300 numbered copies. 180 gr. Black Vinyl. In the 1970s, Italy emerged as a vibrant musical landscape, producing influential projects and musicians such as Franco Battiato, Aktuala, Lino 'Capra' Vaccina, Giusto Pio, Roberto Cacciapaglia, and Futuro Antico, among others. The scene was characterized by a commitment to creative freedom and experimentation, with musicians seamlessly transitioning between mainstream music genres such as rock, progressive, and jazz, as well as more overtly avant-garde methods and styles.

Although the majority of focus on 1970s Italian music has predominantly been on performers from Milan and Rome, Toni Esposito's contributions shed light on another significant developments occurring in different regions of the nation during this era. Initially emerging in Naples in the early part of the decade, he gained recognition as a sideman in the influential band Saint Just and collaborated with Alan Sorrenti. He contributed percussion to Luciano Cilio's iconic album, “Dell'universo assente”, and performed alongside Don Cherry, Don Moye, Gato Barbieri, Eumir Deodato, Brian Auger, and Gilberto Gil, among others.

In 1974, Esposito embarked on a solo career, producing his eponymous debut album for Numero Uno. Recorded with Paul Buckmaster on ARP Odyssey synthesizer, Grand Piano, Rhodes; Gigi De Rienzo on guitars; Bruno Limone on guitar; Roberto Fix on saxophone; Mark Harris on keyboards; and Esposito on percussion, it's a remarkable, percussion-driven and synth-rich opus of prog/fusion which established the framework for what is undoubtedly his most significant creative achievement.

Built around Esposito's mesmerizing structures of minimalistic polyrhythms, musicians move fluidly into vivid spatial realms of sound, guided by arrangements that reveal intricate detail and precision, effortlessly harmonizing the album's rhythmic pulse with a light, ethereal energy that relies entirely on the incredible unity of its components.