2011 release  ** "Enrico Coniglio's four tracks on Dialogue One don't differ radically in style from those on I, though the former are in spots perhaps louder and more texturally wide-ranging. Next to no details are provided about sound sources (save for a thanks to Rachele for lending her voice to “Calls of the White”) so once again impressions must be based on listening, pure and simple. One of the recording's most attractive aspects is the contrast between Coniglio's four tracks (all of which are in the seven-minute vicinity) and the twenty-eight-minute opus by Under The Snow duo Stefano Gentile and Gianluca Favaron. Coniglio's “Long Distance” largely presents itself as a monotone stream of electrical sputter and fuzz that might very well have started out as an outdoors field recording, though a modest array of musical pitches do penetrate the track's rippling fog during its final minutes. Rachele's aforementioned voice is transformed into ethereal exhalations of angelic character during the comparatively soothing “Calls of the White,” while the gaseous “Century Dome” inhabits an equally celestial sphere before plunging into a prickly bath of seasqualls and electrified smears. The generous running time of “Resonant Cuts” gives Under the Snow ample opportunity to play with its lab equipment and to do so unhurriedly. As a result the piece grows ever more hypnotic as its myriad sounds accumulate, and the listener quickly surrenders to the music's organic flow of lo-fi electro-acoustic sounds and extreme juxtapositions. Burbling voices, echoing bell tones, wheezing harmonicas, and grinding motor engines swim in a seething and always dense mix that experiences multiple twists and turns during its abstract journey. In short, Dialogue One shows Coniglio and Under the Snow to be kindred spirits of the first order."