Kadef Abgi came together in a serendipitous way. Devin Brahja Waldman was walking up St. Laurent borough in Montreal when he heard an otherworldly voice emanating from the venue Divan Orange. He walked in and listened to the singer on stage. When he was done, Devin walked over to him. After a short exchange about playing a house show in a couple of days, Ziad Qoulaii told Devin that he was available for all his projects. Shortly thereafter, Devin and Ziad met up at Mathieu Pelletier-Gagnon’s studio with Anas Jellouf and Hamza Lahmadi. Later on, Anas Hejam, Vicky Mettler and guitarist Sam Shalabi (Shalabi Effect, The Dwarfs Of East Agouza, Karkhana, Land Of Kush…) joined. 

The music materialized in a natural, collectively improvised way, without any compositions or ideas discussed beforehand - and without second takes. From there, Waldman began editing and mixing. Ala Dehghan painted the album’s great artwork. A single composer’s imagination would not have produced Diva Of Deva Loka as it is music created from a collective consciousness unfolding in real time. The album has its roots in each musician’s sonic experience: this includes Arabic music —including most notably Moroccan Gnawa— as well as rock ‘n‘ roll, jazz and the avant-garde.