Enzo Minarelli
Live In San Francisco (LP)
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Edition of 200 copies, with printed inner sleeve. Great sound performance held at with an introduction by Charles Amirkhanian. Enzo Minarelli is one of the most significant sound poets of our time. First and foremost, he is a distinguished, important, even profound creative artist. His body of work, which he most appropriately terms "poly-poetry", includes not only conventional sound poetry, but also embraces inter-media sound poetry (his performances frequently include slide projections, musique concrete and the use of instruments and noise/sound emitting objects), concrete poetry or what Minarelli calls "phono-graphies", visual art works utilizing the written word and images associated with music and geometry, video poetry, and performance art
Release notes
Introduction: Charles Amirkhanian A1: Tribute to Mallarmé, from Polypoetry 10, performed live April 9th, 2018. A2-A7: From Polypoetry 10, performed live April 13th, 2018. A8: From Polypoetry 4, 1977-85. B1: Tribute to Caspar David Friedrich, from Polypoetry 10, performed live April 9th, 2018. A2-A8: these poems used here as basic sound can also be found on 'Fame' (CD, Pogus, NY, 2012). All poems recorded during 'Sound Poetry The Wages Of Syntax' Other Minds Festival 23 @ ODC Theatre, April…
| A1 | Ptyx | ||
| Fame, What I Want To State | |||
| A2 | The Grandeur Of Gengis Khan | ||
| A3 | Knowledge As Purpose Of Life | ||
| A4 | The Names Of Cities As National Anthem, to Sinclair Lewis | ||
| A5 | Succeed Without Asking | ||
| A6 | Those Who Fear The Pain (Use The Medicine Of Religion) | ||
| A7 | Seeking The Sound Pharmacopoeia | ||
| A8 | Poema | ||
| B1 | With Sound This Poem Expresses What The Word Cannot | ||
| Futurist Performance | |||
| B2 | Dune (Parole in Libertà), 1914 | ||
| B3 | Subway, 1939 | ||
| B4 | Verbalizzazione Astratta Di Signora, 1927 | ||
| B5 | Grattacieli (Skyscrapers), 1929 | ||
| B6 | Savoia, 1917 | ||
- Johnny van de Koolwijk
- Design
- Mark Abramson
- Engineer, Production Manager
