On "Far West," the Master Musicians of Bukkake mark a turn from their Totem Trilogy. If the Totems were an expression of yang energy, then the "Far West" cycle is the yin that took seed within the trilogy. What happens when you travel so far east looking for enlightenment that you pass your destination and are headed west again? The mania of being lost in the mountains of the Cascade Corridor, searching aimlessly for the Northern Pacific coast. A spiritual Donner party of sorts, feeding off fantasy and mirages and imaginary shamans. "Far West" is the soundtrack to this expedition to the caves of light we all travel into with hopes of acquiring redemption, only to realize our bodies have dissolved—gone like rain from the sky, snow from the ground, thoughts from the mind. The sound of "Far West" is a progressive folk record inspired by Paul Giovanni's Wicker Man soundtrack, early Canterbury prog folk, the suspenseful soundtracks of Goblin and Ennio Morricone, Gerry Goldsmith's interwoven dark orchestrations, and Pacific Northwest folk rock. The Master Musicians of Bukkake take an earthly and shamanistic approach to these influences and infuse it with Krautrock pulses interweaved with acoustic guitars, intricately layered rhythms, hazed-out modular analog synths, brassy stabs, and cultish choirs. A true psychedelic, audiophile experience to dissolve your body in.

"Far West" also features backing vocals by Sub Pop! recording artists Rose Windows,
a deluxe cover illustration by Simon Fowler, and the amazing photography of Alison Scarpulla.

"Far West" was recorded and mixed by Randall Dunn. Produced by Randall Dunn and Master Musicians of Bukkake.
Mastered at Chicago Mastering by Jason Ward.
Photos by Alison Scarpulla. Cover illustration and layout by Simon Fowler. Art direction Randall Dunn