This is the seventh and last release in the Die Stadt CD series. Even though David Jackman gets the credit in the title, the music itself is pure Organum electronics—dense, noisy, and exactly what fans would expect. Emerging as a meditative gesture within the long and enigmatic arc of David Jackman’s output, Steadfast stands as both a summation and a deepening of concerns that have occupied him for decades. Issued as a double CD by Die Stadt, the release captures Jackman—best known for his work under the Organum moniker—at a moment of stark clarity and quiet force. His legacy, shaped through collaborations with figures like David Tibet and Steven Stapleton, has always occupied a space between austerity and intensity, drawing on minimalism, drone, and ritualized abstraction to forge a language uniquely his own.

Across the two discs of Steadfast, we find a music that is neither strictly acoustic nor electronic, but something in between—an environment, a slow unfolding. Analog synthesizers swell and recede like distant weather systems; field recordings and incidental sounds rise with spectral insistence before dissolving again into silence. There is a patience here, a sense of refusal, of staying with the sound long after others might have let go. Moments verge on the imperceptible, only to bloom suddenly into passages of engulfing texture.

Rather than a document of change, Steadfast feels like a portrait of duration—of persistence in listening and making. It does not seek to impress but to inhabit; it asks for time and gives it back in kind. For those familiar with the ceremonial gravity of Organum or the liminal poetics of Nurse With Wound, this work may feel at once familiar and startlingly new—a quiet epiphany from one of the most singular voices in experimental sound.