McCoy TynerFeaturing: Jack DeJohnette, Ron Carter
Inner Voices (LP)
LabelMilestone RecordsGenreJazz & Improvisation
Out of stock
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condition (record/cover): NM / VG+ (light wear and 2" bottom seam split)
1977: McCoy Tyner expands the canvas with voices and brass, orchestrating his volcanic piano language on a larger scale - the quartal thunder scored for choir and horns, the modal surge given orchestral wings. The seventies Milestone run was one of the most consistent label chapters of the decade, and this is among its most ambitious entries: Tyner as composer-arranger, thinking in textures and masses without ever losing the rhythmic engine that drives everything he touches. Records like this show how much unexplored territory his post-Coltrane career actually covered while critics were busy looking elsewhere. US Milestone pressing, and a rewarding deep cut for the Tyner shelf.
| A1 | For Tomorrow | 6:04 | |
| A2 | Uptown | 7:27 | |
| A3 | Rotunda | 6:43 | |
| B1 | Opus | 9:32 | |
| B2 | Festival In Bahia | 10:04 |
- Earl Klugh
- Acoustic Guitar (A2, A3, B2)
- Ron Carter
- Bass
- McCoy Tyner
- Composed By, Arranged By, Piano
- William Fischer
- Conductor, Co-producer
- Phil Carroll
- Cover
- Eric Gravatt
- Drums (A2, B1)
- Jack DeJohnette
- Drums (A3, B2)
- Joel Cohen
- Engineer [Assistant Recording]
- Jim Stern
- Engineer [Recording And Remix]
- David Turner
- Lacquer Cut By [Runout Etching Eyes With Eyebrows]
- Guilherme Franco
- Percussion (B2)
- Phil Bray
- Photography By [Back Cover]
- Tom Copi
- Photography By [Sleeve]
- Orrin Keepnews
- Producer
- Alex Foster
- Soloist [Tenor Sax] (A2, B1)
- Charles Stephens
- Soloist [Trombone] (B1)
- Jon Faddis
- Soloist [Trumpet] (A2)
- Adrienne Anderson
- Voice (A1, A3, B1, B2)
- Benjamin Carter
- Voice (A1, A3, B1, B2)
- Bessye Ruth Scott
- Voice (A1, A3, B1, B2)
- Carl Scott
- Voice (A1, A3, B1, B2)
- Fran Dorsey
- Voice (A1, A3, B1, B2)
- Joan Taylor
- Voice (A1, A3, B1, B2)
- Suzanne Simmons
- Voice (A1, A3, B1, B2)












































