Bomb! Limited edition numbered to 500 copies. Transparent Red vinyl format / 180 grams + CD. One of cinema's most radical sonic experiments finally receives the deluxe treatment it deserves. Nino Rota's groundbreaking soundtrack to Federico Fellini's hallucinatory 1969 masterpiece Fellini Satyricon emerges on stunning transparent red vinyl, offering a rare glimpse into the composer's most daring and uncompromising work. Far removed from the melodic charm of La Dolce Vita or Amarcord, Rota's score for Satyricon abandons classical narrative entirely, instead constructing an archaic and abstract soundscape that mirrors Federico Fellini's fragmented, dreamlike vision of ancient Rome. This is not historical reconstruction but pure sonic imagination - a ritualistic hybrid between fantastical ethnomusicology and theatre of the absurd.
Rota crafts an alien musical language using atonal instruments, tribal percussion, dissonant choirs, and unclassifiable sounds that evoke a world that never existed yet feels hauntingly ancient. The music oscillates between sacred and profane, playful and terrifying, creating a hypnotic suspension that perfectly complements Fellini's disorienting visual poetry. Rather than memorable themes, the soundtrack lives in its sonic matter - breathing, chanting, rustling - becoming an integral part of the film's uncanny atmosphere. This is Rota at his most experimental and avant-garde, creating what amounts to a masterpiece of cinematic sound design decades ahead of its time. The score embodies the other, the ancient, the mysterious - a sonic journey into the unconscious depths of collective memory. This limited numbered edition of 500 copies comes pressed on 180-gram transparent red vinyl with accompanying CD, complete with an insert featuring liner notes by Massimo Privitera of colonnesonore.net. For collectors of film music, Italian experimental sound, or anyone fascinated by the intersection of cinema and avant-garde composition, this is an essential artifact. A visionary work that continues to challenge and mesmerize more than half a century later. Absolutely crucial for understanding both Rota's artistic evolution and the radical possibilities of film music.
Don't miss this rare opportunity to own one of cinema's most uncompromising sonic visions.
| A1 | Teatrino di vernacchio (Vernacchio's Small Theatre) | 1:21 | |
| A2 | Il giardino delle delizie (Garden of Delights) | 0:53 | |
| A3 | Notturni nella suburra (Nocturnes in the "Suburra") | 2:03 | |
| A4 | La schiavetta innamorata (The Little Slave Girl in Love) | 0:40 | |
| A5 | La cena da trimalcione (Trimalcione's Dinner Pt. 1) | 2:13 | |
| A6 | Madejà-Periamdejà | 2:38 | |
| A7 | Mio amato gitone (My Beloved Giton) | 0:54 | |
| A8 | La cena da trimalcione (Trimalcione's Dinner Pt. 2) | 2:01 | |
| A9 | Tema di gitone (Giton's Theme) | 2:36 | |
| A10 | Il trionfo del nuovo Cesare (New Caesar's Triumph) | 0:23 | |
| B1 | Encolpio e ascilto prigionieri (Encolpio and Ascilto, Prisoners) | 0:53 | |
| B2 | Sulla nave di lica (On Lica's Boat) | 1:29 | |
| B3 | Le nozze sul mare (Wedding at Sea) | 0:45 | |
| B4 | Il fuoco delle vestali (Vestal's Fire) | 0:32 | |
| B5 | L'oracolo salmodiante (The Psalmodist Oracle) | 0:55 | |
| B6 | Mi ascolti Gitone? (Do You Listen to Me Giton?) | 0:56 | |
| B7 | Storia della matrona di efeso (Story of the Ephesus Matron) | 0:37 | |
| B8 | Encolpio ha perduto la sua spada (Encolpio Lost His Sword) | 1:49 | |
| B9 | Il minotauro (The Minotaur) | 1:36 | |
| B10 | La nuova isola (The New Island) | 1:29 |