |
- Roki
- Artwork [Cover Art], Design
- Mats Gustafsson
- Baritone Saxophone, Clarinet [G-Clarinet], Electronics [Live Electronics], Composed By [All Compositions By]
- Balázs Pándi
- Composed By [All Compositions By], Drums, Percussion
- Masami Akita
- Composed By [All Compositions By], Electronics [Noise Electronics], Mixed By
- Gabor Borosi
- Engineer [Studio Engineers]
- Daniel Sandor
- Engineer [Studio Engineers]
- Giacomo Bruzzo
- Executive-Producer [For RareNoiseRecords]
- James Plotkin
- Mastered By
- Péter Szabó
- Photography By [Cover Photos By]
















































