Alien Brains was an abstract non-collective initiated in 1979 by Nigel Jacklin. Over the years Nigel co-operated with the likes of Mark Lancaster (Instant Automatons, 391), Allen Adams (Methods Of Execution, The Blanks, The Destructors), Philip and Richard Rupenus (Funeral Danceparty / The New Blockaders), Philip Sanderson (Storm Bugs / Snatch Tapes), Metgumbnerbone, Harold Schellinx (The Young Lions),  David Jackman (Organum) and various random acquaintances (with limited musical skills).  There was no fixed line up; there are no photo’s of Alien Brains as (in the words of Nigel Jacklin) “we” did not exist.
 
Their works employed elements of musique concrète, the industrial avant-garde, drone music, the boogie woogie and dub.   Alien Brains tools of the trade included field recordings, tape editing, use of everyday objects and devices as well as unconventionally applied traditional acoustic instruments.  A keen fan of acoustics, the locations in which Alien Brains recorded or appeared were as important as the tools they used to produce their sounds.  

Not managed by the fictional ‘Another Corporation Incorporated’ Alien Brains later metamorphosed into Verdenskang with Jacklin releasing one tape under his own name.  Little did he realise, when he recorded Menial Disorders and Blatantly Nihilist at the age of 17, how Emile Durkheim’s concept of anomie would later ring true to the foundations of Alien Brains. They performed live on several occasions, in London, Aberdeen, Newcastle and Amsterdam.  A total of 7 Tapes were released between 1980 and 1985 with contributions to several compilations including Deleted Records (Deleted Funtime), Snatch Tapes (Snatch 3) and Ptose Production (Assemblée Générale No 2, Boule (Joyeux Noël).