Andrea Bellucci’s “Red Sector A” is probably one of Italy’s best kept secrets, and for sure the project of an author who has always preferred quality over quantity. In 1995, after hitting the European dance charts with a few successful 12" releases, he signed to Minus Habens, the hystorical Italian label. Between 1995 and 2012 he released with them four albums of evolute electronic music, merging deep atmospheres and Techno rhythms, microsounds and Ambient-Dub, big beats and Drum’n’Bass, installing his refined aesthetics on assimilated codes. During the years Bellucci also dedicated himself to Dark-Ambient under the Subterranean Source guise, whose two CD albums were released in the U.S. by Relapse via their Desolation House imprint. He also had the merit to bring Alio Die’s music to a wider “Non-Ambient” audience with Son-Dha, a remix project centered on selected tracks culled from the Italian ambient master’s early releases. “Transients” is Red Sector A’s fifth full-length work and also the first one released by Silentes. The path traced by Bellucci in twenty years of activity is perfectly fulfilled in an album characterized, as always, by complex rhythmic textures. The quality of the music produced is remarkable, the sound is clear and well defined with the album working quite well as a whole without any single weak track. The list of guest-artists who have contributed to the greatness of this work is simply impressive and includes the following: Andrew Lagowski, Teho Teardo, Retina.it, Dean Dennis (ex Clock-DVA), Giorgio Ricci (Templezone), Eraldo Bernocchi of Sigillum S fame, and Fabrizio Modonese Palumbo of Larsen. Since we enjoyed every bit of this release it’s quite hard to pick up any favourite: the analogic waves of “Luv – 426” (with Lagowski), the cold sequences of “The Depht of Balance” (featuring Dean Dennis) and the Dub-infected “Think – L” (with Eraldo Bernocchi) are just a few examples. A total winner that will appeal to fans of labels like Minus Habens, Warp, Rephlex, etc.